Madelia can't wait to try out her six new jars of watercolors. But what will she paint? That Sunday, fidgeting as her daddy preaches, she has a burst of inspiration and knows exactly what she will paint. Full color.
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Book Description
Editorial Reviews
From School Library Journal
Grade 1-3?Those who can make the leap past the "that's-not-how-we-do-it-at-my-church" mentality will have a rare opportunity to enjoy the spiritual awakening of an artistic little girl who would rather stay home and paint than go to church. Set primarily during the service led by Madelia's minister-father, the story is rich with song, call-and-response prayer, and visions not common in many of the more sedate forms of worship. There aren't any white faces in the richly colorful gouache paintings highlighted with pastels but there probably weren't any or many in the church of Gilchrist's youth, which inspired this book. The read-aloud potential is excellent for the right readers in this fine tribute to church and family. Adults uncomfortable with the poetic cadence of parts of the text should leave the book to be enjoyed by children who can read it on their own. The charismatic blend of text and illustration have much to offer; Madelia is a vision, a testimony, a joy to behold.?Jody McCoy, Lakehill Preparatory School, Dallas, TX
Copyright 1997 Reed Business Information, Inc.
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
It's Sunday and her father is the reverend, so there is no doubt where Madelia is headed that morning, but what she'd like to do is stay home with her new jars of paint. Impatiently she sits in her pew, willing the service to end, when her father turns his vibrant, rhythmic oration on her. ``There is a place . . . a place'' her father sings out, ``where the colors are bright . . . yes, bright as the light that forms them in that rainbow . . . yeah . . . where grows a tree . . . a majestic tree . . . a tree which spreads her branches through the universe.'' Madelia is no longer inattentive, but rapt in her father's performance and vision. She has an out-of-body experience where she rides a heavenly chariot pulled by horses of many colors. It is a beautiful gift her father has given her, and Madelia knows just what to do with it: break out those new colors and let the painting begin. Gilchrist's story has more to do with the power of oratory than with religious visions, but the incantatory passages in print--already difficult for readers--can't compete with the potency of a real speaker. The gouache and pastel illustrations, with their fresh springtime colors, capture the beat of the text and persuade onlookers as to the wonder of the event. (Picture book. 4-8) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
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