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185 of 201 people found the following review helpful
5.0 out of 5 stars Warner Bros. does it yet again.
Again, Warner Bros. continues to rival other studios with their DVD releases of their classic movies. This time, they've pulled out all the stops for the 1941 version of The Maltese Falcon, the film that practically invented the film noir genre. Although not as packed with bonus materials like some of their other previous Special Edition, they've still put enough material...
Published on March 24, 2007 by takemehome

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283 of 343 people found the following review helpful
3.0 out of 5 stars Warners Doesn't Do It Again
Warner Brothers has one of the greatest film catalogs of any studio; yet they don't appear to take their DVD issues very seriously. Who on earth would put "Goodfellas" on two sides of a disc? or not release the "Director's Cut" version of "Eyes Wide Shut" (imagine the added revenue if they had)? or release a slapdash collection of...
Published on February 21, 2000 by Nowhere Man


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185 of 201 people found the following review helpful
5.0 out of 5 stars Warner Bros. does it yet again., March 24, 2007
This review is from: The Maltese Falcon (Three-Disc Special Edition) (DVD)
Again, Warner Bros. continues to rival other studios with their DVD releases of their classic movies. This time, they've pulled out all the stops for the 1941 version of The Maltese Falcon, the film that practically invented the film noir genre. Although not as packed with bonus materials like some of their other previous Special Edition, they've still put enough material on here to use THREE discs. The set contains a cardboard slipcase packaging two slim DVD cases. Disc 1 is contained in the first case, and the second case contains discs 2 and 3. I won't go into detail on the movie, because I'm here to review the product itself, not the movie.

The first disc contains the 1941 film noir classic, with a newly restored digital transfer. Digital artifacting is minimal if existent. Some film artifacting, such as occasional slight shakiness is present, but for the most part, the transfer is clean and free from flaws. The audio is presented in its glorious original mono mix, which has been cleaned up for this new transfer. An audio commentary is included, but I have yet to listen to it. Also included is a bonus called Warner Night At The Movies, which allows you to view a gallery of short subjects before The Maltese Falcon - the way you would have in 1941. The short subjects included are informative and/or entertaining and even include a couple of short cartoons. But the restored movie is, of course, the main attraction - and what an attraction!

Disc 2 contains a nice surprise - the first two film versions of The Maltese Falcon! The first one is the pre-code 1931 version starring Ricardo Cortez as Sam Spade and Bebe Daniels as Ruth Wonderly. Although this first version is very similar to the 1941 version, it contains a bit more sexual innuendo and suggestive scenes. For many years after its initial release, the film was not allowed to be shown until the late 60's, when it turned up on TV under the title Dangerous Female. The second film is a thinly veiled screwball comedy take on the story titled Satan Met A Lady, starring Warren William as Ted Shane (Sam Spade) and Bette Davis as Valerie Purvis (Ruth Wonderly/Brigid O'Shaughnessy). Despite having all of the characters' names changed and the object of desire changed to a ram's horn filled with jewels, it's obvious what the source material is. Satan Met A Lady's theatrical trailer is included, but not the trailer for the 1931 film, despite the packaging's claim that both versions' trailers are included. Having all three films on this set is a good idea, in my opinion, because it allows the viewer to decide for themself what their favorite version is. Although in my opinion, the 1941 tops both of them, I highly enjoyed the other two films too. Unlike the 1941 version, these versions have not been restored and definitely show their age, with plenty of dirts, spots, and scratches. They're unlikely to be revisited on DVD anytime soon, so this is about as good as they're going to get treated on DVD.

Disc 3 contains all of the 1941 version's bonus materials. Not as packed as most supplemental material discs in Warner's Special Editions, (In fact, a single-layer disc was used for disc 3, and holds approx. 3.5 GB of data.) the bonuses included are quite excellent and informative. Included is a new documentary on the making and impact of the movie, called One Magnificent Bird. Next is the TCM documentary Becoming Attractions: The Trailers of Humphrey Bogart, which includes theatrical trailers for many of Bogey's classics, such as High Sierra, The Maltese Falcon, Casablanca, The Petrified Forest, and Treasure Of The Sierra Madre. The idea is to show Bogart's progression from B-list bad guy to A-list movie star. Another great bonus is the Breakdowns of 1941 blooper reel, which contains some of the greatest old school actors and actresses, such as Bogart, Bette Davis, and James Cagney, blowing their lines - and often using some pretty salty language that couldn't be shown in theaters at the time. Also included are some Mary Astor makeup tests, although I personally don't see the significance. Finally, rounding out this set are three radio broadcast performances - the Lux Radio Theater performance with Edward G. Robinson, and two featuring Bogart, Mary Astor, and Sydney Greenstreet, with Peter Lorre also starring in one of the broadcasts. Approx. two hours of great old time radio to listen to.

