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Making Mischief: The Cult Films of Pete Walker [Paperback]

Steve Chibnall (Author)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

0952926016 978-0952926016 March 1998
Britain's Greatest Exploitation Film Director!

"I deliberately rub people up the wrong way", Pete Walker once remarked, "I want them to come into the cinema and be shocked." And shock them he did. No other British film-maker achieved the level of transgression that Walker regularly delivered to cinema-goers in the 1970s.

Beginning his career by making 'skinflicks', Walker went on to direct a trio of bona fide horror film classics. House of Whipcord, Frightmare and House of Mortal Sin probe beneath the glossy surface of the permissive society to expose a malevolent underworld of madness, obsession and vindictive violence.

Making Mischief is the first major critical study of the controversial director, and it has received the full cooperation of Pete Walker and his screenwriters. Extracts from a five hour interview with Walker appear throughout the book which also contains a wealth of previously unpublished photographs and, for the first time, reveals details of the Sex Pistols movie A Star Is Dead, which Walker was about to direct when the Pistols split.


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Editorial Reviews

Review

A long-overdue and very thoroughly researched study of the unsung hero of British exploitation cinema. High praise indeed -- NEON

An exemplary book. Both a reference book and a critical history and study. And it's both entertaining and informative. -- Samhain

Another quality cinema publication from FAB Press. Author Steve Chibnall offers insights that matter. -- Headpress

Chibnall's achievement is to make the reader desperate to track down and see the movies. The highest possible compliment. -- Empire

Lashings of titillating pics and a succinct critical appraisal of each film. Wicked bed-time reading. -- Total Film

About the Author

Steve Chibnall teaches Film and Cultural Studies and co-ordinates the British Cinema and Television Research Group at De Montfort University, Leicester.

Product Details

  • Paperback: 223 pages
  • Publisher: FAB Press (March 1998)
  • Language: English
  • ISBN-10: 0952926016
  • ISBN-13: 978-0952926016
  • Product Dimensions: 9.4 x 6.6 x 0.7 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,698,170 in Books (See Top 100 in Books)

 

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1 of 1 people found the following review helpful:
4.0 out of 5 stars Accessbile Study of Underrated Director, March 10, 2007
By 
Shaun Anderson (Nottingham/Hereford, England, UK) - See all my reviews
(REAL NAME)   
This review is from: Making Mischief: The Cult Films of Pete Walker (Paperback)
The much need regeneration of British horror continues with this well timed and needed study of a figure who looms large in British horror history. Largely overlooked and in some cases forgotten Pete Walker made an excellent trilogy of contemporary socially orientated horror films in the early 1970's. The films were his masterpiece "Frightmare", "House of Whipcord" and "House of Mortal Sin". Each film allegorised aspects of society, which in Walker's bleak world view are inherently corrupt, suppurating with violence, perversity and insanity. The family, psychology, the judicial system and religion respectively crumble under Walker's imperious and apocalyptic gaze. Walker articulated most effectively a Britain on the verge of implosion and self destruction, a dark, grimy and morally irredeemable world. What is notable in this trilogy is the maintenance of a gritty, naturalistic visual style which combines effectively with Walker's social critique. As a result academic Steve Chibnall argues in this text for Walker's status as an auteur. Walker, however was very concerned with the commercial properties of his films and would probably be quietly amused by the cultural ascension Chibnall proposes. Sadly outside of Walker's key trilogy, there is little to support the claims for authorship. Chibnall is always up against it in his argument because of Walker's close ties to exploitation cinema. Simply put outside of his excellent trilogy Walker made fairly lacklustre and ultimately forgettable films, examples include "The Comeback", "Man of Violence" and "House of the Long Shadows", perhaps only "The Flesh and Blood Show" is worthy of reappraisal and further study. Nevertheless Chibnall must be commended for taking this difficult task on, and he should be further commended for an entertaining prose style, that doesn't take the book beyond fans and into the stuffy netherworld of academia.
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