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Mama Said Knock You Out Original recording reissued


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Audio CD, Original recording reissued, August 27, 1990
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. The Boomin' System 3:43$1.29  Buy MP3 
listen  2. Around The Way Girl 4:08$1.29  Buy MP3 
listen  3. Eat Em Up L Chill 4:39$1.29  Buy MP3 
listen  4. Mr. Good Bar 3:44$1.29  Buy MP3 
listen  5. Murdergram 3:56$1.29  Buy MP3 
listen  6. Cheesy Rat Blues 5:09$1.29  Buy MP3 
listen  7. Farmers Blvd. (Our Anthem) 4:28$1.29  Buy MP3 
listen  8. Mama Said Knock You Out [Clean] 4:52$1.29  Buy MP3 
listen  9. Milky Cereal 3:56$1.29  Buy MP3 
listen10. Jingling Baby (Remixed But Still Jingling) (Remix) 4:59$1.29  Buy MP3 
listen11. To Da Break Of Dawn 4:34$1.29  Buy MP3 
listen12. 6 Minutes Of Pleasure 4:35$1.29  Buy MP3 
listen13. Illegal Search 4:34$1.29  Buy MP3 
listen14. The Power Of God 4:19$1.29  Buy MP3 

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Mama Said Knock You Out + Bigger & Deffer + Radio
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Product Details

  • Audio CD (August 27, 1990)
  • Original Release Date: 1990
  • Number of Discs: 1
  • Format: Original recording reissued
  • Label: Def Jam
  • ASIN: B0000024II
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (38 customer reviews)
  • Amazon Best Sellers Rank: #21,351 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Amazon.com

LL Cool J's egotism is his m.o., his sex appeal, his greatest strength. He'd been on top of the world since he started scoring hits as a teenager, but anyone who's been in the rap game for five years, as he'd been when Mama arrived, has something to prove. So he came out swinging--literally--with the title track, which claims boxing trash talk as proto-rap and turns it into a declaration of ongoing mastery. Beyond that, Mama, with its ultrahard Marley Marl production, pumps up his love-man rep (the sweetly affectionate "Around the Way Girl" and an even hornier remix of "Jingling Baby") and his ego (pretty much everything else). It's mostly just old-school boasting, but damn if it isn't deserved. --Douglas Wolk

Customer Reviews

There are plenty of great songs here.
Patrick G. Varine
Mama Said Knock You Out was LL Cool J's fourth studio album.
Hype Currie
Even today, it's refreshing listening to.
RapSuperstar

