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The Man in The Buick
 
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The Man in The Buick [Paperback]

Kathleen George (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

September 1, 1999
Fiction. "George doesn't waste a word as she plunges the reader into her characters' lives with startling intensity, then skillfully reveals as much about them as it is necessary to know . . . These masterfully shaped stories mark George as a writer to watch." --Booklist

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Editorial Reviews

From Publishers Weekly

"Semper fidelis" could never be the motto of this bleak collection of 10 stories. Its subjects, in their 30s, 40s, and 50s, turn time and time again to extramarital liaisons to combat discontent and loneliness. Viable relationships are few and far between. In "The Tractor Accident," Garren, a would-be photographer stuck in his wife's upstate New York farm, pursues a woman who is "city." John, recovering in Mexico from his wife's abandonment, falls for a maid. Robert, the protagonist of "Maria," just wants to be a cowboy after 25 restless years in an East Coast marriage. Much of the women's unhappiness is child-centered. Fran in the title story suffers from empty-nest syndrome, while Linda can't get over the near-abduction of her baby ("Small Errands"). Only a 10-year-old mentioned in passing (the daughter of the son of an abusive ex-lover, now dead) is said to be "okay.... But her disappointments are still in the future." Most characters, like Claire in "Weeds," feel compelled to "make a change"; she leaves her marriage after offering the gardener next doorAa young "loser"Aa glass of water and then much more. "I couldn't tell you why," she tells her bewildered husband. "I don't know myself. I don't know. I really don't know." At the end of each story, the discontent and loneliness mostly persist. The writing is proficient, with stories told from multiple viewpoints, but heavy-handed. "The morning represented their marriage," we're told outright as spouses work side-by-side, but not together. Although the tales may appeal to those in similar life circumstances, they do not transcend their subject matter. (Sept.)
Copyright 1999 Reed Business Information, Inc.

From Booklist

George doesn't waste a word as she plunges the reader into her characters' lives with startling intensity, then skillfully reveals as much about them as it is necessary to know. There's scarcely a happy marriage to be found here; these are characters in fragile, dissolving, or broken relationships, seeking understanding and dealing with loss. A newly divorced academic on a writing sabbatical is obsessed with his Mexican maid, until he learns where her loyalty lies. A woman humiliated by the lover who telephones when her husband is at home feels both her affair and her marriage ending. A mother whose baby was stolen and recovered searches for the perpetrator while sensing her husband's absences. A man, pondering his wife's probable infidelity, brings news of his father's death to the woman who was his father's ill-treated mistress. These masterfully shaped stories mark George as a writer to watch. Michele Leber

Product Details

  • Paperback: 187 pages
  • Publisher: BkMk Press (September 1, 1999)
  • Language: English
  • ISBN-10: 1886157200
  • ISBN-13: 978-1886157200
  • Product Dimensions: 8.5 x 5.5 x 0.6 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,668,939 in Books (See Top 100 in Books)

More About the Author

Kathleen George is the best selling author of a series of thrillers set in Pittsburgh where she lives and where she is a professor of theatre at the University of Pittsburgh. Her fifth novel HIDEOUT (August 16, 2001) has won high praise already. Her fourth, THE ODDS, just now out in paperback, was a finalist for an Edgar® award for best novel of the year in 2010. She is also the author of the acclaimed novels TAKEN, FALLEN, and AFTERIMAGE, the short story collection THE MAN IN THE BUICK, and the 2011 edited collection of stories, PITTSBURGH NOIR. Early on George Pelecanos wrote "I look forward to reading anything Kathleen George writes." An Entertainment Weekly reviewer wrote of THE ODDS, "If anyone is writing better police thrillers than George, I don't know who it is."

She is married to writer Hilary Masters, who asked her out twenty years ago because he figured she, a theatre director, would be interesting--he was tired of being around writers. On the first date, she told him she had begun writing (or more accurately had taken it up again, having said from the time she was seven that she wanted to be a writer).

He thought, "Oh, no, not another one." But they had already hit it off and so it was too late. Now there are two of them in one household, shuffling around in sloppy clothes, coffee cups in hand, heading to paper, computer, typewriter.

"When I was eight, I took my accumulated miseries up to the attic," she wrote in "The Making of a Writer" "where I had discovered I could make an area, (a small stage set?) with table, chair, notebooks and pen, and suddenly my world seemed whole and good--a secret and a treasure."




*******Detailed media bio and photos:

Kathleen George was born in Johnstown Pennsylvania. As a child, she wanted to be a writer. She wrote stories and plays in high school and in her undergraduate years as a creative writing major at the University of Pittsburgh. She went on to earn a Ph.D. in Theatre (also at Pitt). By then she had made her home in Pittsburgh. For eight years she taught theatre at Carlow College, where she directed many plays. Then she accepted a teaching position at Pitt where she continued to direct and teach dramatic literature and playwriting; in the early 80s, she began to add fiction writing back into the mix. In 1988, she earned an M.F.A. degree in Creative Writing (also at Pitt!) on the side. She is a Professor in the Theatre Arts Department.

Book-length fiction publications are: THE MAN IN THE BUICK, a collection of stories, BKMK press, 1999; TAKEN, a novel, Delacorte 2001; FALLEN, Dell 2004; AFTERIMAGE, St. Martin's Minotaur 2007; and THE ODDS, St. Martin's Minotaur 2009. TAKEN has been translated into French, German, Japanese, Dutch, Danish, and Norwegian. In August of 2011, HIDEOUT, a fifth novel, will launch. She is also the editor of the 2011 PITTSBURGH NOIR.

George has been granted fellowships at artists' colonies, including the VCCA and MacDowell. Her short fiction has appeared in journals and magazines which include Mademoiselle, Cimarron Review, North American Review, New Letters, and Alaska Quarterly Review. She has been nominated for a Pushcart Prize and one story was listed among the Distinguished in Best American Short Stories.

Her theatre publications are: Rhythm in Drama, University of Pittsburgh Press, 1980, Playwriting: The First Workshop, Allworth Press, 2008 (first in print with Butterworth (Focal Press) 1994), and Winter's Tales: Reflections on the Novelistic Stage, University of Delaware, 2005.

She has taught for Pitt in London and has served as faculty and as Academic Dean for Semester at Sea. She has directed for Pitt's mainstage and for the Three Rivers Shakespeare Festival productions which include The Rehearsal, The Country Wife, She Stoops to Conquer, The Winter's Tale, Hamlet, Much Ado About Nothing, King Lear, A Flea in Her Ear, and Our Town. A number of these productions were listed among the Pittsburgh Post-Gazette's Ten Best of the Year. She has also produced and sometimes directed over sixty original plays written by her students.

She is married to writer Hilary Masters.






 

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3 of 4 people found the following review helpful:
5.0 out of 5 stars Wow!, December 21, 1999
By 
Book Geek (Los Angeles, CA United States) - See all my reviews
This review is from: The Man in The Buick (Paperback)
The Man In The Buick is a wonderful collection of stories that are both touching and beautiful. Kathleen George has a knack for creating "real" characters that breathe, move, and stay with you even after you close the book. Would I recommend The Man In The Buick to a friend? Absolutely.
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