- Loads of outputs for easy multitracking
- 100mm log-taper faders for consistently smooth fades
- Low Cut Filter (18dB/oct at 75Hz) on every channel
- 6 stereo (2 assignable) aux returns
- Extensive routing capabilities
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Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8-Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials.
Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ -- with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ -- as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals.
With Mix B, "in-line monitoring" is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8-Bus'scomplete talkback and phones level controls make communicating with the talent a snap. There's much more:
The Low Cut Filter on our compact, SR Series, and 8-Bus mixers inserts a 75Hz low cut (high-pass) filter into the channel's signal path (fig. 1). Why did we pick 75Hz? Well, the very finest microphones have a switch that lets you roll off their response below 75Hz, the very lowest fundamental frequency of the male voice. When you use this filter you notice that it doesn't have any audible effect on the human voice... but it cuts off mic thumps and room rumble. Our Low Cut filter emulates this bandwidth.
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