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Many Are Called [Hardcover]

Walker Evans , James Agee , Jeff L. Rosenheim , Luc Sante
5.0 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

October 11, 2004

Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print, Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans.

Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits.

This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York.


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Editorial Reviews

Review

“Finally, today we have a re-issue of Many Are Called. It is truly a labor of love. This book is true to the look, feel, and spirit of the original. It does have a different cover, but includes a photograph of the original cover for reference. Two new texts have been added to the book. Luc Sante, the excellent writer and interpreter of photography, writes the foreword, while Jeffrey Rosenheim, the steward of this project, writes a historical sketch as an afterword. The pictures are reproduced in the same sequence as the original, and the reproductions, varnished duotones, rival the quality of the silver gelatin originals. Each plate is keyed to its date and Metropolitan Museum of Art accession number. The reproductions and the book itself are slightly enlarged in comparison with the first edition. Many Are Called has been issued only in hardcover. It is one of the more important books of the 20th century.”—photo-eye


“Yale University Press’s reissue of the book, along with its original poetic introduction by James Agee, represents the first proper introduction of Evans’s subway work to a broad audience and a full reintegraton of the photos into the arc of his career. It is hard to imagine a better way to celebrate the subway’s centennial or to reconsider Evans, one of the 20th century’s most influential photographers and artists.”—Randy Kennedy, New York Times Book Review

About the Author

Luc Sante, author of Low Life, Evidence, and The Factory of Facts, is Visiting Professor of Writing and the History of Photography at Bard College; Jeff L. Rosenheim, Associate Curator, Department of Photographs, The Metropolitan Museum of Art, is the editor of Unclassified: A Walker Evans Anthology and Walker Evans: Polaroids and was the main contributor to the Metropolitan’s exhibition catalogue Walker Evans (2000).


Product Details

  • Hardcover: 208 pages
  • Publisher: Yale University Press; First Edition Thus edition (October 11, 2004)
  • Language: English
  • ISBN-10: 0300106173
  • ISBN-13: 978-0300106176
  • Product Dimensions: 8.2 x 0.9 x 9.6 inches
  • Shipping Weight: 2.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #770,355 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews
41 of 43 people found the following review helpful
5.0 out of 5 stars Walker Evans at 101 January 8, 2005
Format:Hardcover|Amazon Verified Purchase
"Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long." -- Walker Evans, c. 1960, from the afterword.

Thank God for Jeff L. Rosenheim, associate curator at the Metropolitan Museum of Art in New York. Due to his prodigious efforts, no less than five volumes of Walker Evans' best work -- much of it neglected, or previously unpublished -- have been published under Rosenheim's editorship in a little over a decade. The most notable of these have been: A thorough omnibus of Evans's photographs, with essays by current critics and scholars published by the Metropolitan; a collection of Evans' writings, translations and correspondence, and; a collection of Evans' Polaroid photographs, which he produced in the early 1970s, shortly before his death in 1975.

"Many Are Called" is the first book Rosenheim edited that is a reissue of a previously released book. Originally released in 1966, this collection of 89 photographs taken by Evans in New York City's subways between 1938 and 1941 marks the return of this seminal work in its entirety after many decades out of print.

Along with James Agee's original introduction is a newly written preface by Luc Sante, which basically says in more updated and professorial language what Agee said. Rosenheim penned an afterword for this new edition, which relates the history of this work's genesis and its quarter-century dormancy before its first publication in 1966.

New plates have been engraved from scans made from Walker Evans' original negatives. They are attractively printed in duotone.
... Read more ›
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3 of 3 people found the following review helpful
5.0 out of 5 stars Real life underground January 12, 2009
Format:Hardcover|Amazon Verified Purchase
If you have ever spent time on a subway, you know the interpersonal dynamics that occur..or don't occur.
When Walker Evans photographed the NYC subways in the late 1930, he was able to capture, what we now know are timeless images of the folks that use the underground transport system. And the amazing thing is that the images are not so dated, save for the clothes and older interiors. The faces remain current,even today Even the "entertainers" that use the subway cars as their stage and means of making money.Another one for the collection.
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2 of 3 people found the following review helpful
5.0 out of 5 stars anonymous photos December 23, 2009
Format:Hardcover
For those who love vernacular photography-anonymous photography, if you will-this book and American Photobooth by Nakki Goranin are 'must-haves'. Yes, I know that Walker Evans did the photos, but the portraits (in both books) illustrate the power of accidental art and the beauty of the ordinary, in that we don't know who these people were and they were either not posing at all or were posing for a machine. Each subject in each photo becomes a mystery and we are left to wonder who they were, what paths did their lives take, and where did they end up. In a world of celebrities-on both sides of the camera, unfortunately-and the stories of unchecked ego (Georgia O'Keefe was said to have pouted for two days because the photographer who was sent to cover her was not as famous as she was.), we are blessed with only the visual clues presented in these photos and the opportunity to create our own stories and come to our own conclusions. If I were a creative writing teacher, I would instruct my students to pick a face from one of these two books and write about that particular life. I suspect that any of the individuals in either of these volumes lived more interesting and richer lives than the Paris Hiltons of the world.
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5.0 out of 5 stars Caveat Emptor April 15, 2013
Format:Hardcover|Amazon Verified Purchase
This book is fine as far as it goes; I was personally disappointed because it really is a series of JUST faces - portraits - head and shoulders ONLY. If you, as was I, are hoping also to see legs, feet, the subway advertisements, what the seats were like, the handrails the windows and doors etc...then you will be disappointed too. I wanted to have a feeling of what it was like on the subway in the '30s and '40s - i.e. everything that I would see were I there, not just people's faces.There is only one photo like that - the very last one in the book! But, if you want only the faces, this book will suit you fine.
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5.0 out of 5 stars A Walker Evans gem. April 18, 2011
Format:Hardcover|Amazon Verified Purchase
Walker Evans was one of America's most famous photographers from the 1930's and up until he died. The concept of this book was way ahead of its time when he did this over a couple of years. Secretly hiding a camera under his coat he photographed passengers in the NY metro on the train. Staring into space he catches people lost in their own thoughts and dreams and reveals the most amazing expressions without anyone knowing that they were being photographed. YES that is a controversial activity and he was critised for that but I love what he did and find this one of his most attractive books. He was an FSA photographer and a very determined man. This book is a must have and every time I browse through it I discover something very fresh about it which astonishes me. A gem.
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2 of 4 people found the following review helpful
5.0 out of 5 stars Many Are Called July 6, 2009
Format:Hardcover
Using a concealed compact 35mm camera Walker Evans advanced his theory of unsentimental documentary photography one step further. This time the subjects were captured unawares and this particular work documents the seemingly mundane event of daily commuting on an NYC Subway, but at the same time records the universal human condition. A very unique work in the history of photography and one of the most important.
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