From the Manufacturer
Studio Quality Preamps in a Compact Package As the smallest mixer in the VLZ Pro compact mixer line, the Mackie 1202-VLZ Pro packs the same legendary punch as Mackie’s other VLZ-Pro compact mixers. The 1202-VLZ Pro is the ideal compact mixer for home and project studios looking for an economical solution for their audio needs. Thanks to its compact size and durability, the 1202-VLZ Pro can be used both in the studio and on the road.
- Ultra-low noise mixer with the highest headroom in its class
- 4 new precision-engineered XDR(tm) Extended Dynamic Range premium studio-grade mic preamps with:
- Ultra-wide 0-60dB gain range
- 130dB dynamic range, 24-bit digital ready
- 192kHz Bandwidth
- +22dBu line input handling
- Distortion under 0.0007% (20Hz-20kHz)
- Advanced DC pulse transformer RF rejection
- 12 line inputs (4 mono, 4 stereo pairs)
- Separate RCA-type tape/CD inputs and tape outputs (unbalanced)
- 2 aux sends with 15dB of extra gain above Unity
- Constant-loudness pan pots
- 2 stereo aux returns w/EFX to Monitor
- Aux 1 master w/ Monitor/Post assign
- 3-band active EQ (80Hz, 2.5kHz, 12kHz)
- 18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops and low frequency recording studio room resonances
- Extra ALT 3-4 stereo bus for submixes, separate recording, monitor and 'mix minus' feeds
- Control Room/Phones multi-input source matrix
- Phantom power for premium condenser mics
- Rugged steel chassis, sealed rotary controls
- Built-in power supply--no wall wart!
Product Description
This compact mixer is perfect for small studio music recording and demos, MIDI project studios, radio production and remotes, live sound, audio/video and boardroom presentations, video post, multimedia ? plus it?s a great audio ?Swiss Army Knife? for submixing, extra mic preamps, level and impedance matching. Ultra-low noise, highest headroom in its class 4 new precision-engineered XDR Extended Dynamic Range premium studio-grade mic preamps with: Ultra-wide 0-60dB gain range 130dB dynamic range for 24-bit, 192kHz sampling rate inputs +22dBu line input handling Distortion under 0.0007% (20Hz-20kHz) Advanced DC pulse transformer RF rejection 12 line inputs (4 mono, 4 stereo pairs) Separate RCA-type tape/CD inputs and tape outputs (unbalanced) 2 aux sends with 15dB of extra gain above Unity Constant-loudness pan pots PFL Stereo in-place Solo on each channel 2 stereo aux returns w/EFX to Monitor Aux 1 master w/ Monitor/Post assign 3-band active EQ (80Hz, 2.5kHz, 12kHz) 18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops and low frequency recording studio room resonances Extra ALT 3-4 stereo bus for submixes, separate recording, monitor and 'mix minus' feeds Control Room/Phones multi-input source matrix Phantom power for premium condenser mics Rugged steel chassis, sealed rotary controls Built-in power supply--no wall wart!
