Amazon.com: Manster: Peter Dyneley, Jane Hylton, Tetsu Nakamura, Terri Zimmern, Norman Van Hawley, Jerry Ito, Toyoko Takechi, Kenzo Kuroki, Alan Tarlton, Shinpei Takagi, George Wyman, Fujie Satsuki, George P. Breakston, Kenneth G. Crane, Robert V. Perkins, Ryuichi Aimono, William Shelton, William J. Sheldon: Movies & TV

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Manster (1962)

Peter Dyneley , Jane Hylton , George P. Breakston , Kenneth G. Crane  |  NR |  DVD
3.4 out of 5 stars  See all reviews (21 customer reviews)

Price: $7.98 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Customer Reviews

21 Reviews
5 star:
 (4)
4 star:
 (7)
3 star:
 (7)
2 star:    (0)
1 star:
 (3)
 
 
 
 
 
Average Customer Review
3.4 out of 5 stars (21 customer reviews)
 
 
 
 
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10 of 10 people found the following review helpful:
4.0 out of 5 stars "Two Heads Are Better Than One" by Harry Tinsman, January 30, 2000
By 
Harry Tinsman (Atlantic City, New Jersey) - See all my reviews
This curiosity, filmed on location in Japan with an English speaking cast, is the horrifying story of a man who unwittingly becomes the guinea pig in a mad doctor's experiment to mutuate the human life form. Peter Dyneley, usually in supporting roles in other films, gives the performance of his career, as the foreign correspondent who is injected with a serum that makes him grow into a monstrous, two-headed murderer! Jane Hylton, veteran character actress and star of "Circus Of Horrors" (1960), plays his wife. The film is rich in snappy dialogue, campy sets, good makeup, interesting on-location shooting, and has a fine musical score to boot. Modeled after the Universal horror films of the 30's and 40's, the film was horrifying enough to give this reviewer nightmares as a child, and remains an enjoyable experience to this day. "The Manster" is certainly one of the scariest film monsters of all time, and will leave the viewer with frightening images! Watch out for Kenji!
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7 of 7 people found the following review helpful:
4.0 out of 5 stars Scientist Suzuki's Scary Subject- A MANSTER!, May 30, 2004
This review is from: Manster (DVD)
In Tokeyo, Dr. Suzuki likes to conduct experiments on unsuspecting human beings. Enter Larry Standford, American newspaper reporter. Dr. Suzuki drugs Larry, injects him with his special ENZYME and POOF! A MANSTER (Half man, half monster) slowly but surely emerges. Murders ensue, of course along with a really FREAKY eye growing out of Larry's shoulder. Soon a WHOLE BEASTLIKE head with scary fangs sprouts up! The transformation sure gives a new meaning to the old romantic song, "Put Your Head On My Shoulder"! Great special effects for it's time and just a LOT of cheesy, scary fun!

The film is filmed in black and white/1960/72 minutes

Highly recommended for schlock lovers!

Happy Watching & Don't Loose Your Head!

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10 of 12 people found the following review helpful:
3.0 out of 5 stars 'Raindrops keep falling on my heads...', June 3, 2004
This review is from: The Manster (DVD)
Written, directed and produced by George P. Breakston, who's probably more known for his role as Beezy in the Andy Hardy movies throughout the 30's and early 40's, The Manster (1962) aka Kyofu, aka Nightmare, aka The Split, aka The Two-Headed Monster, has the distinction, as far as I know, of being the first film to deal with the issues associated with a man having two heads, appearing some ten years before the better known and definitely more schlocky vehicle starring Ray Milland and Rosie Grier, The Thing with Two Heads (1972).

Starring the runner up in the Lon Chaney Jr. look-a-like contest Peter Dyneley, whose other notable roles include the voice of Jeff Tracy in the Supermarionation Thunderbirds series from the 60's, also appearing in such films as Chato's Land (1972) and K is for Killing (1974), as foreign news correspondent Larry Stanford. Also appearing is Jane Hylton, whom I recognize from Circus of Horrors (1960) as Linda Stanford, Peter's somewhat wooden and estranged wife, Tetsu Nakamura as Dr. Robert Suzuki, and, in her first and only role, the comely Terri Zimmern as the doctor's assistant, Tara.

