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Mad Men: Season 5 (2012)

John Hamm , Elisabeth Moss  |  NR |  DVD
4.4 out of 5 stars  See all reviews (742 customer reviews)

List Price: $17.48
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Product Details

  • Actors: John Hamm, Elisabeth Moss, Vincent Kartheiser
  • Format: Multiple Formats, AC-3, Box set, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English, Spanish
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 4
  • Rated: NR (Not Rated)
  • Studio: Lionsgate
  • DVD Release Date: October 16, 2012
  • Run Time: 611 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (742 customer reviews)
  • ASIN: B004HW7JH4
  • Amazon Best Sellers Rank: #4,206 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Mad Men: Season 5" on IMDb

Special Features

(Titles subject to change)
• 26 Cast and Crew Commentaries
• "Mad Men" Says the Darndest Things
• The Uniform Time Act of 1966
• What Shall I Love If Not the Enigma?
• Party of the Century
• The Music of "Mad Men"
• NEWSWEEK Magazine Digital Gallery
• "Mad Men" Easter Eggs

Editorial Reviews

Product Description

Mad Men" is back. Season Five of Mad Men, four-time Emmyr winner for Outstanding Drama Series and winner of three consecutive Golden Globesr, plunges into the seductive and intriguing world of Sterling Cooper Draper Pryce. Jon Hamm and the rest of the award-winning cast continue to mesmerize as they adapt to changing times, social revolution, and a radical world. Lust is back. Adultery is back. Deception is back.

Amazon.com

At the end of the eighth episode in this Mad Men season-five set (with 13 episodes, plus bonus material, on four discs), Don Draper (Jon Hamm) sits listening to "Tomorrow Never Knows," one of the more sacred items in the Beatles' catalogue. Licensing an original Beatles recording isn't just expensive, it's almost impossible, so the mere fact that it's there is a testament to this show's popularity and acclaim. It also speaks to creator Matthew Weiner and his team's uncanny skill at weaving together multiple storylines while also immersing viewers in the time and place they happen; this season it's the seminal years of 1966 and '67, when folks started smoking joints instead of cigarettes, dropping acid instead of sipping scotch, and seeing their casual racism and misogyny begin to give way, albeit stubbornly, to more enlightened views.

Of course, Mad Men is mostly about the characters who work at the Sterling Cooper Draper Pryce advertising agency, as well as those in their orbit. Don, who remains the most compelling character and is still at the center of this universe, has a hot young wife, Megan (Jessica Paré), who seems to have tamed his wandering eye for now; but although she shows a genuine flair for the ad game, she still wants to be an actress. Pete Campbell (Vincent Kartheiser), who's grown from an obnoxious little twerp into a marginally less obnoxious, slightly older twerp, has issues at work, at home… and outside the home. Peggy Olson (Elisabeth Moss), a likable sort trying to keep her head above water in a world dominated by arrogant, entitled men, makes some serious life changes. Roger Sterling (John Slattery), still a cad and still cracking wise ("Listen honey," he tells a prostitute, "I'm not going to bore you with compliments"), enters into a most unexpected affair. Joan (Christina Hendricks) deals once and for all with her soldier husband. And Lane Pryce (Jared Harris)… well, suffice to say that it's not a good year for SCDP's money man.

As always, the show's production values--art direction, sets, clothes, music--are brilliant and spot on. So is the writing, especially the dialogue ("You're a grimy little pimp," Lane says to Pete, knocking him silly in a fist fight). The writers also manage to seamlessly interpolate current events like the Richard Speck and Charles Whitman murder sprees, England's victory in the World Cup, and author Truman Capote's Black and White Ball (the subject of a separate bonus feature, as is the Uniform Time Act of 1966, which formalized daylight savings). The best show on TV? That's arguable, but there are very few worthy competitors. --Sam Graham


Customer Reviews

Most Helpful Customer Reviews
172 of 183 people found the following review helpful
Format:Blu-ray|Verified Purchase
While this wasn't my favorite season, it's still an easy five stars since it's in the top 3 of best shows currently on television. I know there have been a lot negative reactions towards this season, and I think maybe it's for a few reasons. Lots of people despise Megan. And others say that "nothing really happened". I don't really like Megan either, but I've come to accept her character. She is SUPPOSED to be annoying (or at least can easily be interpreted as so). We don't have to like her. As far as nothing happening, plenty of things happened, although I admit it was a little slow-paced, but I think it's building up for better seasons to come.

This season takes place between Memorial Day 1966 and Spring 1967. The season focuses on Don Draper and Megan's relationship and how distracting it is from his job, and most of the main characters are facing painful new beginnings and realize it's a "dog-eat-dog" world. The season starts out light (probably because of how dark season 4 was), but by the end of the season things are gloomier than ever. So never fear, Mad Men isn't going soft.

