Customer Reviews

The Mailroom: Hollywood History from the Bottom Up (New Millennium Audio)

5 star:		(9)
4 star:		(4)
3 star:		(2)
2 star:		(0)
1 star:		(1)

 

 

I'm a former talent agency trainee. I worked at one of the majors. This book tells it like it is, and I wish this book was published before my talent agency stint. If you have ever seen the show "Survivor", you can get an idea of what it's like to climb the agency, or Hollywood ladder. There are very few spots, and there many people clambering for those spots. And those people who want it the most will do whatever it takes. It's very cutthroat. An agency with 100 agents, has 100 assistants, all of whom want to be agents. Maybe 10 of them will make it. Family members of Hollywood VIP's most probably WILL get promoted to agents (but after that it's still sink or swim..you'll read the story of Peter Guber's daughter in this book...she sunk). Same goes for Harvard grads...deep Harvard connections in Hollywood. Many trainees quit. The attrition rate is huge. It's a crazy business, and nearly impossible to have a balanced life as a trainee (or agent, or for anyone else in Hollywood). It's no walk in the park for new agents either. They start with a tiny salary (although more than a trainee)and must perform or they're out.

Before going to Hollywood, be real with yourself and determine if you're cut out for it. This book gives you a good glimpse into those who make it. Unless you are highly extroverted, and an extremely high energy person, than don't choose this career. If you are a person who needs downtime to collect their thoughts, than don't choose this career. If you are a person who needs their 8 hours of sleep a night, than don't choose this career (you may never sleep again!). If you aren't a highly social person, than don't choose this career (i.e. does your phone ring off the hook in your personal life?). Are you politically savvy, or do you put your foot in your mouth? Can you handle egomanic clients? (and agents). Can you handle being screamed at on a regular basis? Can you handle the pressure of doing more work in one day than most people accomplish in two weeks, including juggling several hundred phone calls? I'm convinced that those agents that make it to the top, are people who'd make a fortune in any business. They're natural salesmen, born with charisma; have endless energy, and can win people over with a glance.

Also, determine if your morals/values are congruent with Hollywood. You might have to do some nasty things to people on your way up the ladder to success. In Hollywood, nastiness is embraced, not frowned upon. In Hollywood, real world morals and values are turned upside down. Believe it or not, many people in Hollywood are so egomanical that they consider people who don't work in Hollywood to be, "losers", or "the little people" (unless you're an internet billionaire or the equivilent). They believe they are the chosen ones. Even if you made a couple mil a year manufacturing cardboard boxes, they'd turn their nose up at you. It's a very snobby club.

Does all this bring people happiness? For some I guess. It seemed to me that many agents were very unhappy and perpetually stressed out.

Although my experience was interesting, had I realistically assessed my personality, which I would have, had I read this book, I would never have set foot in Los Angeles. Other than that, this book is a very entertaining read on the ins and outs of a ruthless business.

I love entertainment business books and this one does not disappoint. Unless you're in the biz, which I'm not, almost all of the names will be unfamiliar. This book has no story. It's a known fact that a way into the entertainment industry is to work in an agency's mailroom, eat sh*t, and hope for your break. This book is a series of interviews with the former mailroom attendees on the good, the bad, and the mental make-up of the wannabes struggling to get out of "mailroom jail". It's funny, informative, and one of those books you can't put down.

Many industries have a proving ground. In investment banking we put them on as a trading or sales assistant hoping they will pick up the lingo and learn on the fly. But the agency mailroom seems to be about feeding egos of senior agent's with much more screaming, yelling and attention paid to personal chores. They do mention many of the nice agents as well as the agents who were best at teaching the mailroom guys. My favorite stories are about CAA because it is next door to my favorite hotel the Peninsula and because of the Mike Ovitz aura. Mike doesn't come off particularly well in the book but partner Ron Meyer does come off as a particularly sharp and nice guy.

The positives and negatives of the mailroom run from taking your bosses stool sample in the doctor to having nude actresses answer the door. I also enjoyed the stories of the CAA mailroom which had a particularly high level of paranoia. I had met media mogul and former agent, Mike Medavoy so it was interesting seeing his son's quotes who was eventually fired due to information leaked to his father.

If you have any interest in the business side of Hollywood, you'll like this book. Other books of interest would be "Wannabe" about an MBA's attempt to succeed at the low levels of Hollywood, and Lynda Obst's book "Hello, He Lied" about her journey from journalist to producer.

