From Publishers Weekly
In the fast, entertaining 14th novel from Edgar- and Shamus-winner Hall (after 2005's Forests of the Night), the sharp-witted, multitalented Key Largo beach bum, Thorn, follows his girlfriend, Alexandra, to Miami, where he's caught in the violence whirling around a decades-old photograph taken during the 1964 Cassius Clay vs. Sonny Liston heavyweight boxing championship. After Thorn is threatened by two Cuban-American men looking for Alexandra's father, he starts investigating and in short order uncovers evidence of a plot to destroy all copies of the photo—and, if necessary, kill anyone who owns or has access to the prints. As Alexandra's father—a retired Miami cop as well as an old friend—is one such person, Thorn naturally takes a personal interest in stopping the men. While Thorn is no Travis McGee (John D. McDonald holds the edge in depictions of sharp-witted Florida beach bums), Hall offers lively characters, livelier dialogue and an excellent depiction of contemporary south Florida. 75,000 first printing; author tour. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* Give Thorn credit. He's trying--trying to make accommodations with the modern world, anything to demonstrate to crime-scene photographer Alexandra Rafferty that he is committed to their relationship. Hence his radical decision to stay with Alex's Alzheimer's-afflicted father in Miami while she attends a seminar. But the "ragged, hustling pulse of Miami" does crazy things to Key Largo recluse Thorn, making his "hypersensitive antennae" gyrate like an overheated Geiger counter. It's not paranoia this time, though, as Thorn stumbles into the middle of a crime spree prompted by a black-and-white photograph taken during the 1964 Cassius Clay-Sonny Liston heavyweight-championship fight in Miami. The bad guys want the photo, a gift from the photographer to Alex's father, and are willing to do whatever needs doing to get it. Thorn starts out as he always does, merely trying to protect his loved ones, but eventually, inevitably, defense changes to offense: he knew the "feel of the tipping point--when his trot became a gallop, the gallop grew to a crazy, hurtling rush, and by God, once again he found himself sprinting over the suicidal edge." Hall continues to explore the ever-intriguing psychodynamics of his unconventional hero, but he also adds a new dimension to the series with the fascinating look at Miami in the 1960s. Not since the superb stand-alone thriller Hard Aground (1993) has Hall delved so deeply into the fetid foundation on which contemporary South Florida was built. Another outstanding chapter in one of the genre's most consistently first-rate series. Bill Ott
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved









