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Editorial Reviews
2007 holiday treat from Chip Davis and Mannheim Steamroller, their first new Christmas album in six years! Features guest vocals from Johnny Mathis (no stranger to great holiday recordings) plus Olivia Newton-John. 12 tracks including 'Have Yourself A Merry Little Christmas', 'Frosty The Snowman' and many others. American Gramaphone.
Customer Reviews
Most Helpful Customer Reviews
51 of 55 people found the following review helpful
Format:Audio CD
As a longtime, but certainly not naďve, fan of Mannheim Steamroller's music its hard for me to fully convey with words alone how disappointed I am with Chip Davis after this release.
Make no mistake, this rushed and uninspired release is about one thing: Money.
The care, passion and creativity found in the past Mannheim Christmas Albums and the Fresh Aire series has been replaced by mundane renditions of holiday classics and several retreads from past albums (Tell me Chip, how does 3 re-releases on the CD translate to the sticker on the front of the record that boasts `All New Music'?). All of this rushed to the market so that Chip can cash in on his fan-base's loyalty. While Christmas Song does have a few decent tracks the overall collection is less than the sum of its parts. Here's my take on the songs:
1. Let it Snow, Let it Snow, Let it Snow (2.5 Stars): Not a bad effort but the upbeat melodies never go anywhere. After you've listened to the first 35 seconds of the song it pretty much repeats itself until it fades out.
2. The Christmas Song (1 Star): I'm not a fan of Chip adding vocalists to his tracks because this type of music is supposed to be about Chips compositions and the instrumental performances. Regardless this rendition is just plain bad with Mr. Mathis struggling to perform over Chip's strange arrangement.
3. Santa Claus Is Comin' To Town (2 Stars): Whimsical in nature, I think Chip did the best he could with a song that really never should've been on a Mannheim Steamroller album.
4. It Came Upon the Midnight Clear (3 Stars): Definitely one of the albums stronger songs. A nice arrangement, reminiscent of Steamroller's version of O' Holy Night.
5. Feliz Navidad (2 Stars): Another example of Chip doing nothing with a song other than regurgitating it through his preferred instruments. No emotion to this song whatsoever, which is a shame because it could have been something special.
6. Catching Snowflakes On Your Tongue (3 Stars): A Chip Davis original that is well thought out and well performed. Your fans want more of this, Chip!
7. Masters In This Hall (4 Stars): Another original composition by Chip that will thrill long term fans beginning with a classical sound and then morphing into a more progressive nature that will remind fans of the 1984 classic `Good King Wenceslas'.
8. Above the Northern Lights (2.5 Stars): The first of the albums re-releases. The song can originally be found on the spoken word album: The Christmas Angel. The tune itself is very good but again the vocal performance (Mathis) not to mention the lyrics, are simply lacking.
9. Frosty the Snowman (0 Stars): Jumbled techno garbage. I've tried many times to give this song a fair listen but I can't.
10. Traditions Of Christmas (1 Star): This is a music box rendition of one of Chips finest efforts. But come on! This is third time this song on has been on a Mannheim Christmas album and its only 30 seconds long.
11. Christmas Lullaby (2 Stars): ANOTHER re-release! Olivia Newton-John does a decent job with the lyrics she was provided with but the presence of a vocalist actually detracts from this Steamroller classic.
12. Have Yourself a Merry Little Christmas (5 Stars): Brilliant! Smooth Jazz in nature with a nostalgic feel to it. While it shines, it can't salvage many of the shoddy efforts that come before it.
Most of the diehard Steamroller fans, like myself, have already run out and blindly purchased this album. While the album offers up a few memorable tunes, they don't justify the purchase of the entire CD. If you have the means listen to the tracks first and then download only the songs that merit your money. But sadly most of Chip's fans won't do this.
In fact Chip is counting on it $$$.
Make no mistake, this rushed and uninspired release is about one thing: Money.
