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A New Way of Making Fowre Parts in Counterpoint/Rules How to Compose (Music Theory in Britain, 1500-1700: Critical Editions) (Music Theory in Britain, 1500-1700: Critical Editions)
 
 
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A New Way of Making Fowre Parts in Counterpoint/Rules How to Compose (Music Theory in Britain, 1500-1700: Critical Editions) (Music Theory in Britain, 1500-1700: Critical Editions) [Hardcover]

Thomas Campion (Author), Giovanni Coprario (Author), Christopher R. Wilson (Author, Editor)

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Book Description

0754605159 978-0754605157 September 2003
Regarded as one of the most important English music treatises in the 17th century, this work reveals progressive ideas about the latent theory of inversions, the fundamental bass, cadences and tonality, and the major-minor octave scale. In this modern edition of Campion's treatise, Christopher Wilson provides a fully annotated text and an introduction which highlights the historical significance of "A New Way" both in its close relationship with Coprario's "Rules how to Compose" (which is included as an appendix together with commentary and notes) and its unusual debt to German rather than Italian music theory. Wilson presents a case for viewing the treatise as essentially a very early modern harmony tutor and emphasizes its unusual debt to German rather than Italian music theory.

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Inside This Book (learn more)
First Sentence:
Thomas Campion (1567-1620) was an English Renaissance neoclassical Latin poet, an English lyric poet, a composer of lute ayres, a literary and musical theorist, and the author of several courtly masques. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
maie vse, halfe note, next vse, foure notes, first vse, being sharpe, vpper part, foure parts, music treatise, briefe discourse, perfect concords, lute songs, young beginner, psalm tune, false relations
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Note of the Treble, New Way of Making Fowre Parts, Note of the Base, Fourth Booke
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