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Mandy Patinkin Sings Sondheim CD


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Audio CD, CD, December 22, 2011
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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         


Disc 1:

Samples
Song Title Time Price
listen  1. Opening0:38$0.99  Buy MP3 
listen  2. Lesson #8 2:41$0.99  Buy MP3 
listen  3. Another Hundred People 2:33$0.99  Buy MP3 
listen  4. When? 3:49$0.99  Buy MP3 
listen  5. Someone Is Waiting 2:01$0.99  Buy MP3 
listen  6. Johanna 1:26$0.99  Buy MP3 
listen  7. Green Finch and Linnet Bird 2:07$0.99  Buy MP3 
listen  8. Pretty Women 1:19$0.99  Buy MP3 
listen  9. Finishing the Hat 2:38$0.99  Buy MP3 
listen10. If You Can Find Me, I'm Here 3:35$0.99  Buy MP3 
listen11. Live, Laugh, Love 2:09$0.99  Buy MP3 
listen12. Live Alone and Like It0:58$0.99  Buy MP3 
listen13. Everybody Says Don't 2:15$0.99  Buy MP3 
listen14. Rich and Happy, Part 1 1:18$0.99  Buy MP3 
listen15. Our Time 2:23$0.99  Buy MP3 
listen16. Broadway Baby 3:33$0.99  Buy MP3 
listen17. Rich and Happy, Part 2 1:21$0.99  Buy MP3 
listen18. Uptown, Downtown 2:24$0.99  Buy MP3 
listen19. Liaisons 5:10$0.99  Buy MP3 
listen20. Send in the Clowns 3:03$0.99  Buy MP3 
listen21. Live, Laugh, Love (Reprise)0:47$0.99  Buy MP3 
listen22. You Could Drive a Person Crazy 2:04$0.99  Buy MP3 


Disc 2:

Samples
Song Title Time Price
listen  1. Free 3:15$0.99  Buy MP3 
listen  2. Company0:52$0.99  Buy MP3 
listen  3. Waiting for the Girls Upstairs 2:46$0.99  Buy MP3 
listen  4. Pleasant Little Kingdom 4:25$0.99  Buy MP3 
listen  5. Not While I'm Around 1:13$0.99  Buy MP3 
listen  6. All Things Bright and Beautiful 1:44$0.99  Buy MP3 
listen  7. It Takes Two 1:59$0.99  Buy MP3 
listen  8. In Someone's Eyes 2:27$0.99  Buy MP3 
listen  9. Beautiful 2:42$0.99  Buy MP3 
listen10. Losing My Mind 2:54$0.99  Buy MP3 
listen11. Take the Moment 2:49$0.99  Buy MP3 
listen12. Sunday 4:10$0.99  Buy MP3 

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Product Details

  • Audio CD (December 22, 2011)
  • Original Release Date: November 11, 2011
  • Number of Discs: 2
  • Format: CD
  • Label: Nonesuch
  • Run Time: 41 minutes
  • ASIN: B00006JP2C
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (25 customer reviews)
  • Amazon Best Sellers Rank: #78,271 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Mandy Patinkin Sings Sondheim by Mandy Patinkin

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

Amazon.com

Recorded live at the Prince Music Theater in Philadelphia, this double CD is one heck of an extensive tribute to Stephen Sondheim. Backed only by Paul Ford on piano, Mandy Patinkin gets through nearly three dozen songs penned by the Broadway master. Some are obvious (excerpts from Sunday in the Park with George, in which the singer created the title role), others less so ("If You Can Find Me I'm Here" from Evening Primrose). Patinkin is often mocked for his shivering falsetto, but here, it's actually when his voice explores a lower register that it falters. What's more interesting is when he tackles songs usually sung by women, such as Follies' "Broadway Baby" and Company's "Another Hundred People" and "You Could Drive a Person Crazy"--the latter hammed up so much that you can hear the chewing of the scenery. A distinctively mannered interpreter, Patinkin remains an acquired taste, but fans of his will be in heaven with this set. --Elisabeth Vincentelli

Customer Reviews

Just love listening to Mandy Patinkin sing over and over again.
lou
And even when it's not one per se, every song here seems part of one long extended medley showcasing the most influential and prolific composer Broadway has ever seen.
Michael D. Kelley
I don't want to give the impression that this CD is without merrit.
Dr. Ira M. Sheskin

Most Helpful Customer Reviews

19 of 19 people found the following review helpful By Michael D. Kelley on November 22, 2002
Format: Audio CD
There is no doubt that Mandy is an acquired taste -- his falsetto can drive some crazy (and not in a good way), and he can chew more vocal scenery than Ethel Merman at her worse.

Yet there is no denying that he is immensely entertaining to listen to for those of us who have taken the time to appreciate him. It helps that he is adventurous to the point of fearless when it comes to his concept albums (and every one of his personal albums is a concept album). Whether it's singing kids songs for adults, or an entire score in Yiddish, Mandy seemingly has no regard for commerciality, and we the listeners nearly always benefit. In this particular case, it's his first live album, but that's not the real point: the concept here is just him, a piano, and the wonderful tunes of Sondheim.