The care, passion and creativity found in the past Mannheim Christmas Albums and the Fresh Aire series has been replaced by mundane renditions of holiday classics and several retreads from past albums (Tell me Chip, how does 3 re-releases on the CD translate to the sticker on the front of the record that boasts `All New Music'?). All of this rushed to the market so that Chip can cash in on his fan-base's loyalty. While Christmas Song does have a few decent tracks the overall collection is less than the sum of its parts. Here's my take on the songs:
1. Let it Snow, Let it Snow, Let it Snow (2.5 Stars): Not a bad effort but the upbeat melodies never go anywhere. After you've listened to the first 35 seconds of the song it pretty much repeats itself until it fades out.
2. The Christmas Song (1 Star): I'm not a fan of Chip adding vocalists to his tracks because this type of music is supposed to be about Chips compositions and the instrumental performances. Regardless this rendition is just plain bad with Mr. Mathis struggling to perform over Chip's strange arrangement.
3. Santa Claus Is Comin' To Town (2 Stars): Whimsical in nature, I think Chip did the best he could with a song that really never should've been on a Mannheim Steamroller album.
4. It Came Upon the Midnight Clear (3 Stars): Definitely one of the albums stronger songs. A nice arrangement, reminiscent of Steamroller's version of O' Holy Night.
5. Feliz Navidad (2 Stars): Another example of Chip doing nothing with a song other than regurgitating it through his preferred instruments. No emotion to this song whatsoever, which is a shame because it could have been something special.
6. Catching Snowflakes On Your Tongue (3 Stars): A Chip Davis original that is well thought out and well performed. Your fans want more of this, Chip!
7. Masters In This Hall (4 Stars): Another original composition by Chip that will thrill long term fans beginning with a classical sound and then morphing into a more progressive nature that will remind fans of the 1984 classic `Good King Wenceslas'.
8. Above the Northern Lights (2.5 Stars): The first of the albums re-releases. The song can originally be found on the spoken word album: The Christmas Angel. The tune itself is very good but again the vocal performance (Mathis) not to mention the lyrics, are simply lacking.
9. Frosty the Snowman (0 Stars): Jumbled techno garbage. I've tried many times to give this song a fair listen but I can't.
10. Traditions Of Christmas (1 Star): This is a music box rendition of one of Chips finest efforts. But come on! This is third time this song on has been on a Mannheim Christmas album and its only 30 seconds long.
11. Christmas Lullaby (2 Stars): ANOTHER re-release! Olivia Newton-John does a decent job with the lyrics she was provided with but the presence of a vocalist actually detracts from this Steamroller classic.
12. Have Yourself a Merry Little Christmas (5 Stars): Brilliant! Smooth Jazz in nature with a nostalgic feel to it. While it shines, it can't salvage many of the shoddy efforts that come before it.
Most of the diehard Steamroller fans, like myself, have already run out and blindly purchased this album. While the album offers up a few memorable tunes, they don't justify the purchase of the entire CD. If you have the means listen to the tracks first and then download only the songs that merit your money. But sadly most of Chip's fans won't do this.
In fact Chip is counting on it $$$.
79 of 90 people found the following review helpful
Format:Audio CD
Let's face it, kiddies.... this has been done to death. The original Mannheim Steamroller Christmas album from 1984 was very innovative for it's time, and it's follow-up from 1988 (A Fresh Aire Christmas) was, in my humble opinion, even better than the original. In the years since then, however, the Steamroller Christmas series has become a cash cow for it's creator, Chip Davis, and he refuses to let go of the project, churning out a new rehash every few years or so. The original concept of combining Renaissance-era instruments, electronica, and full orchestra was a great thing at first, but Mr Davis has run out of fresh ideas and just keeps recycling the same thing over and over. (For example, check out the middle section of "Masters In This Hall"; it sounds like a direct rip-off of "God Rest Ye Merry, Gentlemen" from the first album, and in keeping with the style of most arrangements on this album, it stops abruptly and feels unfinished.)
A huge pet peeve of mine pops up early in the first two tracks; arrange a song in a different style if you must, but DON'T rewrite the melody, especially in something as familiar as a Christmas song. There are a couple of instances that sound as if Mr. Davis wasn't exactly sure where the standard melody was supposed to go, and he just changed it to something he must have figured was close enough that no one would care, but I'm sure the original songwriters wouldn't appreciate it.