Most Helpful Customer Reviews

5 of 5 people found the following review helpful By a fan on November 29, 2002
Format: Audio CD
"Mama Said Knock You Out" definitely came on time for LL Cool J, after his third album "Walking With a Panther" disappointed heavily. LL rose up from that flat album and a battle with substance abuse to make this comeback, which is one of rap's greatest albums. It came right on time, as the album kicks off with the stereo anthem "Boomin' System". Then the ladies lover praises Black women with the smash single "Around the Way Girl". "Mr. goodbar" is the attogant LL at his best, licking his lips and burning machismo. "Murdergram" has him waging war on anybody with the guts to battle him. ("Pass the brass knuckles, lemme break his jaw!") "Cheesy Rat Blues" has L tackling those who are materialistic and only care about money (it's also pretty funny). Then he comes swinging on the title track, one of hip hop's hardest songs. THEN he does the unthinkable. He disses three MC's in one song. He ripps apart Kool Moe Dee, MC Hammer, and Ice-T on "Til' the Break of Dawn", saying to Hammer that "my old gym teacher ain't supposed to rap". Tracks like these prove why LL is a genius in the battle rap. Songs like "6 Minutes" and "Milky Cereal" are downright catchy, but of course you can't forget the ... chorus of "Jinglin', Baby" (They're jingling, baby/Go 'head baby". That song still rocks any party. Those who hate on LL need to just chillllll, and let him do his thing, and this album controls you from the beginning to the end.
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5 of 5 people found the following review helpful By Pieter Uys HALL OF FAMETOP 1000 REVIEWER on July 11, 2000
Format: Audio CD
Replete with the 3 R's -- rhyme, rhythm and reason - this album by Mr Cool is distinguished also by its humour. There are lots of very good songs lurking beneath the rap which makes his music palatable even to those not into hiphop. Mr Good Bar contains some hilarious declarations while elsewhere LL proves that rap can be every bit as soulful as, well, soul music. That doesn't mean he's lost his roar - the titl track and Illegal Search are sizzling roots rap pieces bobbing on a funk train. There's also some gospel rap on the last track!
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6 of 7 people found the following review helpful By Patrick G. Varine on December 22, 2002
Format: Audio CD
I have to admit, I was not a big fan of LL Cool J back in the day, with the exception of this album. I had this one on cassette, and I just couldn't stop listening to it. The songs all had a nice rough edge to them, even the more pop numbers. Marley Marl throws down some of his best beats for LL to rhyme over.
First of all, "The Boomin' System" is one of the best songs ever to kick off an album. LL extols the virtues of 12" subwoofers over a track that requires them.
There are plenty of great songs here. "Farmers Blvd." is a great posse cut over a simple, effective piano riff. "Milky Cereal" is a hilarious relationship saga in the style of Coolio's "Ghetto Cartoon" and Ghostface's "The Forest." Of course, Uncle L did it years before either of those two.
Leaving out "Mama Said Knock You Out" isn't doing justice to the album, but everyone knows about that song. What you might not know about is "Jingling Baby (Remixed But Still Jingling)," and my favorite of LL's "I will pimp you no matter what" songs, "Mr. Goodbar."
In an eternal paradox, the Almighty makes his way into LL's lady-pleasing on "The Power of God," and LL gets hassled by the cops on "Illegal Search."
Not having listened to all of LL's albums, I can only claim this one as the best by ignorance. But it's pretty good.
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3 of 3 people found the following review helpful By Hype Currie on July 24, 2007
Format: Audio CD
Mama Said Knock You Out was LL Cool J's fourth studio album. By the time of its release in late summer of 1990, it helped cement LL as a long-term force to be reckoned with in hip-hop. 1989's platinum+ seller "Walking with a Panther" was met with mixed reviews by hip-hop's urban audience. The criticisms were legion: `LL had become too commercial'. `He was clearly being upstaged by rival Kool Moe Dee'. `Hardcore acts like Ice-T and N.W.A. had a bigger street following'. `Political rappers like Public Enemy and KRS-One made LL look out of touch'. The list goes on. Fortunately, LL chose to partner with golden-age production maestro Marley Marl for a remix of the single "Jingling Baby", the success of which helped Def Jam to green-light the MSKYO sessions.

Normally, LL skipped a year between releases, but Panther was just barely over a year old when "The Boomin' System", MSKYO's first official single, was released. Essentially an ode to driving slow with your radio blasting, the single sampled the same James Brown bass riff as was used by En Vogue for their debut hit "Hold On" (the radio mix of "System" duplicated it note for note, while the album version tweaked it slightly). The LP's second single, "Around the Way Girl", was a tremendous urban radio hit, where LL gives props to all his female fans: "I want a girl with extensions in her hair/ bamboo earrings, at least two pair." On "Cheesy Rat Blues", LL pokes fun at his own image, imagining himself as a washed up rapper who finds himself pelted with "my old tapes" when he visits the shopping mall.
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2 of 2 people found the following review helpful By D. Lee on July 16, 2007
Format: Audio CD
Man...I can't tell you how refreshing it's been to listen to a well-written and well-produced Rap album with varied and original subject matter after some of the albums I've heard more recently. LL Cool J was my favorite rapper from around '86 to 1988: BIGGER AND DEFFER was one of my first two hip-hop albums (the other was PAID IN FULL--even at 9 years old, I really knew how to pick `em) and I used to listen to it constantly. Although I never heard the album (and I still haven't till this day--I need to make it a point to pick up a copy), LL really lost me with the singles from WALKING WITH A PANTHER. That was a vibrant and dynamic time in hip-hop: the field was highly competitive and the music was changing rapidly. There was so much great material being put out by so many different rappers that a single lackluster effort could potentially end a career. That's why LL starts off the title track (one of the most downright fiery and invigorating songs that I've ever heard) by yelling, "Don't call it a comeback, I've been here for years!" Most artists in most genres make "comeback" albums after years of putting out shoddy material, but not so in the world of late 80's/early 90's hip-hop. Things have changed quite a bit though and now many rappers make entire careers out of putting out crap material. There are some incredibly well-written songs on this album: there are no grand aspirations (and really, I would characterize Marley Marl's tasteful, practical and never overdone production the same way) but the straightforward lyrics are still consistently clever. He has a confident and commanding delivery whether he's playing the swagger-filled lover man, the crafty storyteller, or the battle-ready MC, and he consistently has some of the best timing and phrasing that I've ever heard.Read more ›
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