Product Details

• Actors: Mel Gibson, Tina Turner, Bruce Spence
• Directors: George Miller, George Ogilvie
• Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, Full Screen, NTSC, Widescreen
• Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rated: PG-13 (Parental Guidance Suggested)
• Studio: Warner Home Video
• DVD Release Date: July 30, 1997
• Run Time: 107 minutes
• Average Customer Review: 3.8 out of 5 stars  See all reviews (82 customer reviews)
• ASIN: 0790731932
• Amazon Best Sellers Rank: #3,627 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Mad Max Beyond Thunderdome" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Although Mad Max Beyond Thunderdome, the third part of George Miller's post-apocalyptic Mad Max trilogy, is certainly the least of the bunch (Mad Max 2: The Road Warrior is the undisputed masterpiece, and maybe the best action movie ever made), it has still got a good share of imaginative industrial-wasteland-pastiche imagery. And casting Tina Turner as Aunty Entity, the queen of Bartertown, was a masterstroke. Mel Gibson's character Max is pitted in a battle to the death against the bizarre Master Blaster in the Thunderdome, flying around on rubbery straps inside a sort of gigantic overturned colander with bloodthirsty spectators clinging to the outside. Miller's producing partner, Byron Kennedy, was killed in a helicopter crash while scouting locations for this film. Miller was devastated, only agreeing to direct the action sequences--and, somehow, you feel his heart wasn't entirely in it. --Jim Emerson

Product Description

Two men enter. One man leaves. That's the law in Bartertown's Thunderdome arena. But lawmaker Aunty Entity will soon add another: Don't get Max mad!

Mad Max Beyond Thunderdome stars Mel Gibson (Lethal Weapon, Maverick) for his third go-round as the title hero who takes on the barbarians of the post-nuclear future - and this time becomes the savior of a tribe of lost children. Music superstar Tina Turner steals what's left of the screen as Aunty Entity, a power-mad dominatrix determined to use Max to tighten her stranglehold on Bartertown.

Directors George Miller and George Ogilvie deliver another rousing final apocalypse-on-wheels and one of the best movie fight scenes ever, as Max and the gladiatorial Blaster face off with maces, chainsaws and anything not nailed down inside Thunderdome. Mad Max Beyond Thunderdome: watch and you'll agree with the soundtrack song the "We Don't Need Another Hero."

Customer Reviews

Most Helpful Customer Reviews

23 of 25 people found the following review helpful:

3.0 out of 5 stars Third best of the trilogy, but fun watching anyway., January 21, 2004

By 

Claude Avary "West Coast Reader" (Los Angeles, CA USA) - See all my reviews

This review is from: Mad Max Beyond Thunderdome (DVD)

The Mad Max films finish their transformation from the edgy, ultra-violent first movie to this kid-friendly adventure picture with slick production values and flawless photography. The violence is toned down and the fantasy elements are played up; unfortunately, this means the post-apocalytpic kick of the second movie (just about one of the greatest action flick -- EVER!) has vanished. "Thunderdome" has some fine moments, especially the well-directed scenes with the tribes of children and the haunting images of the coda, as well a couple of good action sequences, such as the face-off in the Thunderdome arena, but it doesn't stay in your memory the way the first two films do. It is still worth seeing if you enjoyed the other movies in the series. Tina Turner's performance is certainly interesting, similar to Grace Jones turn in "Conan the Destroyer," which was made at about the same time.

Of course, if you've never seen a Mad Max films, don't start here. Go back to the first one (available in a great deluxe DVD), then work up to the best of three "Road Warrior" (available in a not so deluxe DVD), then you'll be ready for this finale -- and this DVD doesn't have much in the way of extras on it either.

12 of 12 people found the following review helpful:

4.0 out of 5 stars A Worthy Sequel, May 1, 2000

By 

J. Victor (Long Island NY) - See all my reviews

This review is from: Mad Max Beyond Thunderdome (DVD)

The third chapter of the Mad Max films can't possibly outdo the success of The Road Warrior, but it's a worthy successor, an exciting film with a very interesting story.

Mel Gibson's Max is back again and finds himself helping another group of ragtag characters. Max finds his way to a town called Bartertown and is forced to engage in a gladiator battle to the death. After refusing to kill his beaten enemy, he's dragged back out to the wasteland, there he's rescued by a group of tribal children. A small group from Bartertown is looking to escape to "The Promised Land" Max and some of his young rescuers lead the way.

Tina Turner is on hand as the wicked Aunty Entity, ruler of Bartertown. Bookending the film are two excellent songs from her as well. Mad Max "3" is a worthy sequel, while not as intense as the previous two, the story is thought provoking and while a bit slow paced, the ending is more than worthwhile. Maurice Jarre's music score isn't as intense but does create an appropriate epic atmosphere. George Miller and George Ogilvie are the directors and create both a sequel and a film that can stand on it's own.

19 of 21 people found the following review helpful:

4.0 out of 5 stars Mel Gibson's most underrated film, July 9, 2000

By 

Eric - See all my reviews

This review is from: Mad Max Beyond Thunderdome (DVD)

I'm probably one out of only a handful of people that thinks Mad Max Beyond Thunderdome is just as good as The Road Warrior, and for different reasons, too. The Road Warrior was a spectacle of frenetically paced action sequences and it would feel like a complete retread if Beyond Thunderdome tried to do the same thing again. Instead, they added new elements, and the result is a very entertaining and imaginitive action/adventure.

Max (Mel Gibson) has just been robbed of all his belongings in the middle of nowhere in Australia. He searches for the thief and this leads to Bartertown, a unique society built upon methane energy dependent on pig manure, no less.

Max's search leads him to Aunty Entity (Tina Turner), Bartertown's lawmaker, who strikes a deal with him. All Max has to do is kill a certain somebody in Thunderdome arena and he'll get provisions in return. Not everything goes according to plan and Max is banished to the desert where he is rescued by a small group of lost children.

For those expecting the action of The Road Warrior you might be disappointed. While there is a good bit of action in Beyond Thunderdome, it's not as much as its predecessor and doesn't have as much energy. However, Beyond Thunderdome should be noted for having what is perhaps one of the best action sequences in American film history with the gladiator fight in Thunderdome arena between Max and the gigantic Blaster. The sequence is undeniably inventive and clever; it involves the two men tied to bungee cords that allow them to spring and leap throughout the arena and grab any weapons placed all around such as a mace, chainsaw, spear, etc.

What makes the film so good, though, are its successful attempts at creating complex societies. Bartertown is a sight to behold and is made all the more interesting by the rituals the "citizens" perform and the laws they obey.

As for the performances, Mel Gibson excels and gives a fine performance as usual. Tina Turner is a real surprise as the villainess; she certainly knows how to act and delivers a fairly good performance. Most of the supporting cast do a decent job with the material they're given. Angry Anderson, in particular, is quite humorous as the henchmen who rarely talks and mostly grunts, screams, and yells in exaggerated tones.

After Brian May's exciting score in The Road Warrior, Maurice Jarre takes over the job and composes a score that is quite poetic and, at times, lush and beautiful.

As with all the final scenes in the Mad Max films, this one ends perfectly. This time, we get the feeling that humanity has hope so long as men like Max are around.