There are a couple of nice moments to be found, such as "It Came Upon the Midnight Clear" which hearkens back to "Cantique de Noel" from the second album, but for every pleasant moment, there is something equally as jarring close behind, the absolute worst being the inexplicable version of "Frosty the Snowman", in which the song becomes almost completely unrecognizable. The liner notes describe it as "Frosty...the Techno Dance". (with vocals by "Spaceman"??) You'll just call it embarrassing and reach for the skip button on your player.
Olivia Newton-John and Johnny Mathis both turn up as guest vocalists, and they do the best they can with the material they've been given. Johnny is saddled with the above-mentioned melody goofs in "The Christmas Song", not to mention a plodding arrangement that doesn't capture the warm feeling it should have. Olivia has a song that is a Chip Davis original, previously appearing on "Christmas in the Aire" (Christmas album # 3) in an instrumental form, and it's nice enough, but feels a bit of a cheat that the song has shown up again. (To be fair, there is a sweetness about this track that is quite nice, and it IS a better version than the original. So there.)
I know I sound like I'm being overly critical of this CD, but I think it's deserved this time around. I don't hear as much forethought or effort going into these albums anymore, and it's time to stop the series if they're going to stay at this level of quality. Regardless, something tells me that in about two or three years, we can look forward to Chip and Co. returning with something like "More Christmas Songs We Haven't Trashed....Yet".
A huge pet peeve of mine pops up early in the first two tracks; arrange a song in a different style if you must, but DON'T rewrite the melody, especially in something as familiar as a Christmas song. There are a couple of instances that sound as if Mr. Davis wasn't exactly sure where the standard melody was supposed to go, and he just changed it to something he must have figured was close enough that no one would care, but I'm sure the original songwriters wouldn't appreciate it.
There are a couple of nice moments to be found, such as "It Came Upon the Midnight Clear" which hearkens back to "Cantique de Noel" from the second album, but for every pleasant moment, there is something equally as jarring close behind, the absolute worst being the inexplicable version of "Frosty the Snowman", in which the song becomes almost completely unrecognizable. The liner notes describe it as "Frosty...the Techno Dance". (with vocals by "Spaceman"??) You'll just call it embarrassing and reach for the skip button on your player.
Olivia Newton-John and Johnny Mathis both turn up as guest vocalists, and they do the best they can with the material they've been given. Johnny is saddled with the above-mentioned melody goofs in "The Christmas Song", not to mention a plodding arrangement that doesn't capture the warm feeling it should have. Olivia has a song that is a Chip Davis original, previously appearing on "Christmas in the Aire" (Christmas album # 3) in an instrumental form, and it's nice enough, but feels a bit of a cheat that the song has shown up again. (To be fair, there is a sweetness about this track that is quite nice, and it IS a better version than the original. So there.)
I know I sound like I'm being overly critical of this CD, but I think it's deserved this time around. I don't hear as much forethought or effort going into these albums anymore, and it's time to stop the series if they're going to stay at this level of quality. Regardless, something tells me that in about two or three years, we can look forward to Chip and Co. returning with something like "More Christmas Songs We Haven't Trashed....Yet".
31 of 34 people found the following review helpful
Format:Audio CD
I want to preface my remarks about this particular CD by extending my sincere thanks to Chip Davis and all Mannheim Steamroller personnel, past and present, for the most beautiful and moving Christmas music I have ever heard. By the end of the 1980s, Mannheim Steamroller had become my all-time favorite Christmas artist. I have looked forward to each new Christmas CD with great anticipation. Based upon my experiences with previous releases, I have quickly added each new album to my collection without having heard any of the songs, and haven't regretted doing so until the purchase of this album. I wholeheartedly recommend the first four "canon" Mannheim Steamroller Christmas CDs: Christmas, A Fresh Aire Christmas, Christmas In The Aire and Christmas Extraordinaire (available together at a great value as The Mannheim Steamroller Christmas Collection box set). However, I cannot recommend this newest album. Aside from Christmas Live, the largely spoken-word The Christmas Angel, and the 2004 compilation Christmas Celebration, Christmas Song is the first Mannheim Christmas release to revisit the group's earlier material. Each of the aforementioned "canon" albums is full of imaginative, evocative yuletide arrangements. While Christmas Song has some great moments, it is a disappointing effort overall.
