From Publishers Weekly
This admirable biography sets out to right the record on the composer who was rumored to have poisoned Mozart. Salieri (1750-1825), who was born in Italy and taken to Vienna as a young orphan, became court composer to Emperor Joseph II and the most influential figure in the Viennese musical world of the late 18th century. He wrote more than 40 operas (some of which were performed throughout Europe), directed Italian opera at the National Theater, was in charge of music at the royal court, and taught Beethoven, Schubert and Liszt, among others. Braunbehrens ( Mozart in Vienna ) analyzes Salieri's works, emphasizing his role in the development of opera as musical theater. He also discusses Salieri's relationships with his most important librettists, Da Ponte, Beaumarchais and Casti, and places his operas in the context of contemporaneous political and social events. As for the composer's relationship with Mozart, reports of jealousy are based on rumor and conjecture, stresses Braunbehrens. He persuasively demonstrates that although Salieri was largely forgotten after his death, in his day his stature was much too secure for him to have considered Mozart a serious rival. Illustrations not seen by PW.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
After returning from relative obscurity as the alleged murderer of Mozart, Salieri is the subject of a life-and-works study including, of course, a discussion of the "murder" charge. During his lifetime Salieri was a prominent composer, and the author supplies all the details surrounding his career, including a substantial amount of social setting. The result is a somewhat different picture than that found in similar studies of Mozart's life. The translation of the 1989 German original is occasionally a bit ponderous, but the research is well done and the story clearly laid out. Recommended for most music collections.
- Timothy J. McGee, Univ. of Toronto
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
- Timothy J. McGee, Univ. of Toronto
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
