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The Man Who Was Thursday
 
 
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The Man Who Was Thursday [Paperback]

Gilbert K. Chesterton (Author)
4.4 out of 5 stars  See all reviews (29 customer reviews)

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Book Description

January 1, 2005
A WILD, MAD, HILARIOUS AND PROFOUNDLY MOVING TALE. It is very difficult to classify "The Man Who Was Thursday." It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, "The Man Who Was Thursday" succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton's wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on; and the totally unforeseeable denouement will prove for the modern reader, as it has for thousands of others since 1908 when the book was first published, an inevitable and moving experience, as the investigators finally discover who Sunday is.

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Editorial Reviews

About the Author

Gilbert Keith Chesterton was born in London, England on the 29th of May, 1874. Though he considered himself a mere "rollicking journalist," he was actually a prolific and gifted writer in virtually every area of literature. A man of strong opinions and enormously talented at defending them, his exuberant personality nevertheless allowed him to maintain warm friendships with people--such as George Bernard Shaw and H. G. Wells--with whom he vehemently disagreed. Chesterton had no difficulty standing up for what he believed. He was one of the few journalists to oppose the Boer War. His 1922 Eugenics and Other Evils attacked what was at that time the most progressive of all ideas, the idea that the human race could and should breed a superior version of itself. In the Nazi experience, history demonstrated the wisdom of his once "reactionary" views. He is probably best known for his series about the priest-detective Father Brown who appeared in 50 stories. Chesterton died on the 14th of June, 1936 in Beaconsfield, Buckinghamshire. During his life he published 69 books and at least another ten have been published after his death. Many of those books are still in print. --This text refers to an alternate Paperback edition.

From AudioFile

At once a mystery, satire, and farce, this compact book is difficult to pin down and is not what you would expect from the author. The plot revolves around anarchists involved in planning violent acts in Europe. Narrator Simon Vance is up to the task of guiding us through the book's maze of events and relationships. His crisp British accent and superb characterizations are entertaining and sometimes wildly unpredictable. He uses what seem to be odd voices but then reads the author's descriptions of the characters, and we recognize that Vance has made a smart choice. He's also great at pacing jokes and setting us up for unexpected, but very interesting, proceedings. R.I.G. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.

Product Details

  • Paperback: 104 pages
  • Publisher: Digireads.com (January 1, 2005)
  • Language: English
  • ISBN-10: 1420925148
  • ISBN-13: 978-1420925142
  • Product Dimensions: 9 x 6.1 x 0.3 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #1,364,598 in Books (See Top 100 in Books)

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Customer Reviews

29 Reviews
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Average Customer Review
4.4 out of 5 stars (29 customer reviews)
 
 
 
 
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17 of 17 people found the following review helpful:
5.0 out of 5 stars On Thursday, May 27, 2008
For a book that's as short as this one is, "The Man Who Was Thursday" is pretty packed.

G.K. Chesterton's classic novella tackles anarchy, social order, God, peace, war, religion, human nature, and a few dozen other weight concepts. And somehow he manages to mash it all together into a delightful satire, full of tongue-in-cheek commentary that is still relevant today.

As the book opens, Gabriel Symes is debating with a soapbox anarchist. The two men impress each other enough that the anarchist introduces Symes to a seven-man council of anarchists, all named after days of the week. In short order, they elect Symes their newest member -- Thursday.

But they don't know that he's also been recruited by an anti-anarchy organization. And soon Symes finds out that he's not the only person on the council who is not what he seems. There are other spies and double-agents, working for the same cause. But who -- and what -- is the jovial, powerful Mr. Sunday, the head of the organization?

Hot air balloons, elaborate disguises, duels and police chases -- Chesterton certainly knew how to keep this novel interesting. Though written almost a century ago, "The Man Who Was Thursday" still feels very fresh. That's partly because of Chesterton's cheery writing... and partly because it's such an intelligent book.

He doesn't avoid some timeless topics that make some people squirm. Humanity (good and bad), anarchy, religion and its place in human nature, and creation versus destruction all get tackled here -- disguised as a comic police investigation. And unlike most satires, it isn't dated; the topics are reflections of humanity and religion, so they're as relevant now as they were in 1908.

But the story isn't pedantic or boring; Chesterton keeps things lively by having his characters act like real people, rather than mouthpieces. From Symes to the Colonel to the mysterious Sunday himself, they all have a sort of friendly, energetic quality. "We're all spies! Come and have a drink!" one of the characters announces cheerfully near the end.