This set may disappoint the consumer that has been spoiled by 4-Disc sets of Ben-Hur and Gone With The Wind and the 3-Disc set of The Wizard of Oz. Although I'm one of the consumers that has been spoiled with those releases, in my opinion, The Maltese Falcon's 3-Disc Special Edition stands up alongside these releases beautifully. With THREE movies and around four hours of additional bonus materials, this set truly delivers. If you love old movies, Bogey, or film noir, this is a MUST-have for your collection.
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63 of 69 people found the following review helpful
5.0 out of 5 stars A Must-Have!, May 17, 2000
By 
Erik Rupp (Southern California) - See all my reviews
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This review is from: The Maltese Falcon (DVD)
Sometimes with a movie everything turns out right. That was the case with this 1941 classic. John Huston's driectorial debut is a masterpiece of film noir, featuring a great performance by Humphrey Bogart as Sam Spade. Actually, the entire cast is fantastic from top to bottom, with standout performances from Sydney Greenstreet and Peter Lorre. The story is a classic tale of greed, murder, and manipulation with some surprising plot twists (surprising if you haven't seen it already). THE MALTESE FALCON is one of those movies that you can watch over and over and find something new each time. The picture and sound quality are actually quite good for a film from 1941 as any flaws are minor and inconsequential. The DVD also features the original theatrical trailer, plus a special feature on trailers from Humphrey Bogart movies. This truly is a must-have! Add this DVD to your collection; you will be glad that you did!
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29 of 30 people found the following review helpful
4.0 out of 5 stars The original 1931 version is really good, too!, May 6, 2008
This review is from: The Maltese Falcon (Three-Disc Special Edition) (DVD)
The three-disc special edition of the 1941 version of The Maltese Falcon contains some very interesting bonus features: the two previous adaptations of Dashiell Hammett's novel, the first also called The Maltese Falcon (though it was renamed Dangerous Female for TV in the '50s to avoid confusion), and the second titled Satan Met a Lady.

Since the 1941 version (directed by John Huston and starring Humphrey Bogart, Mary Astor, Sydney Greenstreet, and Peter Lorre) is the one considered "definitive," it's not surprising that relatively few viewers realize that was actually Hollywood's third adaptation of Hammett's classic detective novel.

Satan Met a Lady (directed by William Dieterle and starring Bette Davis and Warren William), is by all accounts a disaster (a very loose adaptation by screenwriter Brown Holmes, who co-wrote this version), but the first Maltese Falcon, filmed in 1931 by director Roy del Ruth, is a terrific alternative for viewers who love the story and would just like to watch a different take on it. (Both films are faithful to the source, with few changes.)

The main difference in tone comes from Ricardo Cortez's portrayal of Sam Spade. Cortez's Spade is much more of a ladies man than Bogart's. In fact, the opening scene of the movie shows a woman leaving Spade's office, adjusting her stockings (later, he is shown picking up sofa cushions from the floor). His roving eye (and hand) also includes his secretary, Effie. Una Merkel plays Effie as if she's not only a willing participant in these shenanigans, but is also quite aware of Spade's other dalliances -- including partner Miles Archer's wife Iva (Thelma Todd) -- and thinks it's funny.

That lightness extends to Cortez, as well. He goes throughout The Maltese Falcon with a huge smirk on his face, as if everything going on around him is endlessly entertaining. And I can imagine why. When Ruth Wonderly (Bebe Daniels) comes into his office, he probably already knows she'll end up naked in his bath, in his bed, and in his kitchen. Cortez displays just the right mix of sleaze and charm.

