Customer Reviews

The Man in the Iron Mask (Classic Fiction)

5 star:		(41)
4 star:		(20)
3 star:		(6)
2 star:		(1)
1 star:		(5)

 

 

Let met start by saying that I've read this at least four times, so obviously I love it. But the title is deceptive. If you are looking for a story about a falsely imprisoned man bravely escaping and getting revenge on those who did him wrong, you should think twice about buying this book. Hollywood has for years tried to turn this novel into such an "escape" story, based mainly on its title, so that's the impression people have of the book.

If you're looking for such a story, I'd highly recommend The Count of Monte Cristo (Oxford has an edition that runs upward of 1,000 pages - which is daunting - but Bantam has an abridgement that is 450 pages and is quite entertaining. That may be the exact book you're looking for!).

The Man in the Iron Mask tells a different story, one based on historic facts. In 1661, King Louis XIV of France had his minister of finances - Nicolas Fouquet - arrested for embezzlement. Also in that year, Louis successfully wooed a young handmaiden named Louise, which caused some stir. In this novel, Dumas gives us the secret history behind these facts, and it is no surprise that the story involves his famous Four Musketeers.

More specifically, Aramis becomes privy to the fact that Louis has a twin brother languishing in the Bastille, and he attempts to switch the two. The novel details his fascinating and rather intricate plot to pull this off, as well as how the other Musketeers fit into the plan.

However, the first couple of hundred pages concern mainly the aforementioned historic events, and its a bit of reading before you get to the meat of the action.

I can't recommend this book highly enough - it seems to have become part of my life, the way some good books can - but don't let the title create a false expectation. You'll be dissappointed - instead, read The Count of Monte Cristo.

But if you love literature, if you love stories of complex intrigue, and especially if you love the Four Musketeers, you HAVE to read this book at least once in your life!

Having just spent the last few months reading all five books in the Three Musketeer series, the following are my suggestions.

1. Read all five books in order. The Man in the Iron Mask is probably enjoyable on its own but reading the four books that proceed it help place the story in its proper context. Think of the Man in the Iron Mask as the dessert in a five course meal. Dessert is great but the four proceeding course are also enjoyable. Getting to the end of the book was especially enjoyable knowing that I was finishing a 3,500 page experience.

2. Read the Oxford University editions. There are wonderful end notes that help the reader keep track of the characters and events. When you read 3,500 pages you need that type of assistance to keep things straight. The Introductions are also very well written and help the reader get back into focus before beginning the next chapter.

3. If you really like any one book in particular, go to the internet and purchase a well illustrated used hardback edition for your collection. I purchased a used Three Musketeers with illustrations by Maurice Leloir. The three hundred plus illustrations make that edition especially enjoyable.

Along with Sir Walter Scott, Alexandre Dumas created the genre of the historical adventure novel. I have been reading these types of novels my entire life. Beyond a doubt, Alexandre Dumas is the master virtuoso of this genre.

This book only marginally resembles the recent movie. The last of The D'Artagnan Romances, a series of six romances spanning forty years and written by Alexandre Dumas in the mid-1800s, The Man in the Iron Mask presents Athos, Porthos, Aramis, and D'Artagnan aligned against each other politically, but always joined together in spirit and friendship. The series vividly recreates the courts of Louis XIII and Louis XIV, as seen from the perspective of the four Musketeers. The intrigue and adventures of these four men carries the reader into their lives, loves, and tragedies. In The Man in the Iron Mask, Philippe's struggle with his identity and his attempt to rule France serves only as a backdrop to the complex relations of the characters. Dumas' flamboyant writing style enhances the intricate splendor he describes. A master wordsmith, Dumas was extremely successful in France during his life. The Man in the Iron Mask and the other D'Artagnan Romances are based on the Memoirs of Monsieur D'Artagnan, written by Courtils de Sandras. Dumas' other great success was The Count of Monte Cristo. ...The D'Artagnan Romances are: The Three Musketeers, Twenty Years After, The Vicomte de Bragelonne, Ten Years Later, Louise de la Valliere, and The Man in the Iron Mask.

