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Editorial Reviews
Review
A marvelous, perhaps definitive, book on the artist. -- Boston Globe
Wonderfully disconcerting. -- Modern Photography
Product Description
"I paint what cannot be photographed, I photograph the things I don't want to paint....I would photograph an idea rather than an object, and a dream rather than an idea." Man Ray's own words suggest the essence of his brilliant, original, and deeply influential photographic oeuvre. Taking up photography in 1915 for the purpose of reproducing his paintings, he earned money doing the same thing for others when he went to live and work in Paris in 1921. This led to one of the most versatile careers in the history of photography, ranging from portraits of celebrated artists, musicians, and writers such as André Breton, Marcel Duchamp, Erik Satie, Arnold Schönberg, T. S. Eliot, and Gertrude Stein, to the pictures using light effects outside the camera for which he is famous (cliché-verres, rayographs, and solarizations). These photographs are among the most exciting and revealing manifestations of the profusely fertile artistic impulse that made Man Ray equally celebrated as a painter, sculptor, writer, and filmmaker. Besides many classic images, the book includes a number of photographs that had never been seen before, including portraits of Virginia Woolf and of Antonin Artaud and a large selection of erotic pictures. They add up to a truly revealing look at Man Ray, Jean Cocteau's "great poet of the darkroom." 347 duotone photographs.
A marvelous, perhaps definitive, book on the artist. -- Boston Globe
Wonderfully disconcerting. -- Modern Photography
Product Description
"I paint what cannot be photographed, I photograph the things I don't want to paint....I would photograph an idea rather than an object, and a dream rather than an idea." Man Ray's own words suggest the essence of his brilliant, original, and deeply influential photographic oeuvre. Taking up photography in 1915 for the purpose of reproducing his paintings, he earned money doing the same thing for others when he went to live and work in Paris in 1921. This led to one of the most versatile careers in the history of photography, ranging from portraits of celebrated artists, musicians, and writers such as André Breton, Marcel Duchamp, Erik Satie, Arnold Schönberg, T. S. Eliot, and Gertrude Stein, to the pictures using light effects outside the camera for which he is famous (cliché-verres, rayographs, and solarizations). These photographs are among the most exciting and revealing manifestations of the profusely fertile artistic impulse that made Man Ray equally celebrated as a painter, sculptor, writer, and filmmaker. Besides many classic images, the book includes a number of photographs that had never been seen before, including portraits of Virginia Woolf and of Antonin Artaud and a large selection of erotic pictures. They add up to a truly revealing look at Man Ray, Jean Cocteau's "great poet of the darkroom." 347 duotone photographs.
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Citations
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3
books
cite this book:
- Conversion to Modernism: The Early Work of Man Ray by Francis M. Naumann in Back Matter (1), Back Matter (2), and Back Matter (3)
- 100 Drawings and Photographs by Matthew Marks on page 8
- Candor and Perversion: Literature, Education, and the Arts by Roger Shattuck on page 323
What Do Customers Ultimately Buy After Viewing This Item?
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48% buy the item featured on this page: Man Ray Photographs$26.56 |
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28% buy Photographs by Man Ray: 105 Works, 1920-1934 $11.53 |
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8% buy Man Ray: Women$32.34 |
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8% buy Man Ray: Photography and Its Double $47.45 |
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