But the only other actor who gives anything close to as interesting a performance is Dudley Digges as Kasper Gutman. Digges gives the role real grease, making him a truly unlikeable antagonist (Greenstreet always charmed even in his most villainous roles, much like Claude Rains, his costar in Casablanca). And I was very pleasantly surprised to find that Dwight Frye (Renfield in the Lugosi Dracula) shows up briefly as Wilmer Cook. He doesn't say much, but just try to look away when he flashes those psychotic eyes.

This Maltese Falcon was made three years before the enforcement of the Production Code that would whitewash movies for the next thirty years. Thus, there are instances like those mentioned above that did not make it into the "cleaner" 1941 version. One major effect this had is when Mary Astor's Brigid O'Shaughnessy proclaims to Bogart's Spade, "I thought you loved me," it doesn't make a whole lot of sense based on what preceded. Here, when Wonderly (who never reveals herself to be O'Shaughnessy, a plot point I always thought was unnecessarily confusing anyway) says the same words, they hold real meaning.

Though quite entertaining in its own right, the 1931 Maltese Falcon is undoubtedly destined to remain forgotten in the shadow of its later remake. I recommend it, however, due to its lighter and sexier tone, handsomer leading man, and almost completely different approach to the same source material. Fans of pre-Code cinema will especially enjoy it, even if they generally prefer a little more noir in their detective stories.
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58 of 67 people found the following review helpful
5.0 out of 5 stars One of the few movies that's as good as the book, July 18, 2000
By 
Robert James (Culver City, CA USA) - See all my reviews
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John Huston's directorial debut nails every single possible angle for a great movie: a great hero in Humphrey Bogart's Sam Spade, here making a major transition from the gangster roles that made him famous; a great set of villains, from Sydney Greenstreet's ponderous Gutman to Peter Lorre's effeminate Joel Cairo to Elisha Cook's almost cartoonish gunman Wilmer; a great femme fatale in Mary Astor's Brigid O'Shaunessy; a great hunt, in the quest for the fabled Maltese Falcon. Shot scene for scene out of the novel (with some notable cuts of extraneous material, such as a long story Sam tells Brigid while they're waiting, and Gutman's daughter!), "The Maltese Falcon" is utterly clean, economical film-making with no fat whatsoever (except for Gutman, of course). The movie creates a tense atmosphere from its opening shots, with ironic humor simply acting as counterpoint throughout. The final scenes of revelation, where Sam explains to Brigid his personal code of honor, are as emotionally devastating today as they were fifty years ago. The last shots of the movie, as Brigid descends in the elevator quickly to her fate, while Sam takes the stairs, suggests each character is heading to their own private hell, even if at different speeds. A brilliant movie!
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283 of 343 people found the following review helpful
3.0 out of 5 stars Warners Doesn't Do It Again, February 21, 2000
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This review is from: The Maltese Falcon (DVD)
Warner Brothers has one of the greatest film catalogs of any studio; yet they don't appear to take their DVD issues very seriously. Who on earth would put "Goodfellas" on two sides of a disc? or not release the "Director's Cut" version of "Eyes Wide Shut" (imagine the added revenue if they had)? or release a slapdash collection of Kubrick's films? or almost never digitally enhance the audio or visual transfer or provide any significant extras? Compared to the deluxe packages that Universal, Criterion, and, even, Paramount has mustered, Warners' issues - all released in cheap and easily breakable snap cases - are a peculiar desecration of a vaunted film legacy.
Case in point: "The Maltese Falcon". Arguably the greatest detective film ever made, Warners at least releases it with a decent video transfer. Unfortunately, the audio synchronizing is off during the last 15 minutes of the movie (by a second but it's still noticable) and I wasn't able to access all the people on the "Cast and Crew" menu (no, it wasn't a machine error, as I tested on several discs thereafter). Moreover, although I enjoyed the "Trailers of Humphrey Bogart" section, it would have been nice if Warners spent the money to create a documentary history of the film the way they did on Universal's "Casablanca" release.
Much ink has been spilt praising "The Maltese Falcon" so I won't go into any panegyrics here. It's just a shame that Warners doesn't take this market seriously enough to put more care into the DVD releases of their finest films.
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27 of 30 people found the following review helpful
5.0 out of 5 stars The Greatest Detective Film of All Time, February 18, 2000
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This review is from: The Maltese Falcon (DVD)
"The Maltese Falcon" is perhaps the greatest detective film ever made. It certainly one of the best films ever made. It is populated by great characters-Sam Spade (Humphrey Bogart), "The Fat Man" (Sidney Greenstreet) and on and on. This is also one of the best written films of all time. The dialogue is snappy, cynical, and funny all at the same time. This movie has not aged at all. Unfortunately, while this is a 5 star movie, the quality of the DVD leaves a lot to be desired. There are so many blips, lines and changes in picture quality from scene to scene (and edit to edit!) that it is very distracting. Frankly, this movie deserves a restoration similar that done on Hitchcock's "Vertigo" and the Criterion Collection's, "The Third Man." I'm afraid, that similar to the CD market, we are going to see poor quality transfers to DVD, followed by new re-mastering and restoration processes that will necessitate the re-release of catalog movies on DVD. Therefore, the customer will have to purchase the same DVD twice to get the picture quality great films, such as this, deserve.
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18 of 19 people found the following review helpful
5.0 out of 5 stars The Falcon in Blu-Ray, October 29, 2010
By 
Clifford Leroy Blevins Jr. (houston, tx United States) - See all my reviews
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I am not going to write about the plot or story. Either you know of this movie or you are not reading this. I want to talk about the Blu-Ray release. There is very little in the way of fluff or "extras". Basically all you are getting is a beautifully restored film with truly magnificent video detail and quality. There is a scene where Mary Astor is facing a fireplace and you can see the faint flicker of the fire on her dress. I checked that scene on two other DVD's and it just does not show up. The blacks are richer and there is long lost shadow detail. The sound is also very good for what they had to work with. Get it, you will like it.
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17 of 18 people found the following review helpful
5.0 out of 5 stars the stuff that dreams are made of!, March 8, 2008
This review is from: The Maltese Falcon (DVD)
This movie is inimitable.

