7 of 7 people found the following review helpful:
5.0 out of 5 stars
A serious look at comedy, January 15, 2009
This review is from: Make 'Em Laugh: The Funny Business of America (Hardcover)
This big, beautiful book is the companion to the PBS series about what makes Americans laugh. It's not meant to be comprehensive, and it's not. But what is here is fascinating. Filled with photographs, it's easy to open to any page and begin reading. I couldn't put it down.
The book is separated into six chapters that explore different styles of comedy. There is lots of overlap, of course -- Harpo Marx would be at home in the "Oddball" segment, and Jon Stewart is certainly a "Smart-Aleck" -- but this convention makes it easy to put similar comedians together, and focus on why what they do makes us laugh.
There is lots of comedy here. The book is peppered with transcripts of comedy routines and television shows. Quotes from people in the industry, including writers, producers and other comedians, provide insight to what makes performers tick. Rare archival material includes a full page detailing The Sketch That Couldn't Be Done, written by Elaine May for The Smothers Brothers (it was considered in bad taste). If you want to know George Carlin's seven dirty words, they're all here.
In a sweeping book like this, lots will be left out. But I have a few personal peeves. The only mention of one of my favorites, Red Skelton, is to diss him in the segment about Buster Keaton: "(Keaton) spent the next two decades doing what work he could get as an off-camera gagman for stars like Red Skelton, who couldn't hold a candle to Keaton." Animated classic film comedies from Pixar such as Toy Story and Finding Nemo are ignored. And Garry Shandling merits only a mention in the Gilda Radner section, instead of being in a spotlight for The Larry Sanders Show. Worst of all, women are passed over routinely for guys: there are segments on 53 male comedians versus 9 for women. And that's not funny.
Here's the chapter list:
Introduction
1. Slip on a Banana Peel: The Knockabouts
Charlie Chaplin, Buster Keaton, Laurel & Hardy, Harpo Marx, The Three Stooges, Lucille Ball, Jerry Lewis, Jim Carrey
Sock it to Me?: Satire and Parody
Will Rogers, Sid Caesar and Your Show of Shows, Tom Lehrer, Allan Sherman, Johnny Carson, Rowan and Martin's Laugh-In, Carol Burnett, Mel Brooks, Saturday Night Live, Billy Crystal, The Wayans Brothers, Jon Stewart and The Daily Show
Never Give a Sucker an Even Break: Smart-Alecks and Wiseguys
W.C. Fields, Groucho Marx, Jack Benny, Tim (The Kingfish) Moore, Phil Silvers, Paul Lynde, Redd Foxx, Joan Rivers, Eddie Murphy, Larry David
Would Ya Hit a Guy With Glasses?: Nerds, Jerks, Oddballs and Suckers
Harold Lloyd, Eddie Cantor, Bob Hope, Jonathan Winters, Phyllis Diller, Woody Allen, Cheech and Chong, Steve Martin, Gilda Radner, Robin Williams, Andy Kaufman
Honey, I'm Home!: Breadwinners and Homemakers
The Goldbergs, George Burns and Gracie Allen, The Honeymooners, The Dick Van Dyke Show, Norman Lear and All in the Family, The Odd Couple, Bill Cosby, Roseanne, Seinfeld, The Simpsons
When I'm Bad, I'm Better: The Groundbreakers
Mae West, Burlesque, Abbott and Costello, Moms Mabley, Fred Allen, Mort Sahl, Lenny Bruce, The Smothers Brothers, Richard Pryor, George Carlin, Bill Maher
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7 of 10 people found the following review helpful:
3.0 out of 5 stars
fun, but inadequate, January 28, 2009
This review is from: Make 'Em Laugh: The Funny Business of America (Hardcover)
I'll start by admitting that the book is fun. I finished it in two snowy days when schools were closed and, as a public school librarian, I had time on my hands. It covers a lot of ground. But there are real, fundamental, problems. First, the material is a bit centered on the "cult of personality." If the genre of comedy can't be pinned to specific individuals, it doesn't get much attention. The biggest hole in the book is a one-sentence description of screwball comedy. That's it. Where's The Awful Truth, Arsenic and Old Lace, Some Like It Hot, The Philadelphia Story or Twentieth Century? Nowhere! This whole immensely influential and popular genre of comedy never gets its due; indeed, hardly gets a mention. With comedy, it's all a matter of taste. Who's great? Who's merely good? But, a book that gives Lucy three pages and Paul Lynde five has got to be taken with a grain of salt and a certain amount of healthy skepticism has to be applied to the text. And, that brings me to my final point. The authors are a little too free with hyperbolic praise. "Eddie Murphy remains the most successful comedian in American movies" is a statement that ought to be examined very carefully. There are other claims made in the book that should be taken with several large grains of salt. Enjoy the book for what is does present, remind yourself of the work of performers you've enjoyed over the years; but (and this is an ironic thing to say about a book on comedy) don't take the book too seriously.
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