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Magic Hour [Large Print] [Paperback]

Susan Isaacs (Author)
4.2 out of 5 stars  See all reviews (12 customer reviews)


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Book Description

February 1991

Movie producer Sy Spencer -- one of the premier summer residents of the Hamptons, Long Island's oh-so-fashionable beach resort for everyone who is anyone -- has hosted his last power clambake, thanks to whoever shot him dead beside his oceanfront pool.

Heading the investigation is Hamptons native Steve Brady. His prime suspect is Sy's ex-wife Bonnie, a strangely appealing and energetic woman both in and out of bed. As the case against Bonnie builds, so does Brady's obsession with her. Before long, he's laying the case and his career on the line for her, ignoring all the rules, all the evidence, and all common sense

--This text refers to the Mass Market Paperback edition.

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Editorial Reviews

From Publishers Weekly

Good news for Isaacs's fans: she is back in top form, using the mystery formula that made Compromising Positions a standout, and again exhibiting her wickedly observant eye and flair for ricocheting, pitch-perfect dialogue. The setting this time, the various sections of Long Island's Hamptons (N.Y.), allows her to depict the tension between the hardworking locals, many of whom live on the edge of poverty, and the snooty summer people, phony Manhattan culture hounds and social climbers. Movie producer Sy Spencer is clearly among the latter, and when he is shot by the side of his glitzy Southampton swimming pool, homicide detective Steve Brady is not surprised to discover plentiful evidence of widespread resentment and hatred of Spencer. Among the suspects are Spencer's current mistress and the star of his film-in-progress, who knew she was about to be dumped; one of his ex-wives, a sexy failed screenwriter; and a Mafia gangster who was a childhood friend. As he pursues the investigation, Brady must cope with his own demons, the residue of service in Vietnam: he is a recovering alcoholic and druggie. He is also trying to work up enthusiasm for marrying his fiancee, a boringly nice WASP schoolteacher, and when he finds himself obsessively drawn to Spencer's cast-off wife, he imperils the case and his own reputation. Isaacs spins her tale with brio, again proving herself the master of neat surprises and perceptive character portrayal. 150,000 first printing; $20,000 ad/promo; Literary Guild and Doubleday Book Club main selections; author tour.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

"A witty and sexy page-turner."

-- -- Pittsburgh Press

"Holds its edge."

-- -- Glamour

"If you're in search of pure entertainment, pick up a copy of Magic Hour."

-- -- New Woman

"Snappy plot." -- -- Entertainment Weekly

"The same witticism-wrapped . . . center that always drives Isaacs's fans dotty."

-- -- Kirkus Reviews

"Vintage Isaacs. . . . Magic Hour is like polishing off an entire box of chocolate-covered chocolates. . . . Fun." -- -- New York Times Book Review

"Magic Hour does exactly what it's supposed to do -- entertain." -- -- Chicago Tribune --This text refers to the Mass Market Paperback edition.


Product Details

  • Paperback
  • Publisher: Harpercollins (February 1991)
  • Language: English
  • ISBN-10: 0060166657
  • ISBN-13: 978-0060166656
  • Product Dimensions: 9.3 x 6.2 x 2 inches
  • Shipping Weight: 2.2 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #3,646,337 in Books (See Top 100 in Books)

More About the Author


First, here's what the critics say::

AFiction done well and done with a difference...A sophisticated storyteller, with a wry view of the world.@ - Washington Post


AJane Austen brought up to date...Highly amusing.@ - Atlantic Monthly


ASusan Isaacs is a witty, wry observer of the contemporary scene.@ - New York Times Book Review

ASardonic humor and dead-on commentary.@ - Houston Chronicle


ASusan Isaacs knows the art of dialogue the way J.S. Bach knew the art of the fugue.@ - Seattle Times


Blockbuster writers tend to be no more than terrific storytellers. Susan Isaacs=s talents go far beyond that. She is a witty, insightful, and elegant writer.@ - Mademoiselle

