Customer Reviews

Making Love

5 star:		(49)
4 star:		(22)
3 star:		(10)
2 star:		(5)
1 star:		(1)

 

 

Many movies that are now considered classics didn't start out that way. "Wizard of Oz" turned only a modest profit as a new release. "Casablanca" did okay, but it was forgotten for years until TV showings made it an audience favourite. "Citizen Kane" was little short of a box-office disaster.

"Making Love" is newer than those films, but it seems to be following the same path. In first release, it was dismissed as too softly soapy by gay audiences and as too much by straight ones, primarily because of one gorgeously sensual kiss between its two male stars. Twenty years on, we've all calmed down, and "Making Love" is looking better and better.

Although the script falls into the usual Hollywood trap of making everyone in the film devastatingly attractive and well over the median income line, Michael Ontkean, Harry Hamlin, and Kate Jackson deliver honest emotional connection with their characters. Jackson is the surprise of the film, turning in a powerful performance that will surprise "Charlie's Angels" fans. Ontkean's sensitive portrayal of a man who realises he's gay after eight years of marriage is a tour-de-force. Hamlin delivers, too, fleshing out the movie's love triangle as a writer who brings Ontkean's character out, then dumps him because he's afraid of commitment.

Yes, "Making Love" is something of a soap opera, and yes, it's a bit too determined to avoid giving offence. It still treads where very few movies dare to go, into the hearts of good people trying to make the best of a difficult situation. Even at its end, the film yields surprises. Kate Jackson's character is seen as content with her remarriage after losing Ontkean; using the most economical means, Jackson lets us know that her gay ex-husband was truly the love of her life, and that her ultimate act of love was to let him go.

There are two names seldom mentioned in connection with this movie that should be singled out: Dame Wendy Hiller and Daniel Melnick. Dame Wendy is a delight as Winnie Bates, a neighbour who is friend to the young gay doctor and his wife; her performance gives "Making Love" much of its texture. And Daniel Melnick, as producer, deserves kudos, too. Melnick's early career was in 1950's TV, when the tube still had some notions of social responsibility. That ethic carries over into "Making Love"; Melnick took an extraordinary professional risk putting his name on this movie, and he is owed a debt of gratitude by everyone who loves "Making Love". Melnick's next film was "Footloose", so he landed on his feet, if ever anyone did.

Again, it's a great little movie, and you won't regret making the acquaintance of the people so lovingly brought to life in it. To everyone who worked on the film: You had guts, and we appreciate what you accomplished more and more as the years roll by.

When it was released in 1982, MAKING LOVE was publicized as the first film from a major Hollywood studio to take an honest look at homosexuality. Today, even in our more tolerant social climate, the movie remains just about the only film from a major Hollywood studio to take an honest look at homosexuality. MAKING LOVE is a compassionate, sensitive examination of one man coming to discover, and accept, that he is gay.

Zack (Michael Ontkean) and Claire (Kate Jackson) are a young, attractive and successful married couple; he is a physician and she is a television producer. They have just bought a new home and talk about having a child. But Zack begins to question his sexual identity and to close himself off from his wife. Then he meets Bart (Harry Hamlin), a sexually adventurous gay man who forces Zack to come to terms with his sexual feelings.

Although MAKING LOVE is nearly twenty years old, the only things dated about the movie are the clothing and hairstyles. There have certainly been other Hollywood movies that deal with homosexuality (PHILADELPHIA, IN AND OUT, etc.). But most of these movies seem oddly hesitant to address difficult issues or deflect them by using humor. By contrast, MAKING LOVE presents with complete honesty a man learning to accept that he is gay, along with all of the conflicted feelings and painful choices this involves.

Barry Sandler's script is outstanding. It employs a device that today has become an annoying cliche: characters sharing their inner feelings by directly addressing the camera. But in this film, the device really works, thanks to honest writing and performances.

All three lead actors are excellent, giving us portraits of believable, imperfect human beings who nonetheless try to do their best with the situation that confronts them. A special word of praise must go to Kate Jackson. Certainly Jackson's TV work (CHARLIE'S ANGELS, SCARECROW AND MRS. KING) never gave her the chance to play such an intelligent, fully-rounded character. Jackson is excellent and in a few scenes is so thoroughly convincing that she breaks your heart.

Arthur Hiller's direction is understated and eloquent. And Leonard Rosenman's musical score is superb. His score helps us to recognize the movie for what it is: a tender and bittersweet love story. For example, early on there is a scene in which Zack has a painful meeting with a cancer patient and, distraught over his inability to help her, goes cruising for a sexual partner. Rosenman's musical score helps us to see that Zack's act is not cheap or sensational but instead is an attempt by a lonely, confused man to find emotional connection.