This is the greatest tragedy I have ever read, in terms of strength of feeling, style of writing, and everything else that makes a story good. Two warnings: the book is hardly similar to the recent movie (which was a good movie, but the book is even better); and, if you haven't read the first four Musketeers books, "The Man in the Iron Mask" won't make much sense. The first books are "The Three Musketeers" (obviously), "Twenty Years After," "The Vicomte de Bragelonne," and "Louise de la Valliere." Without the middle books, which may be hard to find (my library had to special order them), you will hardly know the characters at all, but if you read all five, they will feel like your best friends. (Also, don't read the Introduction to the Oxford World Classics editions; it gives away the ending!) The last book had me crying the last hundred pages, at least. This is the greatest series of books ever written. --Abigail

Before you start this book you should know that any resemblance between the book and the movies that Hollywood has turned out is completely accidental. The names of the main characters are about the only similarity that I could find and as is the norm, the book was much better.

This, the last installment in the Musketeer series, gives us the story of the final acts of our heroes, Athos, Porthos, Aramis and D'Artagnan. Unlike many literary characters our Musketeer friends have aged as the story progresses and have all retired but D'Artagnan who is still the Captain of the King's Musketeers. Athos and Porthos are quite wealthy and Aramis has attained the rank of Bishop. Aramis is not content with his station however and knows a secret that he thinks he can use to become Pope. This secret is the knowledge that Louis XIV has a twin brother who is hidden away in the Bastille and Aramis is quite sure that this brother would make a better King than the current monarch. Aramis is also pretty sure that the new King in gratitude will nominate his liberator for the office of Cardinal and then will scheme to make the new Cardinal Pope.

In this plot Aramis acts alone except for some help from Porthos who has no idea what he is involved in. The twins are successfully switched for a short while but then the plot falls apart and Aramis and Porthos flee for their lives although Porthos is still not sure what is going on. The "pretender" to the throne is left to his own devices by Aramis and is imprisoned in a new location with the iron mask added to his discomfiture. Aramis does not come across in this book as much of a hero and in many respects this story is much darker than it's predecessors.

Given the advanced age of the Musketeers, there are not nearly as many swashbuckling adventures as one is accustomed to but on occasion Porthos in particular will rise to the challenge. The political intrigues of the Court of Louis XIV and the decline of the Musketeers are in fact the main plot lines of this story. In the end, only one of the four is left and to find out which one you will just have to read the book. Athos, by the way, only seems to play a side role in this story and is neither involved in the plot against the King or in his rescue.

As is always the case, Dumas' writing style is superb and is filled with historical fact. He does tend to be a bit wordy and his books are often much longer than necessary but even with this slight drawback he ranks as one of my all-time favorite authors. In this book Dumas closes out the careers of his most popular characters and he does it with style.

I read Dumas' The Count of Monte Cristo when I was a freshman and fell totally in love with his writing and the story. Surprising then, that I didn't pick up more of his books till three years later, after seeing The Man in the Iron Mask the movie. Guess what, the book and the movie are nothing alike, (what a shocker) but the book is better in all ways. Only Dumas can capture the sense of history and timelessness that is in his novels. I admit that the beginning of The Man in the Iron Mask is confusing for those who haven't read the previous four books(it was for me) yet the story is a wonderful one, richly told and full of the adventure and excitement that Dumas puts into all his works. Within pages I was hooked on the book and found myself totally engrossed with characters I had never met before. It has all the qualities of a first-class adventure story: bravery, friendship, love, death, and an indefinable longing for the world to be somewhat better than it truly is. The plot has little to do with Philippe (The man in the iron mask) and deals with the last adventures of Athos, Porthos, Aramis, and d'Artagnan, and the ties of friendship which bind them together. I cried throughout the last fifty pages of the book. After finishing it, I immediately read the rest of the Musketeer series and have become a life-long fan. I recommend this book to anyone who has a sense a romance and adventure.

I was inspired to read The Man in the Iron Mask after seeing the movie (the one with DiCaprio). I hadn't realized that the Musketeers were part of the story and was very intrigued. Which plot lines were in the original and which were developed by Hollywood? Wow! Was I in for a surprise! The movie and the book tell different stories, but both are excellent, entertaining, and thought-provoking.

I appreciate books/series which show how the characters have aged and developed. Dumas does this with the musketeer series. D'Artagnan is no longer the wide-eyed "Gee, what could happen to me next?" hero of The Three Musketeers. He has to deal with questions of loyalty vs. friendship, support for the king vs. honor vs. love of his friends. There are still adventures and swordfights, but also more character conflicts. There is no simple nasty villain for the "good guys" to fight.

When I first read The Man in the Iron Mask (the movie tie-in edition), I was confused about who many of the characters were. The beginning didn't make much sense since it came in part-way through the story. The first line of the first chapter in particular confused me since it referred to events which I as the reader knew nothing about. The book makes a lot more sense when read as part of the whole series (The Three Musketeers, Twenty Years After, The Vicomte de Bragelonne, Louise de la Valliere, The Man in the Iron Mask).