AI can think of no other novelist--popular or highbrow--who consistently celebrates female gutsiness, brains and sexuality. She=s Jane Austen with a schmear.@ Maureen Corrigan- National Public Radio Fresh Air


AWho....., is our best popular novelist? The nominee for this quarter is Susan Isaacs....[She] is a comic realist, an astute chronicler of contemporary life in the tradition of....Anthony Trollope.@ - Sun Sentinel



Susan's biography

Susan Isaacs, novelist, essayist and screenwriter, was born in Brooklyn and educated at Queens College. She worked as an editorial assistant at Seventeen magazine writing everything from book reviews to advice to the lovelorn. In 1968, Susan married Elkan Abramowitz, then a federal prosecutor. She became a senior editor but left Seventeen in 1970 to stay home with her newborn son, Andrew. Three years later, she gave birth to Elizabeth. During this time she freelanced, writing political speeches as well as magazine articles.

In the mid-seventies, Susan got the urge to write a novel. A year later she began Compromising Positions, a whodunit set on suburban Long Island. It was published in. Her second novel, Close Relations, a love story set against a background of ethnic, sexual and New York Democratic politics (thus a comedy), was published in. Her third, Almost Paradise, was published in 1984. All of Susan's novels have been New York Times bestsellers. Her fiction has been translated into thirty languages.

In 1985, she wrote the screenplay for Paramount's Compromising Positions, which starred Susan Sarandon and Raul Julia. She also wrote and co-produced Disney's Hello Again. The 1987 comedy starred Shelley Long and Gabriel Byrne.

Her fourth novel, Shining Through, set during World War II, was published in 1988. The film adaptation starred Michael Douglas and Melanie Griffith. Then came Magic Hour January 1991, After All These Years in 1993. Lily White in 1996 and Red, White and Blue in 1998. In 1999, Susan came out with her first work of nonfiction, Brave Dames and Wimpettes: What Women Are Really Doing on Page and Screen. During 2000, she wrote a series of columns on the presidential campaign for Newsday. Long Time No See, a sequel to Compromising Positions, came out in September 2001. Anyplace I Hang My Hat, was published in 2004. Past Perfect is her eleventh novel.

Susan Isaacs is a recipient of the Writers for Writers Award and the John Steinbeck Award. She serves as chairman of the board of Poets & Writers and is a past president of Mystery Writers of America. She is also a member of the National Book Critics Circle, The Creative Coalition, PEN, the American Society of Journalists and Authors, the International Association of Crime Writers, and the Adams Round Table. Besides writing innumerable book reviews, Susan has also written about politics, film and First Amendment issues. She lives on Long Island with her husband.

 

Customer Reviews

12 Reviews
5 star:
 (5)
4 star:
 (6)
3 star:    (0)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (12 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

14 of 14 people found the following review helpful:
4.0 out of 5 stars Susan Isaacs writes a book from a male perspective, October 6, 1999
By A Customer
This review is from: Magic Hour (Mass Market Paperback)
Although it is not my favorite by Susan Isaacs, I feel compelled to mention that this is one of her few books written from a male character's point of view, and it works great. Steve Brady is a "real" person all the way around - a former alcoholic, he is apprehensive about his current relationship and his numbing everyday existence, when BAM, he unexpectedly falls head over heels for someone he never suspected would make him feel that way. I love Bonnie's character - I appreciate that she's not beautiful or sexy, just a real good person. I love the build up to their climax, and I think Steven Brady learns so much about himself in the process.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars Another Great Isaacs Book!, September 12, 2006
Amazon Verified Purchase(What's this?)
This review is from: Magic Hour (Hardcover)
"HE was a man who fled from the past..."

"SHE was a woman who lived in it..."

No, wait...

"FOR every man there is a woman who holds the key to his past..."
"FOR every woman, there is a man who can open her future..."