A movie of exceptional quality, MAKING LOVE should be much better known. I recommend it to anyone who is looking for an intellegent, compassionate presentation of the many emotional issues surrounding coming to acceptance of homosexuality.

After years of homosexuals in movies being portrayed as evil and disturbed, 1982's "Making Love" attempted to tell an honest and realistic story of a married man who discovers he is gay and the effect that it has on his marriage and his life. The story is so completely absorbing and moving and one cannot help but shed tears at the bittersweet ending. The acting is first rate by all three leads; Kate Jackson, Harry Hamlin, and Michael Ontkean, all very brave actors for doing this film when many others were afraid to touch it. Unfortunately, the film was not appreciated because the public wasn't ready for it. I have friends that tell stories of mass hysteria in the theater during the love scene between the two men; people screaming, storming out of the theater, etc. How ridiculous and sad.
"Brokeback Mountain" and "Making Love" have many similarities, but one major difference. "Making Love" goes as far to say that gay people can find love and be happy. As a teenager, desperate to find people to identify with, this was a message I needed to hear. I'm so glad that the film has been released on DVD so more people can experience it. It's a film that, after 24 years, I still hold very dear to my heart.

This movie made a huge impact on the course of my life. If I hadn't seen it upon it's 1982 theatrical release I most likely would have come out of the closet anyway, but the sensitive portrayals here (from actor to writer to director) made it easier for me to confront myself before making some huge life mistakes. Since there are so many gay themed movies and tv shows around nowadays I don't know if this film could have the same impact on any young gay people now as it did on me then, but I'm greatful that it's being made available so that at least those of us who saw it and were touched deeply by it once upon a time can relive a very sweet memory.
Thank you, 20th Century Fox.
-D.

This was the first mainstream film in which gay men got to see themselves portrayed in a positive light, and probably the first American film to portray gay people without resorting to stereotypes.

When I bought my VHS copy in the early 90's, it was already out-of-print, and I paid more for it then any other VHS film I ever bought in my life (over $60, if I recall). Even so, to this day, I don't regret a penny of it. Now that Fox Studios, who owns the rights to this gay classic has finally conceded to release it on DVD, I am optimistic that The Boys in the Band and the Lost Language of Cranes, two other classic gay dramas which Fox also owns, may follow.

Let's hope so.

The film may seem quaint and quite mild by today's standards, but in 1982, positive images of gay men in Hollywood films simply did not exist. Prior to Making Love, gay men in American movies were either suicidal sissies or vicious villains. The best we could hope for was that some sympathetic director might tone down the images of gays as sick and evil, a rendering that was more or less dictated by the censorship codes that were in force for much of the first hundred years of Hollywood history. Indeed, the negative but harmless 1930s classic "sissy," eventually gave way to darker portrayals of gay people as inhabitants of a shadowy world of villains and degenerates. Hollywood's version of gay people was as unrealistic and damaging as any propaganda ever wielded against any minority, anywhere. Therefore, the film Making Love can be seen as nothing less than a radical departure from the standard Hollywood negative portrayal of gays. The producers and production team of Making Love went out of their way to make the gay characters as likeable and attractive as possible, and, at the time, I don't remember any of my friends who saw the film who weren't grateful for that alone.

Many people have dismissed this film as a "soap opera" and claim that the basic plot is unbelievable. Interestingly enough, a lesbian friend of mine had the greatest identification of anyone I knew with the character played by Michael Ontkean - she said that when she was coming out as a lesbian, and married at the time, her marriage was exactly like the couple in this movie. The lies, the sneaking around, the nervous confrontation with her spouse - she lived it all, and she felt that the film very accurately portrayed her real life situation. So don't let anyone tell you that this "soap opera" is totally unbelievable, for I know someone who lived it.

Enough cannot be said about Kate Jackson's wonderful performance. This is possibly the best role she ever tackled, and almost definitely the best acting she ever did. Arthur Hiller's direction is perfect, and he is also assigned a small supporting role as Zack's father. Wendy Hiller, as a compassionate friend of the married couple, gives an excellent supporting performance, as she does in every role she undertakes.

Harry Hamlin and Michael Ontkean as the two leads (both of whom are straight and were very nervous and also very brave about taking these parts) are cute enough to make the romantic in my soul enjoy this film even for the wrong reasons. Buy it for the right reasons - it's a piece of gay history, and one of the first American films to deal with homosexuality in a positive light.