I haven't even finished reading this book and already I love it. I know Hollywood isn't like any place else in America, and this just makes what it's like to start at the bottom in Tinseltown all the more fascinating. At the same time, these kids who went through the mailroom share much with all of us. Everyone has to start somewhere, and in the end the experience isn't all that different.
You won't believe some of the crazy stuff these kids had to endure and survive while learning how to play the game. I love the story about delivering the, uh, stool sample. And the one about how David Geffen kept from getting fired by faking a letter from UCLA saying he graduated. And the ones about hoping to deliver stuff to pretty young actresses, or crashing the company cars out of total frustration. It's endless. And mind-boggling. And really frank. A history of Hollywood also comes through. In the beginning, behind-the-scenes people got into show biz for the glamour, to rub elbows with the stars and be dazzled; then it became about the power and money and business. Or maybe it was always like that, only the perks became accessible to more than just the top layer, which is why Harvard law grads and Wharton MBAs began to forgo huge corporate salaries to push a mail cart for $400 a week -- or less. The Mailroom paints a stunning picture of ambition -- with lots of humor and humanity -- and best of all, the author just lets the people speak for themselves in this oral history. It's truly a book that shows instead of tells.

Pick up the book and open to any page, this stuff is hilarious, shocking, and all true. I kept asking myself: Ohmigod, did these people know they were being interviewed for a book?? From the outrageous ways these power brokers got their starts, to the hazing rituals they inflicted on each other, to the stories they tell about their famous clients, THE MAILROOM is a must-read for any film or television buff, and especially for the closet power broker in all of us.

I've always had an interest in the backrooms of Hollywood and assumed all the power people who are there got there because they knew someone, or through typical nepotistic routes. While this may be true some of the time, we learn in this absorbing, funny, and insightful book that there are more ways than one to skin a cat in the business of Hollywood. Rensin definitely did his homework and then some. He tells us in the introduction that his aim is to tell the stories of how the big-timers got where they are today, and he does so with fanfare; there are fireworks on every page. The book is organized by decade and agency so you don t have to go back and forth trying to remember who is who and who came first. This is a great oral rendering of the movers and the shakers of tinsel town. I look forward to this writer's next topic.

You don't get what you deserve in life, you get what you negotiate.

This is the first quote in the book and I cannot tell you how many times I have used this in the past month. This book looks at the entertainment industry from the earliest days of William Morris (1930') through the collapse of the studio system, to the "young turks" of CAA until today. The author speaks to a varied group of people who went through the system. Many survived and stayed in entertainment business and some moved on to other things. What I most enjoyed about this book was that it didn't just cover the famous (Geffen, Diller, Ovitz) who rose out of the mailroom, but it also covered those who helped create the system that these people who control what we watch today came out of. For the number of people interviewed and covered, this book was excellently edited for flow and did not double up too much on stories. Very readable and informative. After reading this I pulled out my copy of "Swimming with Sharks" and watched it again with the new feeling of an insider.

I listened to the book on tape of The Mailrooom. Different mailroom employees from different Hollywood & New York Agencies give their stories of what it was like to work in the Mailroom and learn to be an Agent. The book starts with some of the older Agents who began way back when Agencies were first formed. Interesting stories about the stars of the 1950s all the way up to present times.
I really liked the stories of the pranks some of the mailroom employees would play on eachother. And some of the horror stories when they made mistakes on the job are really amazing.
The Mailroom is an interesting and amusing book about the inner workings of the Entertainment Business. The stories of how the mailroom employees make it to the top to become Agents are a real lesson in how the industry works.

Anyone that wants to be in the agent or management business should read this book. David Rensin provides a compulation of agents starting from the ground up (in the mailroom).

This book truly inspired me to work harder, never give up and provides great ideas for anyone trying to run a successful agency.

The downside is that there is alot of nepotism here.
Find out how certian stars became stars because Uncle so and so was an agent or a lawyer for, etc.

Very interesting stories, and the way this book is put together (direct quotations from the people Rensin interviewed) makes it very easy to read. However, after a while the stories all kind of blended together, and to a certain extent seemed the same. Young guys pulling themselves out of the mail room, catching a lucky break, working hard to get where they are today, and then an anecdote about someone famous they met or their boss or how they almost screwed it up and what they had to give up to get where they are today. However, I highly recommend this for people interested in the entertainment industry.

The book is a collection of anecdotes, a collection that is far larger than it needs to be. The author seems desperate to show us how comprehensive he can be, putting in everything he possibly could instead of culling out the mundane.

For every anecdote that is interesting, insightful, entertaining, etc...--in other words, worthwhile--there are half a dozen that all read like this:

"How did I get into the business? I don't know, let me see. I wasn't doing anything with my life, but my aunt knew a guy at [insert agency here]. I interviewed. They said there was no way they could offer me a job. A week later they offered me a job. I took it."

Now if the interviewee is a Hollywood big shot, o.k., but if not....

Basically it's a nice rough draft for the book it could have been had someone applied a stronger editorial hand and produced a much tighter, "punchier" work.