"Let It Snow, Let It Snow, Let It Snow" starts off the album well, in a style reminiscent of "Winter Wonderland" and "Joy To The World" from previous albums. "The Christmas Song" features lead vocals from Johnny Mathis, who delivers an average performance. The arrangement is nothing special and a far cry from the group's re-imagining of Christmas songs in years gone by. "Santa Claus Is Comin' To Town" marks the first appearance of a saxophone solo on a Steamroller Christmas track. In my opinion, the instrument just doesn't fit the Mannheim sound. "Feliz Navidad" is OK, but doesn't come across as fresh or exciting as Steamroller arrangements on earlier albums. "Catching Snowflakes On Your Tongue", a new Davis composition, is a nice instrumental but lacks the emotion of a song like the original "Traditions Of Christmas" from A Fresh Aire Christmas. "It Came Upon The Midnight Clear" and "Masters In This Hall" are the best performances on the album. These tracks would have fit nicely alongside songs from previous albums. "Above The Northern Lights" is the first and better of two vocal remakes on the album. Of all the Christmas tracks the group has recorded, "Frosty The Snowman" stands as my least favorite. This performance exceeds their earlier recording of "Rudolph The Red-Nosed Reindeer" in sheer silliness. This is about as far as it gets from the majestic beauty of "Veni Veni" or "Stille Nacht". To be fair to Chip Davis, I realize that he was going for little kid fun rather than reverence, but this rendition falls flat. "Traditions Of Christmas" gets things back on track, but all too briefly. This music box reprise of the 1988 classic gave me chills. "Christmas Lullaby" is an unnecessary vocal remake of the 1995 instrumental. Olivia Newton-John is fine here, but the lyrics to this song are no substitute for the poignant beauty of the original instrumentation. "Have Yourself A Merry Little Christmas" starts out with promise, but never expands into a powerful closing song. Instead it suffers from the reappearance of the saxophone and leaves the listener wanting more.
As a loyal fan, I have a few friendly suggestions for Chip Davis next time around. First, please resist the temptation to include more than one or two vocal performances. Mannheim Steamroller has always been at its best when making music in the vicinity of progressive rock rather than straying into easy listening territory. If a guest vocalist is desired, I suggest a distinctive voice such as Jon Anderson of Yes (who would've taken "Above The Northern Lights" to another level, though Gene Nery did a good job). Second, please bring Jackson Berkey and Ron Cooley back to the studio. These two gentlemen were part of the Mannheim magic since that first Christmas album, but they don't appear on Christmas Song. Lastly, please don't use saxophones and electronic drums. The beautiful Renaissance era instruments define the Mannheim Steamroller sound and a sax is no substitute. The sound of the drum kit on the first Christmas album is superior to the recent pad sounds which, to me, interfere with the balance between ancient instruments and those must-have synthesizers. I do hope Mannheim Steamroller records another Christmas album before six more years pass, but I will be hesitant to purchase it without hearing it first. Come on Chip, please make the next one a return to form. Meanwhile, I'll enjoy those classic Steamroller recordings. A very Merry Christmas to all!
"Let It Snow, Let It Snow, Let It Snow" starts off the album well, in a style reminiscent of "Winter Wonderland" and "Joy To The World" from previous albums. "The Christmas Song" features lead vocals from Johnny Mathis, who delivers an average performance. The arrangement is nothing special and a far cry from the group's re-imagining of Christmas songs in years gone by. "Santa Claus Is Comin' To Town" marks the first appearance of a saxophone solo on a Steamroller Christmas track. In my opinion, the instrument just doesn't fit the Mannheim sound. "Feliz Navidad" is OK, but doesn't come across as fresh or exciting as Steamroller arrangements on earlier albums. "Catching Snowflakes On Your Tongue", a new Davis composition, is a nice instrumental but lacks the emotion of a song like the original "Traditions Of Christmas" from A Fresh Aire Christmas. "It Came Upon The Midnight Clear" and "Masters In This Hall" are the best performances on the album. These tracks would have fit nicely alongside songs from previous albums. "Above The Northern Lights" is the first and better of two vocal remakes on the album. Of all the Christmas tracks the group has recorded, "Frosty The Snowman" stands as my least favorite. This performance exceeds their earlier recording of "Rudolph The Red-Nosed Reindeer" in sheer silliness. This is about as far as it gets from the majestic beauty of "Veni Veni" or "Stille Nacht". To be fair to Chip Davis, I realize that he was going for little kid fun rather than reverence, but this rendition falls flat. "Traditions Of Christmas" gets things back on track, but all too briefly. This music box reprise of the 1988 classic gave me chills. "Christmas Lullaby" is an unnecessary vocal remake of the 1995 instrumental. Olivia Newton-John is fine here, but the lyrics to this song are no substitute for the poignant beauty of the original instrumentation. "Have Yourself A Merry Little Christmas" starts out with promise, but never expands into a powerful closing song. Instead it suffers from the reappearance of the saxophone and leaves the listener wanting more.
