29 of 30 people found the following review helpful:
5.0 out of 5 stars
The First Balanced View of Walt Disney, August 18, 1998
By A Customer
As one critic noted recently, Walt Disney's career has inspired either hurrahs or sneers. The folks at Disney have authorized or even manufactured a whole series of haigiographies. As for the opposing camp, it has its own sacred text, Richard Schickel's THE DISNEY VERSION, which not just not a haigiography, but a blanket attack on both the work of the Disney studio and the fans of the films they produced.
But there has not, until now, been a serious book about Disney and his mouse factory. Steven Watt's combination biography/cultural study accomplishes this task without either ignoring the real warts on Disney's character or sinking into eye-glazing cultural-studies babble (at no time does he accuse Disney of "phallocentricity," which is a singular accomplishment in and of itself).
Walt Disney began as something of a liberal populist, became a decided conservative, and in his later years became a great believer in the sort of social engineering that both the liberal and conservative establishments seemed to be rather enthusiastic about back in the 1960's, expressed in his original plans for EPCOT, a planned community where everything would be clean and safe and happy, whether that's how people wanted it or not . . .
Certainly that's how Disney wanted it. Disneyland and Disney World seem expressions of his desperate desire to create a place where the lonliness and misery of his childhood couldn't find him, or anyone else. Certainly, the parks are among the most well-ordered and polite imaginable, thanks to the work of his artists and engineers. There are those who find this horrifying, an effort to reduce visitors to passive, unthinking consumers of spectacle and merchandise, putty in the hands of the Disney Company and their corporate cohorts.
Most importantly, he reminds us of the fact that Disney was not just the name of a media super-company, but the name that meant joyous, wildly-imaginative screen entertainment, an explosion that took years to go off, but shook and delighted American society, both mass and class, from November of 1928 until the late months of 1941. A tough animator's strike in 1941, which he regarded as a personal attack on his beneficence (which was rather capricious and never really extended to the inkers and painters in the firm), helped begin the process which made Disney into a rather reactionary figure (although not a race-baiter or as hateful as many Hollywood right-wingers). It also broke up his original group of animators, and the films were never quite the same after that. But those 13 years produced some of the true masterpieces of popular entertainment, and that should never be forgotten.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
The Best Biography of Walt Disney Hands Down, September 25, 2003
This review is from: The Magic Kingdom: Walt Disney and the American Way of Life (Paperback)
Easily the best biography out there on Walt Disney hands down. It will never be topped. It neither kisses his hiney as Bob Thomas' studio sanctioned biography does, nor does it discount him as merely a low brow populist (as Richard Schickel did), nor lies about him as some sort of communist spy in order to sell books. Not only is this biography even handed, but Mr. Watts makes brilliant connections between Walt and his time that no other biographer had the insight to do. This is a fair, balanced, well organized, incredibly entertaining biography that really brings the real Walt Disney to life. Steven Watts is a genius biographer.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
Walt Disney would have approved it!, June 11, 2003
This review is from: The Magic Kingdom: Walt Disney and the American Way of Life (Paperback)
I have read 4 biographies about this man ("An American Original," "The Disney Version," Mosley's "Disney's World: A biography," Eliot's "Hollywood's Dark Prince") and now I realize that I should have acquired this book before, so I wouldn't need to read all of the above stated books.
This book provides Walt's personal story, studio development, good and bad critics, Disney's place in history and his shaping of American culture. It is not biased, but gives a balanced view on a man and his company. It made me believe in this book, since I was very sceptical towards "truths" written in other Walt Disney biographies. In those, Walt was portrayed as either a perfect person, or a villain of the 20th century.
The Magic Kingdom is the balanced truth and the best biography of a man that shaped American culture without a doubt.
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