The Make-Believe World of Maxfield Parrish and Sue Lewin [Paperback]

Alma Gilbert (Author)

Book Description

Publication Date: September 1, 1997

This affordable oversize paperback provides an unusual glimpse into the painter's life, and particularly his relationship with model Sue Lewin, with an unusual interplay of black-and-white photographs and full-color plates, showing how Lewin's simple poses became fully realized fantasies under the brush of the master.

Editorial Reviews

About the Author

ALMA M. GILBERT is an art historian and collector who is considered one of the foremost authorities on Maxfield Parrish. She is the author of ten books about Parrish's work and resides at The Oaks, Parrish's former home in Cornish, New Hampshire.

Product Details

• Paperback: 96 pages
• Publisher: Ten Speed Press (September 1, 1997)
• Language: English
• ISBN-10: 0898159369
• ISBN-13: 978-0898159363
• Product Dimensions: 8.6 x 0.4 x 11 inches
• Shipping Weight: 1 pounds
• Average Customer Review: 3.9 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #1,537,776 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews

18 of 18 people found the following review helpful:

4.0 out of 5 stars His model and muse, August 26, 2004

By 

wiredweird "wiredweird" (Earth, or somewhere nearby) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 500 REVIEWER)   

This review is from: The Make-Believe World of Maxfield Parrish and Sue Lewin (Paperback)

Sue Lewin was the model for a huge number of Parrish's lovely, romantic paintings. She sat for the innumerable photographs that he used for his paintings, she tended his children, she lived with him for decades in his `studio' (a fair-sized house by any standard). He often painted her with a wedding band on her finger. He just never married her.

Another woman, Lydia, was his wife. For many years, she lived in the other house on the property, almost a mansion. This peculiar split life, wife and mistress on the same estate, just a few yards a way from each other, was a permanent feature of the Parrish household.

It seems to have started innocently enough, when Lewin was hired as nanny and maid to the Parrish household. Parrish had great financial success during his life, enough to build the two grand houses at `The Oaks.' Over time, Lewin became more involved with his art, posing and making costumes, cooking for him and fending off threats to his privacy. At the same time, Parrish became cordially estranged from his wife. There was a curtain of silence around the arrangements, but that is the story told in this remarkable book.

It is clear that Lewin had enormous importance in Parrish's work, far more than hard evidence may ever tell. If you like Parrish's work - and it's easy to like - this brief book will give real insight into the art, the man who made it, and the woman who inspired it. The only disappointment in this book is that it doesn't show more of Parrish's famous illustration.

//wiredweird

10 of 12 people found the following review helpful:

5.0 out of 5 stars A Fascinating Look into the Life of an Artist & his Subject, February 19, 1999

By A Customer

This review is from: The Make-Believe World of Maxfield Parrish and Sue Lewin (Paperback)

Being an admirer of Parrish's work since childhood, I had always wondered how he worked since his paintings had a sort of surreal realism to them. I was surprised to find that he utilized photographs instead of live models and that Sue Lewin was the model for the majority of his most famous works. The art is not only beautiful in the book, but the photos are just as incredible as the paintings themselves. A must have book for anyone who has admired Maxfield Parrish's work.

15 of 20 people found the following review helpful:

2.0 out of 5 stars Beautiful Pictures, But Weak Text, January 10, 2000

By A Customer

This review is from: The Make-Believe World of Maxfield Parrish and Sue Lewin (Paperback)

Any book containing attractive reproductions of Maxfield Parrish's work is bound to be visually stunning. But the text is loaded with partially informed speculation about the relationship between Parrish and Sue Lewin, his favorite model. The author is an art dealer, not a historian, and her lack of analytical training is a serious problem. Maybe Lewin was Parrish's lover. But where's the concrete evidence? Everything that the author presents to support her contentions is either hearsay or capable of more than one interpretion. The fact that they shared a house for several decades is a VERY persuasive fact, but Gilbert damages her credibility -- and her case -- by tossing in too much pointless guessing.