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Most Helpful Customer Reviews
44 of 45 people found the following review helpful:
5.0 out of 5 stars
Is this where Hendrix may have gone?,
By Scott Hedegard "Scott" (Fayetteville, AR USA) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Maggot Brain (Audio CD)
Musicologists love to debate where Jimi Hendrix may have ventured had he not tragically died in 1970. It is true the master was going to work with Miles Davis, and that would have been monumental. It is worth exploring the possibilities of a foray into the newly developing funk scene as well, and nobody came closer to carrying on the Hendrix legacy than Funkadelic's guitar wizard Eddie Hazel, a true contemporary of Hendrix and Jeff Beck. Unfortunately, he has not enjoyed the mass appreciation of other guitar gods, and that's a crime.
"Maggot Brain" opens with the title track, a simple rhythm guitar backing Hazel in a ten minute opus that belongs in the rock god pantheon. George Clinton wisely lets Hazel shine, knowing genius when he hears it. If "Maggot Brain" isn't enough, Hazel soars throughout, welding funk with metal and making it work. It makes you wanna boogie and play air guitar at the same time, which would look really stupid, but that just proves how well the two styles of hard rock and funk can work together. As with great jazz musicians like Wes Montgomery, John Coltrane and Charlie Christian, to name a few, it's a shame more young black musicians aren't interested in making real music, preferring instead to rap over minimalist backgrounds and completely ignore their musical ancestry that invented blues, rock and roll, and jazz. "Maggot Brain" belongs in every collection.
24 of 24 people found the following review helpful:
5.0 out of 5 stars
Not as popular as it should be.,
By Danny "Alan Smithee" (South Philly) - See all my reviews
This review is from: Maggot Brain (Audio CD)
This is one of those albums everyone eventually stumbles upon sooner or later. What I don't understand is why it actually takes some digging around to discover. Yeah, you'll find every music magazine in the world raving about Eddie Hazel's amazing guitar work, yet in the world of the Beatles, Jimi Hendrix, Stevie Wonder, Bob Dylan, Pink Floyd, Sly & The Family Stone, etc., this one unjustifiably manages to slip through the cracks again and again with younger audiences. Ask any teenager whose top five consists of the Beatles, Led Zep, Floyd, the Who and the Stones who Eddie Hazel was and, 9 out of 10 times, you'll get blank stares. It's not right, I tell you! This album should be standard listening!
Okay, enough of that. It's not just Eddie's guitar chops that make this album what it is. It's also the tight band and spacey grooves that will have you coming back again and again. There is nothing boring about this record. It should also be noted that the song "Super Stupid" had it's own little effect on the development of what the world would eventually come to know as heavy metal(!). Get it. Dig it. Play it again.
8 of 8 people found the following review helpful:
5.0 out of 5 stars
Maximum trippiness,
By finulanu ""the mysterious"" (Here, there, and everywhere) - See all my reviews
This review is from: Maggot Brain (Audio CD)
I don't know what drugs Clinton and co. were on when they recorded this classic. I probably don't want to. The first two were pretty weird as well, but this one makes 'em look tame. Here, you get a lot of the acid funk-rock stuff the group was doing in their early days, only what they did was took that formula and improved on it. The winding, stoned jams that took up most of the first record are better, so are the loud, crazy freakouts that took up much of the second one. And the short tracks rule as usual.
First up, there's "Maggot Brain," with Eddie Hazel playing a guitar solo worthy of Hendrix. It's amazing how much emotion he pulls out of it, and the huge variety of feelings he expresses just with is guitar. It's wonderful stuff, but part of me thinks I like the bonus full band mix more, just because you get a cool marimba part with that one. Either way, it's one of the top five (if not top three) tunes that ever came out of the P-Funk camp. "Can You Get to That?" rules, too. It's totally different from the emotional odyssey that was "Maggot Brain" - it's a down-home folk song with a great melody and awesome baritone vocals, and it actually manages to almost be as good as "Maggot Brain." Not quite, but close. Then you get a couple sweet acid-soul songs, with Bernie showing off his weird organ stuff: "Hit it and Quit it" and "You and Your Folks, Me and My Folks." Totally cool tunes, both of 'em. Then it's back to the rock, with the uber-heavy "Super Stupid," with another one of Eddie's Hendrixian solos. It's yet another highlight - everyone gets a chance to rock out, and they don't waste it. I'm a bit disappointed by "Back in Our Minds," though. It's okay, but isn't particularly interesting. It's made up for by "Wars of Armageddon," though. That's the best freakout ever to come from Funkadelic. A ten minute celebration of all things sex, drugs, and rock 'n' roll. Most people don't like it, but I think it's quite cool. Bonus tracks! You've got the alternate mix of "Maggot Brain," "I Miss My Baby" (cool song!), and "Singing a New Song" (eh.) Worth a purchase! I don't know what to call this one. It rocks harder than most "funk" albums, and has more groove and bottom than most "rock" albums. Funkadelic was always cool, but the early stuff is insanely creative.
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