Don - one reason I enjoyed season 4 so much is that we had a break from Don being in a dramatic, serious relationship. He was just casually dating and we were able to see more of SCDP. Now he's married to Megan, and that opens up a lot more storylines. You'll either love or hate Megan. She shows signs of being very independent and mature, but then will surprise you by suddenly doing something very stupid and childish. The big question is: how long is it until Don cheats on her? I don't believe that Don will be in a monogamous relationship for the rest of his life. It's also interesting how it's reminiscent of the beginning of his relationship with Betty.
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58 of 64 people found the following review helpful
5.0 out of 5 stars Best season since Season 1 and that is saying a lot April 29, 2012
Format:Blu-ray
I looked at a couple of the negative reviews and found them to be bizarre. This is very thoughtful and well-written show that stands head and shoulders above the vast majority of what is currently out there. A couple of people seem to be fixated on the Betty episode which I would agree was the weakest of the first six that I have seen but that is only relative. The other episodes have been among the best of the series with the the further fleshing out and development of the older characters going hand in hand with surprisingly strong and complex new(er) characters such as Megan and Ginsberg, not to mention Mrs. Francis (Henry's mother). I just think that this show continues to be a wonderful window into upheaval of the 1960s that still affects to this day. The early comments do not reflect the high quality of the fifth season at all and are misleading. Update: I just completed watching Episodes 7-11 and found two of the very best episodes ever produced including The Other Woman which really exposes the seamy underbelly of the "getting ahead at all costs" nature of the world of advertising and of the corporate mindset in general.
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47 of 54 people found the following review helpful
5.0 out of 5 stars Paradise Lost and Innocence Corrupted May 28, 2012
A lot is happening in this episode of Mad Men, all of it heartbreaking and it all makes for one of the best episodes of the season. The race to get the Jaguar account is still on and difficulties abound. The Jaguar continues to be an expensive and unreliable car and the agency hopes to compare it to a mistress, but needs the slogan - a slogan that Don is having trouble creating. One of the Jaguar executives wants Joan's company for an evening, and not as Pete puts it for dinner and dancing. It is right that Pete should define the terms as he is the weasel who pimps and pitches the propisition to Joan. The rest of the men are aghast and don't want Joan to do it but Pete is convinced that this is the only way they will get the account - even if Don comes through with his ususal brilliance. In his stress, Don is lashing out at both Peggy and Megan and Peggy is considering pursuing another opportunity. Megan is hoping she gets a part with an out of town try out.

The episode highlights the differences for women and working women in particular without preaching or being heavy-handed. All of the female characters are asked to prostitute themselves in some way, either literal or metaphoric and their femininity is still their defining characteristic to the men in their world, despite what they do and how they function. Don is surprisingly moral and Pete unsurprisingly adds pander to his many slimey accomplishments. Lane is pragmatic and fond of Joan and advises that if forced to sell oneself to get the best possible price and to get it up front. Roger and Cooper are as ineffectual as ever. The editing of Don's pitch and Joan's decision about what to do is a brilliant bit of filming.
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23 of 25 people found the following review helpful
5.0 out of 5 stars Ships that Pass in the Night May 21, 2012
Mad Men is one of the best shows in the medium for conveying unspoken emotion, in the acting, the writing, the tone, the music and the setting. Things that people are feeling and thinking but not actually saying are conveyed just as strongly as those that are spoken.

A lot happens in this episode. Lane is in trouble with the In Land Revenue in England and is fiddling the company books (no doubt momentarily) and robbing Peter to pay Paul to take care of it. This is an obvious set-up for a longer arc, but of all the things that happened in this episode, this was my least favorite. I like Lane and I believe he would act more honorably from what we have seen thus far. Pete continues to chase the Jaguar account, but as everyone knows, Jaguars were temperamental cars until Ford took them over, decades later. Late sixties flavor is mixed in with a throw-away sub-plot involving the Hari Krishnas.

Don's resentment of Megan's decision to leave advertising continues to simmer and burn, though Megan largely ignores it, and Joan's estranged husband moves to make the estrangement permanent, which leads to the most powerful scene of the episode and possibly one of the most powerful of the series. Joan throws a temper tantrum in the outer office after being served and Don rescues her and takes her out. Viewers have always wanted to see Don and Joan interact more - not only are they the two most beautiful people on the show, they seem to be eerie mirror images of each other, a fact that is beautifully conveyed in the scene that follows. Joan and Don sit drinking in a mid-town bar, cynically surveying the talent. They are both scarred veterans of the battle between the sexes. They have both sought love and they have both manipulated to take the best on offer when love wasn't available.
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subtitles
Could ypu put in "Details" if have or not, like the other season, subtitles?
Jul 18, 2012 by Humberto Martínez |  See all 2 posts
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