Mahler: Das Lied von der Erde (February 27, 1970) [Live]

Waldemar Kmentt (Artist), Janet Baker (Artist), Gustav Mahler (Composer), Rafael Kubelik (Conductor), Bavarian Radio Symphony Orchestra (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Bavarian Radio Symphony Orchestra
• Conductor: Rafael Kubelik
• Composer: Gustav Mahler
• Audio CD (September 24, 2002)
• Number of Discs: 1
• Format: Live
• Label: Audite
• ASIN: B00006JJ3B
• Average Customer Review: 5.0 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #189,111 in Music (See Top 100 in Music)

Track Listings

1. Das Lied von der Erde, for alto (or baritone), tenor & orchestra: 1. Das Trinklied vom Jammer der Erde

2. Das Lied von der Erde, for alto (or baritone), tenor & orchestra: 2. Der Einsame im Herbst

3. Das Lied von der Erde, for alto (or baritone), tenor & orchestra: 3. Von der Jugend

4. Das Lied von der Erde, for alto (or baritone), tenor & orchestra: 4. Von der Schönheit

5. Das Lied von der Erde, for alto (or baritone), tenor & orchestra: 5. Der Trunkene im Frühling

6. Das Lied von der Erde, for alto (or baritone), tenor & orchestra: 6. Der Abschied

Customer Reviews

Most Helpful Customer Reviews

29 of 30 people found the following review helpful:

5.0 out of 5 stars A remarkable recording, October 4, 2005

By 

LJM (Earth) - See all my reviews
(VINE VOICE)   

This review is from: Mahler: Das Lied von der Erde (February 27, 1970) (Audio CD)

If you only want one recording of Mahler's wonderful Das Lied von der Erde, this recording will last for a lifetime. I want to emphasize two points for this view.

First, on this record, Rafael Kubelik is conducting the Bavarian Radio Symphony Orchestra. Kubelik made this orchestra to become one of the finest Mahler orchestras in the sixties, thus contributing to the Mahler-boom. Kubelik's Mahler was once discarded as lightweight, especially beside Bernstein. Today the opinion is rather that Kubelik provided one of the best representations of the truly Bohemian Mahler while Bernstein's Mahler is too much of Bernstein and less of Mahler. Anyway, it is a marvellous orchestra playing on this disc under a classic Mahler conductor, caught live in their own Herkulessaal in Munich with its excellent acoustics. Sonic quality is also excellent. And the audience is spellbound, completely silent.

Second, the soloists are the very best for this work. The Austrian tenor Waldemar Kmentt is perhaps not the most famous tenor, but he was in his prime during the sixties and early seventies. And his contribution on this record must be compared with Wunderlich and Patzak, as the finest interpreters of tenor part of this work. Few can match the desperate tone he produces in "Das Trinklied". And he is as delicate and charming as Wunderlich is in "Der Trunkene im Fruhling" and "Von Der Jugend". Janet Baker, on the other hand, needs no defence in this context. Together with Christa Ludwig, she is the best voice for Das Lied von der Erde. We have her voice in recordings of this work with Haitink, Kempe, and Leppard, but the evening of the present recording was indeed a special occasion. Her performance is just outstanding, especially of the final movement.

To sum up: A remarkable recording, spaciously recorded, and a great event. Strongly and warmly recommended.

13 of 14 people found the following review helpful:

5.0 out of 5 stars The BEST Lied von der Erde ever. Period., November 4, 2008

By 

C. Escamilla "MusiCraig" - See all my reviews
(REAL NAME)   

This review is from: Mahler: Das Lied von der Erde (February 27, 1970) (Audio CD)

There is no denying that there are some fantastic recordings of this work available. There is also no denying that some less than stellar performances feature many great and memorable moments. But there can be no question that this recording of Das Lied von der Erde is absolutely the very best.

Kubelik, who never recorded the work in the studio, is alive to details and nuances that even Bruno Walter, perhaps the score's greatest conductor, misses. Listen, for example in Der Abschied around the three minute mark as the mezzo sings "O sieh...", to the way Kubelik brings the clarinets to the foreground, matching the mezzo line with a beautiful harmonization that too many conductors miss. Or try Kubelik's having the mandolin tremolo at the end of the same movement in order to make its part resonate more. He really achieves some great and magical moments in this tricky and complex score.

Waldemar Kmentt holds his own pretty well. He's certainly not a match for Wunderlich or Peter Schrier who, in my opinion, gives the greatest performance of the tenor songs, but Kmentt is still very good. He copes admirably well with the first song and its incredibly treacherous range. He also lightens his voice beautifully for the third song. But why in the fifth song, "The Drunkard in Spring", does he not lighten his voice again for the middle, dream section?! This is a glaring error, and it's quite possibly the only major problem with this performance.

The reason it is so crucial for Kmentt to lighten his voice comes in his partner: Janet Baker. Never, including her own other performances, has a mezzo sung the three songs in this work as well as Janet Baker did on this occasion. The examples of quite possibly the finest vocal artistry ever committed to disc are too numerous to mention, but suffice it to say that this performance should serve as a lesson to all singers as to how to interpret a piece of music. She is simply the best, and her performance will leave you speechless.

This recording is simply not to be missed, and it deserves a place of honor on every classical music fan's shelf. It will keep you coming back for a lifetime. Very highly recommended!

11 of 12 people found the following review helpful:

5.0 out of 5 stars ditto - a great "DLvdE", January 16, 2007

By 

B. Guerrero "Mahler nutcase" - See all my reviews
(REAL NAME)   

This review is from: Mahler: Das Lied von der Erde (February 27, 1970) (Audio CD)

Yep, this is a recording that pretty much has everything going for it. I don't love Kmentt nearly as much as Fritz Wunderlich (Klemperer), but he's far better than most, in dealing with Mahler's grueling tenor writing - juxtaposed against some mighty Wagnerian orchestral writing in the first song. Janet Baker is truly at the top of her game here. Kubelik doesn't put a foot wrong anyplace either. The sonics are very good, but certainly not up to the latest digital standards. Still, when everything else is so right, slightly dated sonics is just isn't a problem. All aspects considered, this recording of "DLvdE" is right up there with the best of them.