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The Man-eater of Malgudi [Hardcover]

R. K. Narayan (Author)
4.0 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

February 9, 1961
This is the story of Nataraj, who earns his living as a printer in the little world of Malgudi, an imaginary town in South India. Nataraj and his close friends, a poet and a journalist, find their congenial days disturbed when Vasu, a powerful taxidermist, moves in with his stuffed hyenas and pythons, and brings his dancing-women up the printer's private stairs. When Vasu, in search of larger game, threatens the life of a temple elephant that Nataraj has befriended, complications ensue that are both laughable and tragic.
--This text refers to an out of print or unavailable edition of this title.


Editorial Reviews

Review

"Pungent as a Madras Curry, The Man-Eater of Malgudi makes a most rich and satisfying mixture. Hilarity and high seriousness are rarely yoked together in partnership as effectively as they are in this book... Mr. Narayan's writing is limpid and beautifully unforced..." - Times Literary Supplement, London" --This text refers to an out of print or unavailable edition of this title.

About the Author

R.K. Narayan was born in Madras, South India, in 1906, and educated there and at Maharaja's College in Mysore. His first novel, Swami and Friends and its successor, The Bachelor of Arts, are both set in the enchanting fictional territory of Malgudi and are only two out of the twelve novels he based there. In 1958 Narayan's work The Guide won him the National Prize of the Indian Literary Academy, his country's highest literary honor. In addition to his novels, Narayan has authored five collections of short stories, including A Horse and Two Goats, Malguidi Days, and Under the Banyan Tree, two travel books, two volumes of essays, a volume of memoirs, and the re-told legends Gods, Demons and Others, The Ramayana, and the Mahabharata. In 1980 he was awarded the A.C. Benson Medal by the Royal Society of Literature and in 1982 he was made an Honorary Member of the American Academy and Institute of Arts and Letters. Narayan died in 2001. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover
  • Publisher: Viking Adult (February 9, 1961)
  • Language: English
  • ISBN-10: 0670452491
  • ISBN-13: 978-0670452491
  • Product Dimensions: 20 x 20 x 20 inches
  • Shipping Weight: 20 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #4,730,047 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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3 star:
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Average Customer Review
4.0 out of 5 stars (6 customer reviews)
 
 
 
 
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15 of 15 people found the following review helpful:
5.0 out of 5 stars One of Narayan's best, June 26, 2000
"Man eater of Malgudi" by R.K. Narayan,one of India's first internationally-known writers who chose to write in English, is easily one of the author' best works. Vasu,a big blustering bully, moves into the lazy little South Indian town of Malgudi,the fictional town in which nearly all of Narayan's stories are set, and overturns the life of Nataraj the town's printer. A colourful retinue of other characters: the "sizzling" prostiute Rangi,a poet, Nataraj's practical assistant, the lovable temple elephant Kumar...all add to the novel unique charm and fascination. Much of the novel's complexity lies in the fact that Narayan loosely bases his tale on the ancient Indian myth of a blustering demon Bhasmasura who terrorises the world of mortals. Much has been written about Narayan's 'comic vision'. Beneath the frothy light-heartedness of 'Man eater...' is a serious and complex exploration of many issues central to life in modern India - an individual's caste and how it determines his life and relationship with others, the battle between 'good' and 'evil' and how these values are determined by a society, the confrontation between modernity and tradition - a way of life which is thoudands of years old.These issues are further highlighted by the fact that Narayan uses English the language of 'modern' India and, at the same time, adopts the rhytmns, sytanctic structures and diction which make for a unique brand of 'Indian English' The novel also transcends the regional in that it touches on some of the tragi-comedy of human life, some of the boredom, horror and glory that make up our existence.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars A story of triumph, June 7, 2006
By 
Nikhil Iyer (Plantation, Florida USA) - See all my reviews
(REAL NAME)   
This is a story of the triumph good over evil. In some ways it is much like the many mythological stories told to young Indian children at temples and schools by their elders.

The important thing in those tales and in this one as well, is to realize that just because something is "evil", it isnt entirely unholy or deviod of any good. Bhasmasura, the demon whom this tale is based on, was a very powerful and devoted disciple of God. Similarly, Vasu has his strengths as well. The reader will notice how the two faces of the same coin start merging. The simple print shop owner who was docile and timid enough to print the lawyer's invites for "free" changes over the course of the book to become more street wise and less of a push over much like Vasu.

Every form has its good and bad. R. K. Narayan wraps up this little nugget of truth with some very humurous touches in The Man-Eater of Malgudi.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars One of Narayan's best, June 20, 2000
'Man eater of Malgudi' by R.K. Narayan, one of India's first internationally acclaimed writers who chose to write in English, can easily be rated one of the author's his best efforts. A story set in the small South Indian town of Malgudi in which most of Narayan's stories are set,'Mane eater ...' captures much of the mind-bogglingly intricate aspects of modern Indian life. Much of the complexity of the novel comes from the fact that Narayan's plot is loosely based on the Indian myth of 'Basmasura' a powerful demon who wreaks havoc on the world and is finally destroyed in the most ridiculous manner. Much has been written and said about 'Narayan's comic world view'. It is perhaps wise to think of this novel as a good instance of the writer's amazingly complicated use of the comic mode - under the light-heartedness, charm and cheer is a powerful awareness of the complexities of Indian society and indeed,life itself : the conflict between tradition and modernity, the intricate inter-caste dynamics which dictate the way characters think and relate to each other, the war between 'good' and 'evil', 'weak and 'strong'. Narayan captures some of the beauty, the sadness, the laughter and the glory of human existence. The author's use of English is especially interesting because Narayan's very 'Indian' English capttures the syntactic structures and rhythmns of India's native languages. Besides,the use of a 'modern' Western language in this little Indian town which is still deeply rooted in a way of life which is thousands of years old, itself signifies some of the novel's themes.Narayan's mode of story-telling owes much much to the ancient Indian tradition of ofolk-narrative . One can say without any much, exaggeration that this one of the best books in English ever written by an Indian.
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First Sentence:
I could have profitably rented out the little room in front of my press on Market Road, with a view of the fountain; it was coveted by every would-be shopkeeper in our town. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
adjournment lawyer, green folder, veterinary doctor, market road, hundred rupees
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Queen Anne, Kabir Street, Deputy Minister, New Extension, Abu Lane, Five-Year Plan, God Krishna, Mahatma Gandhi, Mempi Forest, Top Slip, Town Inspector, Vinayak Street
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