From Publishers Weekly
As social history, with something of the flavor and immediacy of fiction, this story of a famous family stretching from 1762 to 1907 is interesting and well done. The book skillfully stitches together biographical facts and numerous family letters, the latter showing how, during the Napoleonic era, the risorgimento and beyond, the Manzonis, and to an extent upper-class Italians in general, thought, felt, aspired and suffered (the premature death rate among the Manzonis was appalling). The disappointments here are that few of the men and women in Ginzburg's crowded gallery are memorable for their personalities or achievements. Even Alessandro Manzoni (1785-1873), the main focus, comes through more vividly as a distracted family man than as the man of letters and author of the famous romantic novel I promessi sposi. Ginzburg, an Italian member of parliament, is the author of All Our Yesterdays.
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Although Tolstoy maintained that "happy families are all alike; every unhappy family is unhappy in its own way," contemporary readers of this work will identify with the illnesses of children, deaths of relatives, and all-too-frequent filial requests for money that confronted Italian literary giant Alessandro Manzoni, author of I Promessi sposi . Based on the family's voluminous correspondence, Ginzburg's portrayal is personal rather than literary, focusing on Manzoni family members; but a vivid picture of 18th- and 19th-century Italy and the literary scene in 19th-century Paris also emerges. Thus, it corrects the imbalance created by Archibald Colquhoun's standard work, Manzoni And His Times (1954). Highly recommended. Marcia G. Fuchs, Guilford Free Lib., Ct.
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.