8 of 8 people found the following review helpful:
5.0 out of 5 stars
Outstanding, true-to-life, March 3, 1999
By A Customer
A short book that will take YA readers less than an hour to read but will give them food for thought for days to come. I've used it with an 8th. grade class with very positive results. The students saw the shallowness of the young girl as well as the prejudices against certain ethnic groups and young people. The book is realistic in that it doesn't answer the question of "why?" This is a terrific book to use to stimulate discussion of several topics: timeliness/reality, graphics, characterization, style of writing.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
2 of 2 people found the following review helpful:
3.0 out of 5 stars
The end. Fin. Finito. Kaputski., July 20, 2005
This review is from: Making Up Megaboy (Paperback)
If there's one thing that children (and childlike adults) hate, it's books with inconclusive endings. If you're reading a story and you meet a sympathetic character who commits an atrocious crime, you undoubtedly want to know why that crime was committed. The last thing you're going to want is to reach the end of the story and find yourself staring at the final page without any more idea why such-n-such happened as you did when you first began. It's a remarkably gutsy move on the part of an author to create a book like, "Making Up Megaboy". Admittedly, author Virginia Walters and illustrator Katrina Roeckelein have written a book that was a better idea in theory than it winded up being in practice. Still, they've done their best and the story certainly catches the eye and will make for plenty of lively discussions of what the true tale really is.
No one knows why Robbie Jones shot the old Korean man in the liquor store. Robbie was a thirteen-year-old kid with few friends and an active fantasy life. He and his best friend Ruben would draw comic strips of a character named "Megaboy". Robbie had a crush on a girl named Tara in school, but his connection to Mr. Koh (the deceased) was sketchy at best. Now however he's a thirteen-year-old with murder on his head and evidence all around him. Why he did it, no one knows. But everyone has an idea. And everyone's talking.
I guess the real danger of this book is that it sort of gives the impression that if a kid is a loner who keeps to his or her own self and likes art, they're probably a danger. The book could even be interpreted to mean something along the lines of those-who-do-not-conform-to-society-will-ultimately-destroy-it. Sure Robbie seems like a nice kid, but since we never know why exactly he killed Mr. Koh he's given a bit of distance from the reader. There's also the fact that the story's essentially unbelievable. I mean, people just don't go about killing other people for no good reason. It's not a day-to-day reaction. Robbie's crime is so frustrating to readers partly because it's so senseless. And not senseless in the sense that it's a waste of a young life. Senseless because from what we know of Robbie (and from the scant 64 some pages here, that ain't much) he's not the type that would do this crime. Also, if a thirteen-year-old kills someone, goes to jail, and refuses to talk about it and seems to be in shock.... Well what better basis for an insanity plea could you want?
I'm talking about all the problems with the book, but there are good things in it as well. The original format taking all sides and showing the crime after the fact is good. Ditto the characters you get to know. Placing much of her skill in throwaway lines, Walter enables characters like Tara (the girl Robbie had a crush on) to deliver nasty cutting thoughts on things like selling a picture Robbie once gave her for a lot of money now that he's infamous.
In the end, however, "Making Up Megaboy" doesn't know what it wants to be. Obviously this book is trying, and not quite succeeding, to be akin to Walter Dean Myers', "Monster". Of the two, "Monster" is a far stronger book. "Megaboy" is just too short to make up for its one-of-a-kind ending. It's certainly possible to write a book in which a crime remains a mystery up and until the end. But to do so the author needs to immerse the reader fully in that criminal's head. We never see anything that Robbie's actually thinking, with the possible exception of a "Megaboy" script thrown in at the end of the tale. We don't know how Robbie felt about his parents or his friends or his school. Just a single glimpse into his head would've salvaged a promising idea. Walter fails in this respect. I still think that "Making Up Megaboy" has its uses in the classroom. Just don't expect it to be a great big hit outside of required reading circles.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
3 of 4 people found the following review helpful:
5.0 out of 5 stars
Essential reading for pre-teens and their parents, September 1, 1998
By A Customer
With news this morning of the conviction of yet another teenaged murderer, I am sadly reminded, once again, just how timely and poignant Virginia Walter's Making Up Megaboy is. Certainly this is a dark book; but these are dark times when kids feel the need to act out their anger and insecurities by killing others. What this book tells us, through its multiple points of view, is that we are all responsible for helping today's youth reach their maximum potential. As a librarian who has worked with young adults for many years and as the aunt of four adolescents, I feel Making Up Megaboy should be read and discussed by all pre-teens and their parents.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No