From the backgrounds of the many players to the pre-production, production, and post-production of the film, the work covers every aspect of Rebel Without a Cause from its rudiments to the 1955 Oscars: the selection of cast and crew, legal fights, preparatory research, changing screenwriters and the many variations of the story, location scouting, auditions, the writing of the score, script readings, difficulties with the censors, romances and fights, shot-by-shot analyses of the directing, editing, screenings, and, of course, its stars death. Dozens of intimate anecdotes fill the work with every detail from wardrobe decisions to James Deans pranks to the Air Pollution Control Boards opposition to the final car crashes. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew. Sources include production records, publicity releases, scripts, newspapers, and discu! ssions with Stewart Stern. An appendix offers two unpublished letters from Stewart Stern to Nicholas Ray and to Marcus and Ortense Winslow.