Mandy has sung a lot of Sondheim before, and covered a lot of relatively obscure Sondheim tunes not otherwise available. He covers some of that same ground here. As well he makes extensive use of one of his fortes, the extended (and unusual) medley. And even when it's not one per se, every song here seems part of one long extended medley showcasing the most influential and prolific composer Broadway has ever seen.

Mandy and Sondheim. For many of us it doesn't get any better than this.
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17 of 19 people found the following review helpful By Arlene on November 3, 2002
Format: Audio CD
Imagine singing your heart out for almost 2 hours with only an upright piano for accompaniment and a few well-deserved breaks for thunderous applause. This is the back drop for Mandy Patinkin's love letter to Sondheim. Several of the songs have been recorded previously by Patinkin (Lesson #8; When?; Someone Is Waiting; Finishing the Hat; If You Can Find Me, I'm Here; Beautiful; Sunday...), but not as simply and beautifully as this. Patinkin is at his animated and artistic best in front of a live audience. Wish I could have been at this concert, but I am happily content with this masterful 2-disc CD.
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7 of 8 people found the following review helpful By Robert E. Finley on January 21, 2007
Format: Audio CD
Probably the best way to approach these disks is to treat them like a recital in a concert hall. Rather as you would listen to a Schubert or Schumann song cycle. Taken together this way, we come to hear Sondheim as one of our finest composers, serious, comic, manic, depressive, always dead on target no matter what the subject matter. And Patinkin is perfect for these songs; he understands the meaning and value of every note and every word, just as a fine concert singer would do, and he makes his listeners understand, too. One of the most intriguing concept albums in recent memory, and a joy all the way through. Bob Finley, Palm Springs, CA.
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16 of 22 people found the following review helpful By Eric L. Magnus on November 20, 2002
Format: Audio CD
I'm not a "Mandy-head", but neither do I hate his style of singing. I've always admired Mandy's passion for music, and this generous two-disc set is no exception.
The only disc of Patinkin's I cannot bear to listen to is "Mamaloshen"...it provides the worst possibly opportunity for Mandy to overindulge in oversinging. As with every other disc, Mandy's song choice is impeccable, and I can't argue with most of his interpretive choices...although I've never understood why he feels the need to scream and shout so much. My only questions about this particular recording are...Why this particular order of songs? Why the medley format? I'm not sure I understand how the struture related to Sondheim's career, or indeed, what it was attempting to indicate. There were no songs chosen that were written after "Dick Tracy"...nothing from 1991-2002. Reason? I don't know.
Mandy's voice sounds very odd in the first half of the first act. It has an odd wobble in it, as if he isn't quite in control of his instrument. It sound like the voice of a much, much older man. Once he finally belts, (I think it is on the song "Finishing the Hat") it seems as if all the vocal adhesions are broken and his voice is finally warmed up enough to control. Did he not warm up properly before the show? Why would Nonesuch accept this second rate sound in the first half of this concert?
I hesitantly recommend this set to Sondheim fans...Patinkin fans will buy it anyway. It is really an individual choice as to whether or not to buy this one. But this would not be my choice of a quintessential overview of Sondheim's work. Paul Ford on piano is, as always, the unsung hero of Patinkin's recordings. He is a master at following the always unpredictable performances of Patinkin.
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2 of 2 people found the following review helpful By So many books, so little time. on September 25, 2007
Format: Audio CD
People who cannot appreciate the wit and beauty of Sondheim's songs and Patinkin's joyous renditions of them should refrain from writing reviews on this album. This is my favorite album of Patinkin's and his interpretations of Sondheim's songs are priceless...he seams to relish every clever phrase and beautiful chorus. Some of my favorite songs include "Free" from Something Funny Happened on the Way to the Forum, Patinkin captures the pain of slavery and the joy of being free, and it's funny too. "Beautiful" from Sunday in the Park with George and "Sunday" from the same. Because of this album I have found a much deeper appreciation for Sondheim's songs...what a wonderful thing to have.
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9 of 13 people found the following review helpful By A Customer on February 4, 2003
Format: Audio CD
I have every recording Patinkin appears on, even if he's only on one track; I adore his voice, his flair, his emotion, his ability to deliver a song.
But (much of) this recording is disappointing, mainly because Mr. Patinkin's voice in the lower range sounds muddled and forced, as though he's lost ability to control it (however, the more falsetto sounds are as clear and sharp as ever).
And I don't care for the format of this performance. Live recordings should have live audience reactions: one (often unrelated) song after another without applause had me wondering when--if ever--was the audience was going to be allowed to react.
Also, while I've never had the privilege of attending a Patinkin concert, I imagined that--above all-- he would be passionate. Perhaps he was. But what (mostly) comes across on the CD is a somber--almost technical--performance.
I hope he's healthy, that mixed quality of singing on this recording was just a fluke, and that his next CD will be a Five-star as all his previous ones have been
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