Terse, convoluted, gritty, and satirical. The scenes of this movie pack a visceral punch rarely matched in classic Hollywood movies.

The plot is confusing, if not incomprehensible at times. However, the basics are pretty straightforward. Sam Spade is a private eye working in San Fransisco with his partner. One afternoon a beautiful, malevolent women walks into Spade's office, paying him and his partner (Miles Archer) to find her sister. She claims her sister is in grave danger. She is, of course, lying. Her real goals are hidden, but slowly revealed as the movie progresses. Unfortunately her little ruse ends up getting Spade's partner killed. Thus is unleashed a complex series of events.
The plot focuses on Spade's attempt to keep up with the criminal elements around him. It seems every one is machiavellian, and the underworld Spade belongs to is byzantine in its betrayals, double-crossings, and machinations. The people he talks to are inveterate liars. One gets vertigo trying to make sense of it all. This makes us all the more amazed that Spade can keep his cool. Oddly, it turns out all the fuss in the movie has to do with the statue of a Maltese Falcon. An object worth killing and dying for.
Spade plays crooked, but deep down inside he is a Kantian. His ethical nature, stoic exterior, and masculine facade, make him irresistable as a protaganist. This is the movie that marked the rise of Bogart the superhuman-and rightfully so.

The Maltese Falcon is a rich movie, with myriad meanings. One of the major themes is the quest for an unattainable object and the havoc such a quest can cause. After all, the dead bodies in this movie accumulated over nothing more than the silly statue of a bird! It is interesting to compare the Maltese Falcon with Don Quixote. Both works contain the mythological heroic quest. However, in Quixote, the quest is needed to sustain life. Without it, Quixote dies. In the Maltese Falcon the quest causes death. When the quest is over, sanity is restored. This is an interesting contrast, and one well worth pondering.

Is the quest worth while? Or, should we stay sane and firmly planted on the sinful streets of the world?

In the end, it is hard to find any flaws in this movie. There are no superfluous scenes, nor is there any hint of condescending directing. Just straight to the point, action and dialogue packed delivery.

Brilliant!
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20 of 22 people found the following review helpful
5.0 out of 5 stars The Ace of all Sam Spades!, August 21, 2006
By 
Mister Chris (Goshen, New York USA) - See all my reviews
This review is from: The Maltese Falcon (Three-Disc Special Edition) (DVD)
"The stuff that dreams are made of," or, for some, the greatest private eye movie there ever was gets the royal treatment in this "Three-Disc Special Edition." "The Maltese Falcon" has ensnared so many fans in its 65 years- so many that its been lampooned and "Looney-tuned" the world over. It's hard to know where to begin. Let's just say it's here where the whole Humphrey Bogart mystique truely takes hold in his incomparable role as Sam Spade.

