From Publishers Weekly
In 14 knowing, heartfelt poems, Grimes (Come Sunday) invites readers to witness the friendship that blossoms between Damon, an African-American boy without a father, and Blue, a tough-looking man who has lost his son to the streets. At first Damon isn't sure what to make of "This rugged dude/ Who some folk think/ Looks fierce in clothes/ of midnight black." But the boy quickly discovers Blue's "harmless, gentle-giant side." In between shooting hoops and outings to the park, Blue fortifies Damon's values and self-confidenceAthe very things that prevent Damon from resorting to the violence and antisocial behavior prevalent in his urban world. Though each of these accomplished poems could easily stand alone, together they form an enticing story arc. In his picture book debut, Lagarrigue doesn't interpret Grimes's words literallyAhis Blue looks approachable. Readers never see, for example, the teeth that startle the boy ("one gold, three cracked"), and Blue's getup doesn't match the text's description of perpetual shades and black leather. The deep-hued acrylic paintings have a rough, slightly smudgy texture, and they demonstrate a remarkable color sense. Unexpected fields of sharp blues and greens blend into the gritty cityscapes, and blocks of text are set against canvases thinly brushed with paint in palettes that complement the facing illustration. The art creates an ideal setting for the text: the look is inescapably urban but also subtly lyrical. Ages 6-up. (May)
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 2-5-A child's suspicion of the new man in his mother's life grows into admiration and love in this set of linked poems. "When We First Met," young Damon recalls, "I circle, look him up and down and let/Him know his grin's not winning points with me," but all resistance melts in the face of Blue's respect, his quiet strength, his willingness to teach and to listen, and to look out for Damon's safety. By the end, Damon is hoping, one day, to be "Like Blue"; "Not fierce/In black leather/Or built like/A heavyweight/Boxing machine/But like that/Other Blue I've seen/The one who/Says he cares/And shows it." Lagarrigue debuts with a set of twilit, impressionistic, sparsely populated street scenes in which Blue, with his shaven head and heavy frame, leans hugely but attentively toward his diminutive companion. Damon mentions his mother several times, but because she appears in the illustrations only once, she remains a background presence as man and boy bond.
John Peters, New York Public Library Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.