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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Stunning, gorgeous... chewy., April 20, 2009
I didn't want to read this book. It was a gift that I almost gave away unread. I'd practically given up on urban fantasy, put off by far too many mediocre books with far too-similar plots and revolting artwork (if I see one more supposedly-attractive woman's butt or bare back, I. Am. Going. To. Scream). Or in the rare UF with a male protagonist, far too many efforts to ape the pulp noir genre that fail miserably.
So I was caught a bit off-guard when this book turned out to be AMAZING.
The story follows Matthew Swift, an "urban sorcerer" in London. Although he can channel electricity from wall plugs and banish demons using trash bins, he was not an especially powerful or ambitious sorcerer -- that was, until somebody killed him and brought him back to life. Now Matthew's eyes are blue (they were brown) and now he has both incredible power and a driving ambition: revenge.
The story follows his quest for vengeance as he stalks and tackles his enemies one-by-one -- but with some fascinating diversions. First, he's being trailed by the Hunger, the same creepy wraithlike creature that killed him the first time. Second, Matthew himself is no longer quite human, as the story gradually reveals -- or wholly sane, really, but this is a minor matter. Griffin reveals all this with dark, dense, chewy prose that reminds me of China Mieville and Storm Constantine at their best. She sandwiches this between devilishly witty humor (as when Matthew weaves a powerful protective spell out of a subway ticket, simply by reading the ticket's fine print) and elegant characterization, and tops it all off with some of the most original magic I've ever seen. Best of all, she lovingly depicts London in all its multicultural, multilayered glory, from the rush of the Tube to the reek of the Thames, from bustling core to sleepy suburbs. I'm a New Yorker and I love my city, but this book makes me want to emigrate.
(No, seriously.)
(OK, maybe just an extended visit.)
Anyway, I don't give five-star reviews often, but this book deserves them. Buy it, and enjoy. I'm off to go waitlist the second book of the series.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars
A Solid Urban Fantasy, April 28, 2009
I love novels that take the world I know and present fantastic elements just underneath it's surface. From the good (wisecracking Chicago-based wizards) to the not-so-good (Vampire executioners with poor impulse control), I'll read just about anything. What makes this book special is its rich mythology. The mysteries of what magic is and how it works are inventive and plausible. It takes a little getting used to as the reader, like the protagonist, is dropped into the story without knowing which way is up. If you like books about mystical forces and the people who wield them, you will enjoy getting to know Matthew Swift.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Puts the "urban" in "urban magic.", July 8, 2009
Kate Griffin is actually Catherine Webb in disguise, and Catherine Webb is the author of the Horatio Lyle novels, which I tend to gush over whenever the subject of YA fiction comes up. So, being a fan of Webb, I was excited to get my hands on her foray into urban fantasy.
I adored this. It completely took over my brain and hasn't yet let go. The world Griffin-Webb (I've decided to hyphenate her) creates, the magical underworld of London, is utterly enthralling.
Griffin-Webb's signature style is here in spades, all run-on sentences and dense, surprising descriptions. The dual-first person narration was fascinating and unique.
The magic of this world, the layers and detail Griffin-Webb injects into her mythology, took my breath away. It runs through the tunnels of the Underground, sparks through power and telephone lines, hums with traffic. It ebbs and flows to the rhythm of the city, and it can be found in the pigeon, the rat, the concrete beneath your feet. Matthew Swift, urban sorceror, paints protective wards with spray paint, builds a magical barrier from the rules of a Travelcard, fights monsters made of trash and broken street signs.
The book is also a love song to London. Griffin-Webb's descriptions pull you into the city, and made me ache for the ability to just sit on a bench and soak in the smell and feel and crackle of it. But it's not love just for the shiny, tourist-friendly surface we're all familiar with. The smog and the smoke and the pigeons, the rats, the homeless, the trash - all of it is magical, all of it is life. And through Matthew Swift - whose heart beats with the rhythm of the city, who finds strength in its noise and light and heat - we love it all.
Consider me a crazy Matthew Swift fangirl as of about fifty pages into this book.
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