Man-Child

Herbie Hancock | Format: Audio CD

Product Details

• Audio CD (October 25, 1990)
• Number of Discs: 1
• Label: Sony
• ASIN: B00000255O
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (28 customer reviews)
• Amazon Best Sellers Rank: #264,197 in Music (See Top 100 in Music)

Editorial Reviews

1992 digitally remastered edition of one of the best regarded of all the keyboard wizard's solo albums. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

14 of 16 people found the following review helpful:

4.0 out of 5 stars Still the master of electronic jazz-funk, October 18, 2000

By 

MilesAndTrane (Chicago, Il USA) - See all my reviews

This review is from: Man-Child (Audio CD)

"Man-Child" may not be filled with as many hooks as "Headhunters", "Sextant", or "Thrust", but it is still an essential record for fans of Herbie or true electronic funk. "Hang Up Your Hang Ups" has one of the best get-you-going intros with its incessant guitar. As expected, Herbie has a lot of sound effects that he puts to good use, maybe not as crazy as "Headhunters" but spacey nonetheless. This is more of a commercially inclined record, but it still has its share of tempo changes and showcases. Stevie Wonder blows out an amazing harmonica solo on "Steppin' In It" and there is a killer bass solo on "The Traitor". The album ends with "Heartbeat", a dark tune that alternates between a brooding stomp and a funky shuffle; it closes the album on a somber note.

Each song averages 8-9 minutes. There are a multitude of players on this record and its evident by the busy styles you hear. Worth checking out if electric funk is your thing.

7 of 8 people found the following review helpful:

5.0 out of 5 stars Hang Up YOUR Hang Ups!, January 12, 2005

By 

Andre S. Grindle "Andre' Grindle" (Brewer Maine) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   

This review is from: Man-Child (Audio CD)

Considering that this album is the follow up to Herbie Hancock's brilliant 'Headhunters' and 'Thrust',the albums that wrote the book on the funk-jazz sound 'Man-Child' is bound to be as magical an album as the mysterious cover art suggests and it is."Hang Up Your Hang Ups" is a strident,funky blacksploitation thats chocked FULL of guitar and Moog breaks for you hip-hop samplers!Elsewhere "Sun Touch" and "Bubbles" are smoldering,drippy funky fusion filled with lush,melodic keyboard and analog synth textures."The Traiter","Heartbeat" and "Steppin In It" are harder edged uptempo funk.Overall 'Man-Child' comes off as the 'pure funk album' Herbie was planning to make with his previous two records because the jazz influences are kept to a bare minimum.For fans of fusion and mid 70's electronic Moog/ARP funk this album is a treasure but for those interested in earlier,more abstract fusion this may not be your thing.It's only a pitty that some very similar sounding and conceived albums by George Duke and Jan Hammer from roughly this same period remain out of print.It's a testament to the fact that,luckily,Hancock managed to be connected with Columbia records who have kept classic funk LP's by Herbie Hancock like this in print!

7 of 9 people found the following review helpful:

5.0 out of 5 stars One (or two?) words: UNDER-RATED!!!, September 4, 2002

By A Customer

This review is from: Man-Child (Audio CD)

Ok, Headhunters gets the hype, and it deserves hype. Still, Man-Child contains arguably some of Herbie's greatest moments. Enough for my money, in fact, that it is my favorite Herbie album. I can appreciate the earthy, sophisticated groove of Thrust and the cerebral, spacey explorations of Sextant and the Mwandishi recordings. However, no Herbie fusion album simultaneously impresses, entertains, and funkifies as well as this album. With the exception of two tasteful, but slightly misplaced tracks, Man-Child incorporates everything that a good fusion album should (and I've heard plenty of mediocre fusion). The four up-tempo tracks alone more than make up for the two missteps. What sets Man-Child apart in my mind are the ferociously fast-paced changes. The beat and the entire band shift directions effortlessly, whereas sometimes the rhythm section members are the only ones employing constant changes on other Herbie albums. Another outstanding attribute of Man-Child is the style with which Herbie plays the keyboard stacks. Polyrhythms and richness seem to predominate Man-Child's atmosphere more consistently and more successfully than on Headhunters, Thrust, or any other Herbie 70s album. And I've heard them all! Suffice it to say that Man-Child, for all the respect it receives, deserves still far more.