Both crafty and shafty, a "hero" only in the sense that he wins the game of "the smarter crook," Bogart is riveting to watch. He's also superbly supported by a steller cast including a heart- aching turn by Mary Astor as Spade's "love interest" and a classic rouge's gallery of criminals including Sydney Greenstreet and Peter Lorre (Bogart's two "Casablanca co-stars). My fave, though is Elisha Cook Jr. as creepy man/child bodyguard, Wilmer who Bogart laughable taunts throughout.

First time director John Huston wisely did not stray from the book as Hammett's prose is fabulously tart ("Shoo her in, darling. Shoo her in.") and orchestrates the dialog and situations in such a frantic pace that you're consistantly jucied even though most of the action consist of few characters on small, dimly lit sets (add a thunderous musical score and you have the perfect example of the Warner Brothers house style).

This dvd edition is indeed historic as it finally, FINALLY, puts all in one package the original, little seen, "good-on-its-own-terms," 1931 version of "The Maltese Falcon" as well as its inferior, thinly veiled 1936 remake "Satan Met a Lady" (co-starring Bette Davis) one . Starring Ricardo Cortez as a slicker, prettier Spade, the original like its 1941 remake follows Hammett's book closely and is fascinating to watch just how much of Huston's version was actually derivative. It's just that Huston built the better mouse trap.
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12 of 12 people found the following review helpful
5.0 out of 5 stars John Huston's directorial debut, August 8, 2006
By 
Robert E. Nylund (Ft. Wayne, Indiana United States) - See all my reviews
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This review is from: The Maltese Falcon (DVD)
After working as a screenwriter, John Huston was finally allowed to direct a film in 1941 when Warner Brothers chose him to adapt Dashiell Hammett's classic detective novel "The Maltese Falcon." Actually, Warners had already filmed the story before, with rather mixed results. It is a tribute to Huston's abilities that he was able to produce the definitive film version of the story and establish Humphrey Bogart as a major star.

Bogart had, of course, already been steadily growing as an actor, particularly due to his work as gangsters in the legendary "The Petrified Forest" and "High Sierra." In "The Maltese Falcon" Bogart played a private detective and brought a combination of sarcasm and menace to the role. His portrayal of Sam Spade became one of the greatest roles of his career and established his versatility, even if he sometimes complained about being forced to play parts he didn't like (the fate of other major Warners stars such as Bette Davis and Olivia DeHavilland).

It's delightful, however, to watch Bogart's detective matching wits with the likes of Gladys George, Mary Astor, Sidney Greenstreet (in his screen debut at age 61!), Peter Lorre, Elisha Cook, Ward Bond, etc. Huston clearly had a very good cast and he used them well, even challenging the censors with Peter Lorre's prissy Joel Cairo. The onscreen relationships are all rather unusual and remarkable for a 1941 film.

The pacing of the film is also quite good, through skillful use of the camera and careful editing. Huston was innovative in using sets that appear to have real ceilings, something that Orson Welles also did that same year in "Citizen Kane." Although filmed on the Warners lot in Burbank, Huston was able to use some second unit shots of San Francisco and clever intercutting with duplicates of San Francisco scenes to create the illusion that the film was actually filmed entirely in San Francisco. Huston also accurately represented key elements of "the City," as local residents called it, whether it be the use of actual street names or buildings much like those found in San Francisco.

For the first time Huston even utilized his own father, Walter, in a brief but key scene in which the actual statue of the falcon is delivered. Years later, of course, Walter Huston had a major role, again with Bogart, in "The Treasure of the Sierra Madre."

Perhaps the bird in the story is much like Alfred Hitchcock's "MacGuffin" in so many of his films. While the falcon is supposedly found, only to prove a fake, the really important thing is learning who was responsible for the three murders in the story. As with the original story, Huston manages to keep us guessing, not revealing the final truths until almost the end of the film. Little wonder that many consider this the greatest detective film ever made.
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The Maltese Falcon (Three-Disc Special Edition)
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