And of course, once the madcap police investigations are finished, there's still a mystery. Who is Sunday? What are his goals? And for that matter, WHAT is Sunday -- genius, force of nature, villain or god? The answer is a bit of a surprise, and as a reflection of Chesterton's beliefs, it's a delicate, intelligent piece of work.

"The Man Who Was Thursday" is a wacky little satire that will both amuse and educate you. Not bad for a book often subtitled "A Nightmare."
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11 of 12 people found the following review helpful:
3.0 out of 5 stars Thinking about Thursday, September 21, 2007
This review is from: The Man Who Was Thursday (Paperback)
G K Chesterton was a man of many parts. Until now I mainly knew him as a champion of Christendom, an arch-foe of eugenics and an advocate for 'distributism', his "small is beautiful" economic alternative to Big Capitalism and Big Socialism.

Chesterton's "The Man Who Was Thursday" was my first experience with Chesterton the novelist. I wanted to like it but came away slightly disappointed. But maybe that's my fault, not his. I expected a thriller, in the mode of the Hitchcock movies I love. There are certainly thriller elements in Thursday, but it is I suspect, on reflection, as much a satire as anything else. There are also, I'm told, numerous allegorical references most of which I missed. The great 'Scientific American' mathematics correspondent Martin Gardner wrote an "Annotated Thursday", which I'm told helps illustrate Chesterton's very subtle images. I haven't read it and may have to to get a better appreciation of this undoubtedly well , finely crafted book.

Written in 1908, "Thursday" may have pioneered the modern spy novel. In some ways a century later it still seems very modern. Sure today we talk of 'terrorists', not 'dynamiters', but Chesterton's 'anarchist' baddies seem more modern than the 'reds' and 'nazis' of most 20th century spy thrillers. "Thursday" is set in the Edwardian world of Hansom Cabs and balloons, not the speeding cars and ubiquitous helicopters of modern action movies. Yet the story line seems modern. Undercover policemen disguised as anarchists. Undercover anarchists within the police. The high anarchist council itseld stacked to the rafters with undercover policemen. In the real world, fifty years on, the FBI's "Cointelpro" program, and the police penetration of the Black Panthers, seems an example of life imitating Chestertonian art.

Twists. Counter-twists. Counter-counter-twists. Hitchcock and the whole modern "spy" genre would seem to owe a lot to Chesterton. In some ways the 1908 "Thursday" has some parallels to the very "hip" "swinging sixties" spy spoofs. Thursday includes an elephant chase, a balloon escape and a whole dream story. In parts it's "spy/satire" reminded me of the James Coburn spoofs "Our Man Flint" and, the great, "The President's Analyst".

Chesterton does manage to sneak in, here and there, a few references relevant to his political and religious concerns. Here's one that sounds very contemporary and you could easily imagine it being quoted by Naomi Klein and other 21st century "anti-globalisation" activists.

"..The poor have been rebels, but they have never been anarchists: they have more interest than anyone else in there being some decent government. The poor man really has a stake in the country. The rich man hasn't; he can go away to New Guinea in a yacht. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists..."

Chesterton makes his political and religious points lightly and sparingly. They are asides, comments, not speeches. You could miss them if you weren't looking or if you didn't know what you were looking for. The story, not the sermon, ...and in 'Thursday' there are no sermons.., comes first. That would seem to be the ideal way for a novelist, or any artist, to make a political point.
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9 of 11 people found the following review helpful:
5.0 out of 5 stars Witty, bewildering, challenging, rewarding, August 24, 2000
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Those who read "The Man Who Was Thursday" as an attack on free thought are taking it at a terribly literal level. Aptly subtitled "A Nightmare," it has the qualities of a dream: the sudden nonsensical leaps that make perfect sense, the joyful sense of play and paradox, and the anticipation of some Final Meaning that never quite arrives, yet still somehow satisfies. The transition from satirical detective story to spiritual allegory is suffused with a growing elation, hinting at truths we already knew, if we could only remember them. At its heart is the belief that every life, no matter how prosaic on the surface, despite its suffering - especially through its suffering - participates in the ongoing glory of Creation; and while Chesterton was writing from a distinctly Christian perspective, his story transcends any one orthodoxy. He was clearly drawing on the depths of the psyche in writing this book; one gets the feeling he was a little puzzled at its ultimate sources himself. Other reviewers have drawn different meanings from it - I have myself after various readings - but this is one of its chief delights. Read and decide for yourself!
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Inside This Book (learn more)
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Professor de Worms, Comrade Gregory, Colonel Ducroix, Saffron Park, Leicester Square, Inspector Ratcliffe, President Sunday, Gabriel Syme, Scotland Yard, Supreme Council, Comrade Witherspoon, Comrade Syme, Baker Street, Paul's Cathedral
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