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The Making of a Counter Culture
  
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The Making of a Counter Culture [Hardcover]

THEODORE ROSZAK (Author)
4.9 out of 5 stars  See all reviews (7 customer reviews)


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Product Details

  • Hardcover
  • Publisher: New York Doubleday; 3rd printing edition (1969)
  • ASIN: B001PLT0CW
  • Product Dimensions: 8.3 x 5.5 x 1 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #8,666,448 in Books (See Top 100 in Books)

More About the Author

Theodore Roszak (1933-2011) was the author of fifteen books, including the 1969 classic "The Making of a Counter Culture." He was professor emeritus of history at California State University, and lived in Berkeley, California.

 

Customer Reviews

7 Reviews
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Average Customer Review
4.9 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

78 of 85 people found the following review helpful:
5.0 out of 5 stars THE Essential Book For Understanding the 60s Counterculture!, May 29, 2000
By 
Barron Laycock "Labradorman" (Temple, New Hampshire United States) - See all my reviews
(HALL OF FAME REVIEWER)    (REAL NAME)   
This book is by far the most seminal book one can read in attempting to get an accurate and unvarnished understanding of the sixties counterculture; the social and historical reasons for its rise, its intellectual underpinnings, and the way in which its actions were informed and indeed propelled by its unique constellation of integrating values into a cultural ethos.

Recently the counterculture has been viciously attacked, intellectually trashed and intentionally trivialized by a series of books and articles by mainstream neoconservatives who wish to discredit the counterculture once and for all by blaming it and the "permissiveness" it spawned for the manifest ills the mainstream society has actually engendered through the evolution of its own corrupted, nonrepresentative, and nondemocratic political process. Many ignorant youthful authors have succumbed to attributing fallacious ideas and notions of this ethos in a way that is not only inaccurate and disingenuous, but which serves to trivialize the quite serious cultural critique it comprised.

All that is set aside here. Remember, this book was written more than 30 years ago, even as the counterculture was rising, so it is very much a observational history, one done at ground zero of the demonstrations, sit-ins, when the tumult and strident calls for radical new solutions rang clear, and the heady air of nascent social and intellectual revolution was in the air.

Here one finds the counterculture placed in its proper context, and not just discussed 'en passant' as the demonized triage of sex, drugs, and rock and roll'. One can hardly understand the sixties in such simplistic terms, and Roszak helps one to understand the complex welter of social, economic, and political factors that led to its emergence. In its essence the counterculture was a social and political reaction to the hypocrisy of the mainstream materialistic culture from which it sprang, and as sociologist Philp Slater has commented elsewhere, most of the individual elements of the value system of the counterculture stem from values the mainstream culture in fact claims to hold but actually does not practice and employ.

This, then, is book with remarkable insight, perspective, and historical verve. Rosazak nails quite accurately the tensions, problems and contradictions associated with the rise of the counterculture and the innate problems its continued existence eventually portended for the materialistic mainstream culture. Of course, as history shows us, the sixties ethos was flattened by the overwhelming onslaught of the establishment and the Ohio National Guard, and the political and social ethos of the counterculture melded into the domain of increasingly isolated private and personal philosphies of hippies being assimilated into the mainstream.

The fact that its ethos is now blamed for much of the discontent and confusion of contemporary America is a likely result of what happens when one tries to merge antagonistic ideas and notions into a cultural system that is inconsistent with its own. This is a wonderful book, and one needs to read before the victors of those fractious times so revise the official version of the history of the 1960s that those of us who were there will no longer recognize it.

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28 of 29 people found the following review helpful:
5.0 out of 5 stars Excellent discussion of 1960's counterculture., December 30, 1997
This book offers a highly detailed examination of the relationship of the late 1960's counterculture to cutting-edge intellectual ideas of the same era; Roszak discusses Herbert Marcuse and Norman Brown, among others, in great detail and shows very lucidly how their ideas influenced intellectual and political movements on college campuses in both America and Europe. Roszak's prescience here is amazing, considering that he wrote this book in 1967-68, while the phonemena he discusses were still unfolding! It would be interesting if Roszak were to write a response to his own book today, considering how the counterculture of the early 1990's has been so rapidly devoured by the mainstream--Roszak foresaw the possibility of this happening to the 1960's counterculture, but it took far longer then than it has now. Roszak's ruminations on the absurdity of the Alternative Nation would be welcome with this reader!
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18 of 19 people found the following review helpful:
4.0 out of 5 stars Roszak's The Making of a Counter Culture, January 6, 2004
By 
Sarah Apgov (Santa Monica, CA United States) - See all my reviews
Overall I was pleased with Roszak's book. Most of the pieces i've read about the sixties and the "hippie" era focus only on the sex, the drugs, and the music. While Roszak did dicuss this, his book was quite different because it focused mainly on the politcal and social issues of the time. Roszak include everything from the Vietnam War to how the counter culture has affected the lifestyles of the typical American family. Although Roszk is clearly on the far left side of the political spectrum, it is obvious that he tries his best to be objective and is sure to back up most of his points and information with credible sources. What I admire most about Roszak's book is the tone he takes. In my experience, many adult pieces concerning this era in history and the taboo, radical things that went on are often full of criticism towards that particular generation. Roszak did not criticize the protestors or the acid droppers, like most do. In his book, he carefully explained and supported the motives for these people, suggestng his approval and admiration for those who weren't afraid to stand up for what they believed in, no matter how much society frowned upon it.
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