**********
OK, this was never made into a movie, and Susan Isaacs is a much better writer than me, but her two strong protagonists seem just right for the big screen. Detective Stephen Brody is a modern film noir hero, straight out of Bogart: He's a cynic who doesn't play by the rules, he has his own moral code (that, nevertheles,p lays well with readers,, and when he falls for a woman, he falls hard. That is, if he can remember his alcohol-induced trysts. See, Brody has a past, no, make that a PAST! ...possibly undiagnosed PTSD out of Vietnam, subsequent heavy-duty alcoholism, and a strangely askew family history, including a would-be social climber of a mom on the fringes of upper-class Long Island.

Ms. Bonnie Spencer is the castoff spouse of rich guy producer Sy Spencer, neatly killed (it looks like a professional hit) near the location of his newest movie. He's having an affair with the lead, who's fooling aroun with the director, even the technical and artistic staff are fooling around with each other--it's wonder anything got made (meaning the movie, of course). Brody arrives en scene, and he and his partners in Homicide focus on three suspects, eventually zooming in on Ms. Spencer. Ms. Spencer was a slightly promising screenwriter when she met Sy Spencer; she's an impoverished hack living la vida promiscuous when Sy Spencer reenters her life. Importantly, there's a strange attraction and sexual tension between detective Brody and Bonnie Spencer, something fishier than the Long Island Sound is going on here. One starts thinking Oedipal Complex before too long, but Ms. Isaacs resolves the mystery credibly, if somewhat conveniently.

It's a fast "page-turner" of a book, believable, with a supposed man's eye view of sex (maybe if you're an alcoholic man with a PAST), and fairly credible multiple suspects. Really, I looked forward to getting back in to the book, the dialogue crackles, the observations on the Long Island social scene are funny and well-observed, and Brody has that Bogart-like appeal. Still, when you're done with the book, you can't help but wonder how Isaacs does so well with so little: There are only a few plot twists (though they're important ones), almost no action or violence (except fot that page one murder of Sy Spencer), and the characters seem too familiar.

The appeal is simple-- it's Susan Isaac's writing. Infused with genuine humor, a compelling cast of minor characters, and snappy dialogue between Brody and Bonnie Spencer, the book isn't your typical mystery. Isaacs doesn't waste time on fussy details or convoluted plot mechanics. It's refreshingly direct, it mixes Shirlock Holmesian deduction with Mickey Spillane sex, and she mixes bemused detachment with intense drama. As she's proven several times over, Isaacs is a master story-teller.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars Great characters; Great plot, April 28, 2001
By 
Martina "Martina" (Los Angeles, Ca., USA) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Magic Hour (Mass Market Paperback)
Steve Brady, the narrator is a Long Island cop and recovering alcoholic with the perfect, twenty-something fiance. Why, then, can't he stop thinking about Bonnie Spencer, the ex-wife of the victim and the prime murder suspect? The description of this plot on the cover sounded shmaltzy and stupid, but being an Isaacs fan, I read it, and highly recommend it.

Before long, you forget the author is a female, because the male narrator is so believable. The characters are well-drawn, even the minor "supporting" characters. My only quibble is that I figured out the "shocking" actual murderer looonnnggg before the last few pages when it is revealed. Still, the book keeps you wanting to turn pages long past Midnight, and I felt sorry when it ended. You can't ask much more from a book.

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First Sentence:
Seymour Ira Spencer of Manhattan and Southampton was a class act. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
truly fine person, magic hour
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Bonnie Spencer, New York, Starry Night, Lindsay Keefe, East Hampton, Suffolk County, Long Island, South Fork, Fat Mikey, Ray Carbone, Robby Kurz, Victor Santana, Detective Brady, Nicholas Monteleone, Nick Monteleone, Marian Robertson, South Oaks, Eddie Pomerantz, Sandy Court, Vincent Kelleher, Bill Paterno, Bonnie Bernstein, Katherine Pourelle, Park Avenue, Sag Harbor
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