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Mapping Modernity in Shanghai: Space, Gender, and Visual Culture in the Sojourners' City, 1853-98 (Asia's Transformations) 1st Edition

3 out of 5 stars 1 customer review
ISBN-13: 978-0415569132
ISBN-10: 0415569133
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Editorial Reviews


"The great strength of this book is its focus on the spatial rather than the temporal; Shanghai’s urban spaces are brought vividly to life. The book contributes greatly to our understanding of what modernity really meant to the Chinese residents of Shanghai." - Jonathan Howlett: The China Quarterly, December 2011

"Studies of modern Shanghai have disproportionately focused on the city in the early twentieth century, particularly in the Republican era. Liang’s work is a welcome remedy to this obvious imbalance in the field. For its glimpse of life in late nineteenth-century Shanghai and for its rethinking of issues related to city, gender, and modernity, it will be a useful handbook for historians and students of cultural studies... Liang’s book can be seen first of all as a work of urban and architectural history on a period when virtually all of what were to become old Shanghai’s land-mark buildings […] had not yet been built... Liang joins the ranks of recent scholars, such as Dorothy Ko and Susan Mann, in rejecting the image of a simple and total victimization of Chinese women." - HANCHAO LU, Georgia Institute of Technology; The Journal of Asian Studies

About the Author

Samuel Y. Liang is Assistant Professor of the Humanities at Utah Valley University, USA


Product Details

  • Series: Asia's Transformations
  • Hardcover: 240 pages
  • Publisher: Routledge; 1 edition (July 21, 2010)
  • Language: English
  • ISBN-10: 0415569133
  • ISBN-13: 978-0415569132
  • Product Dimensions: 6.1 x 0.6 x 9.2 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #6,443,215 in Books (See Top 100 in Books)

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Format: Hardcover
When I awaited a contriubtion to the writings about space in late 19th-century Shanghai, my expectations were maybe set too high. Each of the chapters of Samuel Y. Liangs book considers an aspect of this city, of which some have already appeared as articles in journals. In addition, he takes into account all major studies on fin-de-siècle Shanghai, be it on courtesan culture or the new print industry. It is thus a nice overview of the major changes in late 19th-century Shanghai and one of the latest publications in this field.

However, the book leaves a sketchy impression. First of all, I often missed detailed references in the text itself, which gave the whole an essay-like flair. Still, the content is detailed and insightful: each chapter discusses a certain aspect of late 19th-century Shanghai, i.e. chapter 4 is a very interesting and new account on the rules and organisation of a courtesan house, whereas in chapter 5 the author shows his provenance from the architectural field by giving a detailed account of the history of the "li".

In addition, the book announces to show how modernity arrived to Shanghai with new spatial configurations. By focusing on social and urban spaces, i.e. spatiality, the reader actually expects certain connections to the spatial turn and an account of its related theories. The latter are lacking, except for some shorter passages that are not further discussed. A more detailed account of social urban theory in relation to the spatial turn and applied to Shanghai's modernity would have been fruitful. Instead, to supply the theoretical base, he draws on neo-Confucian worldviews on spatiality and contrasts it with changing cultural practices in Shanghai that were instigated by the city's sojourners.
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