A pioneering work of journalism and drama, Mapping Mars gives us our first exciting glimpses of the world to come and the curious, bizarre, and amazing people who will take us there.
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Oliver Morton has a sense of place and a hunger for Mars, and a thrilling manner of communicating both. His account of our nearest neighbor's history, geology, and human potential is exhaustive. Morton touches on just about everything, from soil composition to survival techniques; from Martians to maps (maps, above all: they are his abiding subject, metaphor, and organizing principle). His artistry is to hide his daunting range of interests under a passionate and gripping human narrative: this book is about what Mars has meant, means, and may one day mean for us. And he has a wide-ranging definition of who "we" are. Like a good military historian, Morton knows to pay attention to the foot soldiers of science, as well as to the achievements of their celebrated masters. He understands how different the sciences are from each other, and how rivalries between them arise. Further, Morton understands where these people and their institutions sit in the general culture. He understands the crossover between science and science fiction, between space advocates and space fans.
All of which makes Morton's book something more than just "the story of Mars." It is, in addition, an astute study of how we go about exploring our world. --Simon Ings
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The central theme, of maps and how they relate to place - and furthermore, how we relate to those maps and places - sets off an easily read story of what Mars has meant to recent society, how scientists have shaped that understanding, and how that understanding is both formed and limited by our extended observers, the robot orbiters and landers that we've sent to our red neighbor.
Highly recommended reading both for historical and cultural interest.
There have been generations of pre-rocketry astronomers who tried to make sense of our neighbor planet. Morton gives a history of the English astronomers who named features on Mars after Englishmen, and French, Frenchmen, as well as Percival Lowell's certainty that he could see canals the Martians had made. The detailed mapping, begun with the later powerful earthly telescopes, was not all done with photography. "The well-trained human eye could seize such brief impressions, understand what was seen in them, and remember it," allowing much more resolution than photographs, and the book is illustrated with examples of different artistic versions of maps and terrain. Many science fiction books have tried to take in our understanding of the terrain and the ecology. Movies, however, have not done a good job, disregarding science; "... the blatantly ignored scientific advisor on _Mission to Mars_ ... has been stoically bearing the ridicule of his colleagues ever since." The colors of the terrain and sky have become understood, after much haggling, but the status of water on the planet is still under debate. Morton covers the debate about going to Mars, and if we do, should we be thinking of hijacking its ecology to transform it into something we could traverse without pressure suits? Terraforming Mars, transforming it into something like home, sweet home, is on the minds of not just impractical visionaries, but geologists and chemists as well.
Morton has given a wonderful history of a very human enterprise, something we have accomplished and about which we can be truly proud. His summary of what we know about this mysterious planet may need updating after the next lander starts sending back data, but his book will remain an important description of how we got where we are now. He has a fine balance of a reporter's detachment and engagement with his subjects, and even the detailed scientific descriptions are clear. At heart, however, his book is an optimistic and inspiring look at how scientists, astrophysicists, and dreamers sustain Mars as the obsession which it will always be.
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