The Maid Silja: The History of the Last Offshoot of an Old Family Tree [Hardcover]

Frans E. Sillanpaa (Author), Alexander Matson (Translator)

Editorial Reviews

Language Notes

Text: English, Finnish (translation) --This text refers to an out of print or unavailable edition of this title.

Product Details

• Hardcover: 313 pages
• Publisher: Cherokee Publishing Company (GA) (January 1990)
• Language: English
• ISBN-10: 0877971749
• ISBN-13: 978-0877971740
• Product Dimensions: 9 x 5.8 x 1 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #4,329,432 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

3.0 out of 5 stars Not the equal of "People in the Summer Night", October 4, 2004

By 

Randy Keehn (Williston, ND United States) - See all my reviews
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This review is from: The Maid Silja: The History of the Last Offshoot of an Old Family Tree (Hardcover)

I'm just not sure what to make of this book. After reading "People in the Summer Night" a number of years ago, I have been looking long and hard for another book by Frans Sillanpaa. I was very elated to be able to find this one on Amazon.com and looked forward to reading it. However, it was not the stirring novel that the other one was.

Part of the problem with "The Maid Silja" is that it is hard to get a good grasp on the purpose of the novel. The author essentitally says he is telling us about the last member of a long family tree. We get a brief glimpse of the first of three generations, a longer look at the second, and about half of the book is dedicated to the third generation; Silja. There are many passages in the book that flow along very well but then seem to look for a reason to switch gears. There is a fascinating look at the son of a fairly well-to-do farmer who marries below his station. The way his in-laws gradually drag him under is well told and may be especially interesting to those who "can relate". The transition of Silja from a young girl to a working girl is also touchingly rendered. The beauty of a father's love; often implied but seldom expressed, is well written. Somehow, as I moved along in the book, I kept wondering why things had to change. The departure of Silja from the professor's home was something I was never able to fully understand. Yet the scene of her return was probably worth the whole book. It was a "You can't go home again" scenario with the added proviso; "Not even for a day". After getting an interesting glimpse of the politics of Finland in what I presumed to be the 1920's, the end draws near. What puzzled me at the end was the message that the author left us with in a mere paragraph. It was an excellent message but I didn't think that the book had served as a laboratory that proved the theory. In others words, the book didn't seem to illustrate what the author's point was at the end.

Some years ago I saw a brief trivia questionaire about the Nobel Prize for Literature. The question I remembered was, "Was the Nobel Prize for Literature ever awarded for purely political reasons?". The answer was "Yes" and that it happened in 1939 when the Academy was so incensed over the Soviet Union's invasion of little old Finland that it awarded the prize to a run of the mill Finnish writer named Frans Sillanpaa. I was incensed when I read that because, after having read "People in the Summer Night", I was convinced that Sillanpaa possessed a genius for writing. After reading "The Maid Silja", I'm rethinking that opinion.

7 of 7 people found the following review helpful:

4.0 out of 5 stars The Maid Silja, February 14, 2002

By 

Jan Lemoine (Hessmer, LA USA) - See all my reviews

This review is from: The Maid Silja: The History of the Last Offshoot of an Old Family Tree (Hardcover)

A novel by Finnish writer Frans Sillanpaa, winner of the Nobel Prize for Literature in 1939, The Maid Silja portrays the simple story of a young girl and her growth to womanhood. Sillanpaa captures the imagery of Finland's natural setting and the overwhelming romantic emotions of an innocent young woman during a turbulent period in Finland's history. It is reminiscent of another Scandanavian book, Kristin Lavransdatter,which similarly has central to its story the deep-seated feelings daughters have for their fathers, and the tumultuous changes this relationship undergoes as they mature.