As a loyal fan, I have a few friendly suggestions for Chip Davis next time around. First, please resist the temptation to include more than one or two vocal performances. Mannheim Steamroller has always been at its best when making music in the vicinity of progressive rock rather than straying into easy listening territory. If a guest vocalist is desired, I suggest a distinctive voice such as Jon Anderson of Yes (who would've taken "Above The Northern Lights" to another level, though Gene Nery did a good job). Second, please bring Jackson Berkey and Ron Cooley back to the studio. These two gentlemen were part of the Mannheim magic since that first Christmas album, but they don't appear on Christmas Song. Lastly, please don't use saxophones and electronic drums. The beautiful Renaissance era instruments define the Mannheim Steamroller sound and a sax is no substitute. The sound of the drum kit on the first Christmas album is superior to the recent pad sounds which, to me, interfere with the balance between ancient instruments and those must-have synthesizers. I do hope Mannheim Steamroller records another Christmas album before six more years pass, but I will be hesitant to purchase it without hearing it first. Come on Chip, please make the next one a return to form. Meanwhile, I'll enjoy those classic Steamroller recordings. A very Merry Christmas to all!
Most Recent Customer Reviews
Great CD
If you have enjoyed Mannheim Steamroller's other CDs, you will love this one also. Mannheim Steamroller continues to produce wonderful Christmas CDs with traditional Christmas... Read more
Published 4 months ago by L. Gruber
Mr. Davis needs to do better
I was a kid when the first Christmas albums came out, and my whole family instantly fell in love with them. Read more
Published 5 months ago by Jovet
The Worst Of Mannheim Steamroller
If it weren't for tracks 6...7...and 10 (albeit this one being too short of a track)...this CD would be perfect to give to someone you don't like in lieu of a fruitcake... Read more
Published 6 months ago by L. V. Catt
One more in a long line.
One more amazing effort by Chip to add his own flavor to old standards. I've made a Christmas Medley for my iPod and Chip's arrangements make for enjoyable listening for all ears. Read more
Published 16 months ago by L. Taglauer
Great music
I have always loved the Music of Manheim Steamroller, so this collection of their past Christmas sounds was a must for me. Read more
Published on December 24, 2009 by Sarah E. Joseph
Christmas Cheer
As a previous reviewer mentioned last year, Rush Limbaugh was indeed the one who introduced Mannheim Steamroller to much of the country. Read more
Published on October 23, 2009 by Gary L. Stanley
Great CD
Thanks for the quick delivery on this wonderful CD. This was added to my collection of many CDs by Steamroller.
Published on April 2, 2009 by S. Carter
A different tack for Mannheim Steamroller
You can tell that this is a Chip Davis creation, but the style is distinctly different. Gone are the classic sounds of pipes and horns, which are replaced by very artifical... Read more
Published on January 27, 2009 by Carroll A. Morgret Jr.
holiday music
Mannheim is always great especially for the holidays. I love listening to this cd along with the others.
Published on December 28, 2008 by J. L. White
One of the best yet
Every year I wait for the new edition of the Christmas CD to be released. I really enjoyed the version of "Feliz Navidad" or " Fleas on Your Dog " as kids used to call it. Read more
Published on December 24, 2008 by Joyce E. Nagel
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