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| 1. Introduction |
| 2. Honky Tonk Woman |
| 3. Introduction |
| 4. Sticks and Stones |
| 5. Cry Me a River |
| 6. Bird on a Wire |
| 7. Feelin' Alright |
| 8. Superstar |
| 9. Introduction |
| 10. Let's Go Get Stoned |
| 11. Blue Medley: I'll Drown in My Own Tears/When Something Is Wrong ... |
| 12. Introduction |
| 13. Girl from the North Country |
| 14. Give Peace a Chance |
| 15. Introduction |
| 16. She Came in Through the Bathroom Window |
| 17. Space Captain |
| 18. Letter |
| 19. Delta Lady |
It helps to set the scene for the 1970 tour. Two years earlier Cocker had hit the top of the charts in the U.K. with his cover of the Beatles' "A Little Help From My Friends," and when he sang the song at Woodstock he made a name for himself in the colonies. Leon Russell became Cocker's musical director and provided a second hit in England with "Delta Lady." Two albums came out in 1969, "With a Little Help From My Friends" and "Joe Cocker!", both of which went gold. What makes this live album so amazing is that Cocker only sings one song form his first album (and it is not even the title cut but "Feelin' Alright") and only three cuts from the second: "Bird on a Wire," "Delta Lady" and another in a series of classic Beatles coves, "She Came in Through the Bathroom Window." So out of 16 songs on the album, a dozen of them are "new" material for Cocker.
Of course such things are a lot easier when you are a cover artist rather than a singer-songwriter. This frees Cocker to come up with songs by the Rolling Stones ("Honky Tonk Woman") and Bob Dylan ("Girl From the North Country"). But whatever the songs a lot of the credit for Cocker's career and this album have to go to Leon Russell and Chris Stainton for coming up with the greatest live arrangements on the Sixties (Give me George Martin in the studio and Leon Russell). The concert was recorded at New York's Filmore East in the spring of 1970 (as a film as well as an album). There were almost two dozen musicians involved, giving a whole new meaning to Noel Coward's famous song title, and the result is the definitive mixture of rock 'n' roll soul with a big brassy sound and Russell's awesome piano playing behind Cocker's powerful vocals.
Part of the impressive result was a couple of Cocker standards in "Cry Me a River" and "The Letter." It was the cover of the later, originally by the Box Tops, that broke Cocker into the U.S. Top 10 for the first time. Other standout tracks include the slower "Superstar" and "I've Been Loving You Too Long, " along with "Give Peace a Chance." Of course, "Mad Dogs & Englishmen" went gold as well as if there are those who want to argue that Joe Cocker's first three albums were his best, it is hard to argue with them. My preference for this one as the best of the lot is based almost on much as it being a double-album as it being live, but the live part is still the key consideration.
This tour was incredible not only in the energetic performances Joe and his cohorts delivered every night, but also in the fact that Joe and his Mad Dog's entourage played 48 cities in 56 days! Coming off his sonic performance at Woodstock the previous summer, this was the ticket to get in 1970. Some may quibble about the recording sound, but for the sheer power of electrifying performances that cannot be matched in intensity. Joe had to recover after this tour from exhaustion as the energy exerted was genuine... a rocking joy from start to finish, this is a classic album!