Maltese Falcon

Deutsch (Artist), Stromberg (Artist), Moscow Symphony Orchestra (Artist) | Format: Audio CD

Product Details

• Audio CD (July 16, 2002)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Marco Polo
• ASIN: B00006669S
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #95,317 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

4 of 6 people found the following review helpful:

4.0 out of 5 stars A Feast For Film Fanatics!, March 17, 2003

By 

William F. Flanigan Jr. (North Potomac, MD USA) - See all my reviews
(REAL NAME)   

This review is from: Maltese Falcon (Audio CD)

This is one of the latest offering by the distinguished duo of
Messrs. Morgan (master of classic-film score restoration and
orchestration) and Stromberg (master of symphonic conducting) on
the Marco Polo label. I recommend you collect all of them
including this one (many are still in print and available from
this Web site). While few may know the name of film-score
composer Adolph Deutsch, I venture that virtually none have not
seen (many times!) or, at least, heard of THE MALTESE FALCON
(TMF). There are samples of five Deutsch film scores on this CD
with subtle variations/reflections on the music from TMF in two
other compositions. When heard without it's visual counterpart,
the music from TMF is surprisingly minimalistic in both
composition and orchestration (but after all, TMF was a Warner
Bros. low-budget programmer). Deutsch, however, has
unquestionably proven that less is much, much more. Listening to
the cues instantly evokes in the mind's eye matching scenes,
indelible scenes, from the film (and, of course, makes one want
to run the film yet again!). You probably never heard of the
other four films covered here (with the possible exception of
HIGH SIERRA, another programmer). Regrettably, these scores do
not hold up very well (while definitely pleasing to the ear, they
are just about as forgettable as the films), and certainly not as
stand-alone "concert" pieces with two notable exceptions. The
main-title cue from GEORGE WASHINGTON SLEPT HERE is one of the
most, well, arresting introductions to a film comedy ever
composed. Music from NORTHERN PURSUIT (Never seen it? Me
neither!) is Korngoldian in that it is close to a film symphony,
and an exciting one at that. Restorations/orchestrations,
conducting, performances, sound engineering, and the CD booklet
are, as usual in this superb series of CDs, first rate. Buy it!