The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, Second Edition (Yale Nota Bene) (Paperback)

~ Professor Sandra M. Gilbert (Author), Professor Susan Gubar (Author) "And the lady of the house was seen only as she appeared in each room, according to the nature of the lord of the room..." (more)
Key Phrases: contemplative purity, monitory image, male mimicry, Wuthering Heights, Mary Shelley, Jane Eyre (more...)

Editorial Reviews

Review

"A groundbreaking study of women writers." -- Martin Arnold, The New York Times

Product Description

This pathbreaking book of feminist criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual.

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Product Details

• Paperback: 768 pages
• Publisher: Yale University Press; 2 Sub edition (July 11, 2000)
• Language: English
• ISBN-10: 0300084587
• ISBN-13: 978-0300084580
• Product Dimensions: 7.7 x 4.8 x 2 inches
• Shipping Weight: 2.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars  See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #167,302 in Books (See Bestsellers in Books)

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  #64 in	Books > History > Europe > England > 19th Century
  #76 in	Books > Nonfiction > Women's Studies > Women Writers
  #80 in	Books > Literature & Fiction > British > 19th Century

Customer Reviews

Most Helpful Customer Reviews

14 of 19 people found the following review helpful:

5.0 out of 5 stars A Seminal Text in Gothic Scholarship, September 14, 2000

By	Molly M. Wolf (Havertown PA United States) - See all my reviews (REAL NAME)

What scholar of the Gothic, particularly the Female Gothic, could do without Madwoman?

Named for Bertha, the mad wife locked in the attic of Thornfield Hall in Charlotte Bronte's Jane Eyre, Gilbert and Gubar's work on nineteenth-century women writers and their texts is essential in this field.

Well written, insightful, imaginative, and authoritative, Madwomen in the Attic is, in my opinion, a seminal text in Gothic literary scholarship.

I highly recommend this book, and its companion book "No Mans Land."

15 of 23 people found the following review helpful:

5.0 out of 5 stars A Former Student's Opinion, September 27, 2001

By A Customer

As a former student of Susan Gubar, I would have to recommend this book to anyone interested in a deeper understading of the novels covered and also finding a different perspective to the traditional critical approaches. As a groundbreaking work, this collection critically looks at and analyzes many different aspects approaching the anxiety of female authorship. This work is truly interesting, and to all of the naysayers, I can vouch that the authors are have a very compelling and informed perspective. The second edition proves that it is a work that will be around for a very long time and that the work will not fall into obscurity, for it is a inspired work of literary criticism. I would recommend this to anyone who seeks a deeper look into the popular women novelists.

7 of 11 people found the following review helpful:

5.0 out of 5 stars Another gem., January 1, 2007

By	Bruce Oksol "oksol" (San Antonio) - See all my reviews

Could this have been titled "The Misreading of 19th Century Female Novelists"? "The Madwoman" is not an easy read: it's an academic effort and a superb effort at that. But the casual bronteelioteyre fan will be lulled into a sense of familiarity -- "yes, I remember reading that" -- only to discover too late that he / she has completely missed the point of all those famous 19th century novels, at least from the perspective of these two clever, insightful, witty women who somehow came together to write perhaps the definitive feminist view of 19th century female novelists. Taking just one example out of hundreds: after reading their discussion of Jane Austen's "Northanger Abbey," I re-read the novel and couldn't stop laughing at this parody. Even more entertaining was the fact that so many critics panned "Northanger" when it came out, misreading that it was a parody of the entire genre of the romantic (with a small "r") novel of that era.

[Added later (November 11, 2008)]: this is one of the landmark books in "feminist studies." Whether one agrees with these authors, the fact is that any newer work on feminist studies will quote this book. Someone remarked that the authors are very verbose; they needed a better editor with a red pen, but that's fine. Sometimes it takes multiple explanations before the reader understands the concept. I find myself going back to this book often to look up a specific author / specific work. I continue to highly recommend it.