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Making Records: The Scenes Behind the Music Hardcover – Bargain Price, October 16, 2007


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Product Details

  • Hardcover: 336 pages
  • Publisher: Hyperion (October 16, 2007)
  • ISBN-10: 0786868597
  • ASIN: B001Q9E9NS
  • Product Dimensions: 9.3 x 6.4 x 1.1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #306,322 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Ramone, with 14 Grammys to his name, is the consummate Establishment producer. His clean professionalism has brought a touch of class to a wealth of baby boomer landmarks, from Paul Simon's Still Crazy After All These Years to Billy Joel's The Stranger and Ray Charles's Genius Loves Company. Over the course of his memoir, Ramone constantly drops these names and more, often veering into a string of anecdotes to illustrate a point. One page about artists' working methods, for example, includes mention of Frank Sinatra; Bob Dylan; Peter, Paul, and Mary; and Barbara Streisand, with little distinction made as to quality or genre. This makes for a readable but repetitive book. The conversational style means that certain artists are brought up again and again, and sometimes the book relies upon long block quotes from musicians that would have benefited from being pared down to their relevant lines (such as one in which Liberty DeVitto of Billy Joel's band talks about changing the rhythm of Always a Woman to Me). Amid all of this, there are genuinely interesting stories, and fans of Sinatra, Simon and Dylan should find pleasure in the long in-studio narratives. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

A violin prodigy, Phil Ramone studied at Julliard before establishing his first music studio in 1958. He is the chairman emeritus of the Board of Trustees of the National Academy of Recording Arts and Sciences (NARAS) and the Producers and Engineers Wing, and is a trustee of the MusiCares Foundation. Ramone lives in Westchester County, New York.

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Customer Reviews

If at all interested in recording history, I highly recommend this book.
Samuel Lemons
One of music's most prolific and distinguished producers, he candidly shares experiences from his career in his new book, Making Records: The Scenes Behind The Music.
Donald Gibson
Neither were ever faves of mine, so I was disappointed that Ramone left out so much else.
Brad Smith

Most Helpful Customer Reviews

17 of 17 people found the following review helpful By Donald Gibson on October 26, 2007
Format: Hardcover
Imagine yourself facing the task of telling Tony Bennett during a recording session that, while he sounds fine, you believe he's hit a few bum notes. Not only should you have the credible acumen for identifying such flaws, but also the knowledge of how to correct them. Fortunately, Phil Ramone has an abundance of both. One of music's most prolific and distinguished producers, he candidly shares experiences from his career in his new book, Making Records: The Scenes Behind The Music.

While neither a strict memoir nor a technical manual, the book blends elements of the two, usually within the context of representative and applicable anecdotes.

Ramone writes an engaging account of his ascension in the music industry, from working as a studio apprentice to engineering recording sessions and ultimately producing albums and live events. As a result, the reader gains priceless insight on some landmark recordings as well perspective on the evolution of music production over the last 50 years.

What makes this book such an enjoyable read is the producer's unassuming way of relating his memories and knowledge. One would suspect that someone as proficient and experienced as Phil Ramone would have, by now, lost all sense of wonder in regard to how music is made. Quite the contrary, while he undoubtedly knows what he's doing in the studio, he seems just as amazed and inspired by the creative process as any typical fan would feel.

Fans of Billy Joel, in particular, will take pleasure in reading what Ramone recollects about producing many of the Piano Man's greatest albums. He recounts how certain iconic sound effects were achieved, like the shattering glass that opens "You May Be Right" and the reverberating helicopter propellers that bookend "Goodnight Saigon.
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1 of 1 people found the following review helpful By Barb the baker on October 28, 2011
Format: Hardcover Verified Purchase
If you are really into the history of Rock n Roll, this book is a must have. You can really feel the involvement of Phil Ramone with the artists and the eventual record. It's great to have documentation of the industry before it went full electronic.
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1 of 1 people found the following review helpful By Frederick J. Decker on March 13, 2010
Format: Hardcover
Some of the negative customer reviews fault this book for not being what the reader expected--a technical book about recording for example--instead of dealing with the book the author(s) actually wrote.

This book answers fans' questions about how records are made based on Phil Ramone's personal experience.

It's not an autobiography or a how-to be a record producer book--although there are elements of both.

This is a layman's terms explanation of how records are made directed toward music fans.

Phil Ramone's long career stretches back to the 1950's. He engineered David "Fathead" Newman's album "It's Mister Fathead" for Atlantic Records in 1958 and he was still active at the time this book was written in 2007.

Ramone's seen alot of changes during his career. It's interesting to read what has changed and what has remained the same.

Ramone uses examples to explain his points. Many are great. Phil Ramone describes the mixing process then uses Billy Joel's "Scenes From An Italian Restaurant," as an example of one of his favorite mixes. Then he lists specific sections of the song and characteristics of the mix to listen for in each:

"MAIN THEME: 'A BOTTLE OF WHITE, A BOTTLE OF RED...' (AT 0:14)...This section offers an example of complimentary equalization."

"With complimentary equalization, instruments that have frequencies in common are equalized to remove or enhance some of their shared frequencies. This helps each instrument stand out, and allows it to retain its own designated space in the mix."

"In the introduction, the acoustic guitar (which comes in on the second verse) was equalized with a fair amount of treble.
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By ROBERT FIELDS on May 24, 2014
Format: Hardcover Verified Purchase
This is a great book for anyone once inside view of the music industry.
It's a personal view but it's a great view.
I've learned a lot reading this book
Robert
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By swimmer on December 29, 2013
Format: Hardcover Verified Purchase
So this was great insight into what goes on when really creative people mesh and while it's not a given, they can create magic!
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By Samuel Lemons on October 8, 2013
Format: Kindle Edition
If at all interested in recording history, I highly recommend this book. Phil Ramone put his signature on 60 years of popular music.
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Format: Hardcover Verified Purchase
Phil was THE man in the recording studio for some
of the premier recording artists of all time.
There were others, but he was the Giant
record producer of his time. His work lives on.
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By Steve on July 9, 2013
Format: Hardcover Verified Purchase
I started out liking Phil Ramone a lot, but then got kind of bored when I realized that most of the music he produced was stuff that I was not very interested in. The was lots of Billy Joel, but not so much BLOOD ON THE TRACKS. It was cool learning about his studios in Manhattan which meant a lot to the scene. Actually, I would have been more interested if it included more technical talk, of which there is very little.
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