The film plays out in Japan, and starts off by showing some women bathing and such, oh yeah, and then being attacked by a mysterious, extremely hairy man-creature, oh no. Now, we don't actually get to see the attack, but given the blood-curdling nature of the screaming, we can assume things didn't end well for these ladies. Segue way to what appears to be a hunting shack on a mountain where Dr. Suzuki and his assistant Tara are discussing an experiment that escaped the previous night and has now returned. The good doctor acknowledges that his man-thing is too dangerous, and proceeds to the cavernous basement of the shack (it's built on a mountain, so I guess he's utilizing the caves for his laboratory) and shoots the man-beast and dumps the body into a convenient lava pit. Now here comes foreign news correspondent Larry Stanford, trekking up the mountain to the shack. Apparently his boss arranged a meeting with the doctor, fishing for a juicy story of sorts. The doctor informs Larry that he's working on theories of evolution, and takes a keen interest in the reporter, as he decides that Larry has just the right characteristics for his experiments (if that includes smoking like a chimney and drinking himself silly, yes, doctor, he's your man). Anyway, the doctor slips Larry the proverbial mickey, and then injects him with something. Larry awakens with a doozy of a headache, and leaves, but not before agreeing to meet up with the doctor again in Tokyo.

Next we cut to Larry at his newspaper, and we learn that his days of traveling the world, reporting on various events are coming to an end as he's soon leaving to return to New York to settle down with his wife, Linda. Peter gets a call from the doctor, and they hang out in a Geisha house, where Larry gets schnockered good on saki and has a grand old time. Larry has so much fun he puts off his returning home to New York to hang out with Dr. Suzuki and pitches a little woo with the doctor's assistant, Tara. Larry also begins suffering from pains in his shoulder and arm, and we know this has something to do with the secret enzyme shot the doctor administered not too long ago. Soon Larry's wife shows up from New York, worried about his not coming back when he was supposed to, and she finds that Larry is not quite himself. Larry tells her they're through, and that he's going to stay in Japan with the much more attractive Tara (who is beginning to feel a bit guilty about her involvement in Dr. Suzuki's part of the experiment on Larry).

Soon Larry's hand and arm changes, getting all hairy and claw-like, and his shoulder begins to hurt more and more. What's with this pain in the shoulder? How about the fact that he has an eyeball growing out of there? Wouldn't that be something worth getting checked out? Maybe it's not covered in the HMO...anyway, we learn from the doctor that Larry is evolving into a species never before seen on Earth...this should be fun...given what I've seen, I think devolving would be the more correct term. Larry begins to flip out, sprouting a second head, and murdering a few Japanese locals along the way, while the police become involved as they start hunting this homicidal manic haunting the streets of Tokyo. Things eventually come to a...ahem, head (pun intended) as the chase for Larry and his permanent buddy increases. What happens next? Let's just say Larry and his new buddy come to a `parting of ways'...

I rather enjoyed this movie, despite a few shortcomings...the most noticeable being given the dangerous and secret nature of Dr. Suzuki's experiments, I am unsure why he let Larry run around Tokyo during his transformation...I would have probably kept him locked up, but then, what do I know? And there's a pretty clunky sub-plot about Dr. Suzuki, displaying classic mad scientist symptoms with his cold and calculating methods, later feeling remorse and regret about his deeds, based on nothing more than the continual harping from his assistant Tara...but whatever, this movie was still a lot of fun. With its 72 minute run time, the pacing was pretty quick, and the makeup wasn't too bad. I didn't get to see as much of it as I would have liked, but since this was a lower budget production, it was probably best not to highlight it too much, as it may have displayed inherent flaws.

Retromedia Entertainment presents a passable print, with some noticeable deterioration, but given the price of the DVD, I wasn't expecting a whole lot in this area. There is also a special feature included in the form of a rather meager photo gallery (three or four photos).

Cookieman108

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