This movie is an excellent look into one person's coming out experience. The typical structure of a heterosexual marriage is challenged when the husband discovers and admits his homosexual preference. Kate Jackson and Michael Ontkean in their lead roles do an excellent job of portraying the many emotional facets of this complicated issue. The movie brings out the personal and social stigmas of homosexuality. The viewer is able to feel the torment and pain that this couple go through as they reach an understanding of what love and sex mean to the marriage, and to each other.

The movie is an emotional and engaging twist on the typical love triangle. Michael Ontkean does a good job on playing the husband, who eventually comes out to himself and his wife. Kate Jackson is endearing as the wife who is career motivated, family oriented, and who thought her life was planned. Her emotional realings are felt by the audience as she must come to terms with her husbands sexuality.

Harry Hamlin is the third person in this triad. His character is not as well defined as the others, but is credible enough to carry on. The character is an aloof gay writer who drifts from person to person without an emotional connection. The story does not explain why. He is an individual who avoids attachment.

This movie is recommended for those that seek a good character study and a challenge to societal stereotypes.

To say this film is still groundbreaking would be a stretch, but it still hits home. In 1982, theater goers were either exiting quickly or more wisely, staying to marvel at this film's honesty and heart and its winning performances.

Kate Jackson, Michael Ontkean and Harry Hamlin turn in a powerhouse effort in this Authur Hiller film about a career successful married couple, Claire and Zack Elliot (Jackson and Ontkean) who must face the reality that their union is not all it seems. After eight years of marriage, Zack's repressed homosexuality begins to surface. Enter handsome writer Bart Mcguire (Hamlin), who innocently meets Zack in the ordinary circumstance of a doctor's visit. Bart has been around the gay scene for some time, and is quite happy in his world of one night stands and conquests....or is he?

How all this unfolds is great viewing. "Making Love" has it's soap opera moments and is somewhat dated, but the performances and overall writing and direction overcome these slight flaws. Handsome Ontkean is dead on as the confused yet well intentioned Zack. Whatever spoken or written about this film hurting Ontkean's career is trivial, this remains his best work to date. Hamlin is almost distracting in a role that was obviously well researched complete with subtle mannerisms. Kate Jackson turns in one of her best yet tender performances in a film that remains a cornerstone in gay cinema.

I have been waiting YEARS for this film to come out, and when I finally searched and saw its tentative release, I let out a loud "Finally!"

This is the first movie I saw that addressed homosexuality without the characters being steretypical flambouyant comedy sidekicks. The three main actors brought a major sense of realism and respect to a, at the time, taboo subject. Michael Onkean and Kate Jackson shine as the married couple torn apart by Onkean's voyage of self-discovery.

This is a must-have for gay and straight alike. This is the one that paved the way for other reality based movies on the subject of gay life...not to be missed! Way to go Fox Studios!

When released in 1982, director Arthur Hiller's "Making Love" was a bold venture for its time and critcally panned, probably more for its risky content than its acting or writing. Between her TV gigs as one of Charlie's angels and Mrs. King to a Scarecrow, veteran actress Kate Jackson said she would have offered to pay for the role of a driven TV executive married to a doctor, played by former "Rookies" co-star Michael Ontkean. But with wife Claire so tied up with her work, husband Zak begins to explore a long-denied curiosity about a same-sex encounter. He finds it in studly writer Harry Hamlin, then a new face on the acting horizon. With his same-sex curiosity answered and his desires and preference unleashed, Zak struggles with how to come clean with wife Kate, and the climactic scene in which he confesses his homosexuality is carried with appropriate emotional shock and devastation by both Jackson and Ontkean. By today's standards, the film may seem dated and irrelevant, but it was hardly so at the time. A good script is bolstered by good acting and singer Roberta Flack's haunting theme song that was a chart-buster in '82. Beyond the film's obvious topic, it also renders a subtle lesson in the need for honesty. Watch for a jewel of a supporting role from late British actress Wendy Hiller. She sparkles as neighbor to Claire and Zak, and hers is the voice of reason in the emotional upheaval of a marriage and its two souls headed for oblivion. With the film finally available on DVD, a second generation might watch and learn the need for honesty not only with self but with significant others. Now being touted as the "Brokeback Mountain" of its day, the comparison might be unintentionally unkind. "Making Love," just as "Brokeback ..." does, is certainly strong enough in its own message to stand on its own merits.

This classic pre-AIDS movie made a big splash when released in 1982. The first big gay love story with two 3 well know actors. It is a love story that deals with Michael Ontkean's stuggle in "coming out" (he is married to Kate Jackson) but meets and has a major attraction to Harry Hamlin. While flawed in some ways, it still comes across as a very sensitive film that deals with a very sensitive & emotional issue that is still as timely as ever. I personally applaud films like this that can actually make a difference in people's lives by possibly helping them see that they are not alone in whatever personal issue they may have.