I STRONGLY suggest reading the Oxford World Classics edition, which starts with earlier chapters than other published versions and includes scenes that make the story more understandable: Athos confronts the King, Aramis reveals himself as a Jesuit and scopes out the Bastille, D'Artagnan confronts the King... These are some of the best scenes in the book, and it is a shame that other publishers don't include them.

I had been reading the entire series in the Oxford World Classics version, and when I finished "Louise de Lavalliere" I switched to a Signet version (Leonardo Dicaprio cover) I had bought locally.

As I read, I couldn't understand certain references. I later discovered that the Signet version of "The Man in the Iron Mask" starts on chapter 29 of the OWC version!

The Man in the Iron Mask is not actually a book -- it is the last volume of a very large book entitled Le Vicomte du Bragalonne or Ten Years After. Le Vicomte is divided into three parts, typically called "Le Vicomte du Bragalonne," "Louise de la Valliere", and of course, "The Man in the Iron Mask."

Thus, if you read only this book, don't be surprised that it sometimes seems you are catching only the end of a conversation.

The larger work, Le Vicomte, is named after Athos's son, and it follows the young vicomte through his life and love -- taking large detours to a young Louis the XIV's court. Our heroic musketeers, Athos, Porthos, Aramis, and d'Artagnan make only small appearances throughout, but these scenes are the most memorable of the musketeers series.

The Man in the Iron Mask brings our four fast friends together again, for one last adventure. This time, though, they are at odds with one another, divided by their own key character traits.

I have personally seen several movie versions of the Man in the Iron Mask, and I have never seen one I liked. Skip the movies -- read the book. And if you find yourself entranced, go get the first two volumes, and enjoy!

After writing The Three Musketeers and Twenty Years after, Dumas wrote a third installment to the trilogy. It is probably the most controvercial book in the trilogy, as can be revealed by reading many of the reviews. For starters, it's LONG: over 200 chapters. As a result, the English-speaking world has split it into three books: The Vicomte de Bragelonne, Louise de la Valiere and The Man in the Iron Mask (the most famous volume). The length is certainly a problem, in fact is it THE major flaw in the conclusion of the trilogy. Dumas is never terse or concise, but in this three-part book, he produces an monolith. This was largely due to him overcomitting himself and having to write this much for financial reasons. However, while this is a major setback, the three books still have elements of great, almost sublime Dumas left in them, which can be extracted if approached in the right way.

In terms of this specific volume (The Man in the Iron Mask), this is where the Four come back into play after a long absence during Louise de la Valliere. Also, as could be expected, they come to meet their destinies and indeed, their deaths. The title of the book derives from Dumas tying in to the popular conspiracy theory of the historical man in the iron mask as being some important figure, to his writing about Louis XIV's court. In the book therefore, the man is the king's identical twin brother, who was imprisoned to prevent the potentiality for a scuffle for the throne and/or civil war (and no, I wasn't wrong to "ruin" it as his identity is already mentioned in Louise de la Valliere - and if you have not read that or the series up to this point, PLEASE do so - although only the Three Musketeers and this volume are commonly known, they are all great, and necessary to enjoy this book). But like usual, there are many other exploits, triumphs and tragedies. Why is this the title then? I think the whole trilogy sees the escalation of the role of the Musketeers as being behind national affairs, and the possibility of usurpation found in a twin exceeds them all and lets them go out with a bang.

If you only expect more action involving the Four, then don't bother reading this at all. However, if you persevere, you will get to see sublime glimpses of what a long way the Musketeers of old have come (for better or worse), what they think about the entire society they live in and what Dumas thinks. As well as some of the old-fashioned-style adventure. I think that the fact that this is obscured by an overly-drawn-out style, while annoying, does not detract from this being an honourable conclusion to the trilogy.

Some didn't like the ending to the whole saga. I did, although some chapters at the end could have been edited out completely. The reason is that by now, I as a reader felt quite close to all the former Musketeers and this book shows the twilight of their life, shows them for who they are. Aramis as having somewhat fallen from honour by excessive manipulation and scheming that escalates to a shattering climax, Porthos as simple yet good-natured and always ready to help, d'Artagnan as the forceful man embittered by decades of serving asses and Athos and Raoul as the ever-solid rocks of calm finally reached by tragedy. They've all come a long way and the as they fade into the next world, this volume reminds us fondly of them and the chivalry, adventure, arrogance, good-humour and intrigue that they and the series stand for.