The Marble Faun [Large Print] [Hardcover]

Nathaniel Hawthorne (Author)

Book Description

ISBN-10: 1582876428 | ISBN-13: 978-1582876429 | Publication Date: September 2001

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

--This text refers to the Paperback edition.

Editorial Reviews

Review

Novel by Nathaniel Hawthorne, published in 1860. The novel's central metaphor is a statue of a faun by Praxiteles that Hawthorne had seen in Florence. In the faun's fusing of animal and human characteristics he finds an allegory of the fall of man from amoral innocence to the knowledge of good and evil, a theme that had usually been assumed in his earlier works but that now received direct and philosophic treatment. The faun of the novel is Donatello, a passionate young Italian who makes the acquaintance of three American artists, Miriam, Kenyon, and Hilda, who are spending time in Rome. When Donatello kills a man who has been shadowing Miriam, he is wracked by guilt until he is arrested by the police and imprisoned. Both of the women are tainted by guilt. -- The Merriam-Webster Encyclopedia of Literature --This text refers to an out of print or unavailable edition of this title.

From the Publisher

Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover
• Publisher: North Books (September 2001)
• Language: English
• ISBN-10: 1582876428
• ISBN-13: 978-1582876429
• Product Dimensions: 8.4 x 5.6 x 1.7 inches
• Shipping Weight: 1.6 pounds (View shipping rates and policies)
• Average Customer Review: 3.6 out of 5 stars  See all reviews (17 customer reviews)
• Amazon Best Sellers Rank: #8,006,724 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

24 of 26 people found the following review helpful:

3.0 out of 5 stars Innocents Abroad, March 16, 2002

By 

IRA Ross (LYNDHURST, NJ United States 07071) - See all my reviews
(REAL NAME)   

This review is from: The Marble Faun: or, The Romance of Monte Beni (Penguin Classics) (Paperback)

_The Marble Faun_ concerns three young American artists, Miriam, Hilda and Kenyon, and their Italian faun-like friend, Donatello, whose characters are transformed while on their stay in Rome, the Eternal City. _The Marble Faun_ is very reminiscent of Henry James' novella, "Daisy Miller," where a young and innocent American woman falls under the deleterious spell of this European city. In fact, Hilda, while visiting one of its art galleries is warned by an old German artist to go back to America soon "or you will go never more...The air has been breathed too often, in so many thousand years, and is not wholesome for a little foreign flower like you, my child, a delicate wood-anemone from the western forest-land." Hilda witnesses a serious crime being committed by Donatello and Miriam (supposedly, neither of whom would have done so were it not for the evil influence of Rome's atmosphere) and becomes overwhelmed from ensuing feelings of guilt and depression. Despite her Puritan heritage, Hilda is compelled to unburden herself by seeking confession with a Catholic priest, who suggests that she convert to Catholicism. Hilda seriously considers, but decides to resist this transformation.

Hawthorne spends much of the novel in describing in detail Rome's architecture, its art galleries, churches, and its many other landmarks and shrines. When relevant to the story--especially in the author's depiction of the catacombs (from whence Miriam and Donatello commit their unforgivable deed), sunlight streaming through a church's stained glass windows, the extinction of a legendary flame standing before a lofty shrine, and the majestic bronze statue of a pope stretching out his hand in benediction--the effects are quite wonderful. However, a sizable portion of the novel is merely endless travelogue, which seriously detracts from this fairly well-told gothic romance. I did very much like Hawthorne's portrayal of carnival-time in Rome towards the end of the book, and the author's conversation with Kenyon and Hilda at the novel's conclusion is quite charming.

15 of 16 people found the following review helpful:

5.0 out of 5 stars Hawthorne's Best Novel, August 10, 2001

By 

Steve Thompson (Denver, CO) - See all my reviews

This review is from: The Marble Faun: or, The Romance of Monte Beni (Penguin Classics) (Paperback)

I've always failed to understand why The Marble Faun has been overlooked for so long. Hawthorne did a masterful job of weaving together many different elements -- from mythological references and the retelling of The Fall, to Rome's amazing architecture and the beauty and power of art, and ultimately to some of the fundamental questions faced by humanity. He may have done this with such mastery and subtlety that not everyone picks up on the undercurrents of the text that hold this book together.

9 of 9 people found the following review helpful:

4.0 out of 5 stars Splendid 19th Century Travel Companion!, May 23, 2001

By 

"alorentzen" (Massachusetts) - See all my reviews

This review is from: The Marble Faun: or, The Romance of Monte Beni (Penguin Classics) (Paperback)

Thinking about traveling to Italy? Wait! Do not leave behind your most useful travel companion. Disregard Rick Steve's and Let's Go. The Marble Faun was the premiere 19th Century travel guide to Rome and should be for the 21st century traveler. This book will lead you around the ancient city without skipping any of the awe-inspiring sights. For travelers after The Marble Faun's publication in 1860, the novel was a necessary item for their European escapades. Masterfully constructing his story around four distinct characters, Miriam, Hilda, Kenyon, and Donatello, Hawthorne takes the reader on an adventure which holds as much intrigue as the splendid landmarks these travelers encounter in their own journeys. For one who enjoys art and the discussion of art, this book will provide everlasting enjoyment. Indeed, Hawthorne captures the ex-patriot community of artists who settled in Rome during the 19th century in an attempt to associate themselves and their work with the Old Masters. Through Hawthorne's exceptional narrative, the reader gains further understanding of the mindset of copyists who wish to discover the true essence of such famous works as the faun of Praxiteles. This work experiments in its narrative form and one must be willing to flow with it. The chapters at times jump from different characters and events with out much warning to the reader. In addition, Hawthorne interjects his own point of view from time to time. If the reader is sensitive to this un-structure then they will have little trouble enjoying the mystery as well as the valuable description. Hawthorne changed the standards for American travel writing with this novel. Without it, Henry James, among others, may not have followed his lead. It is time The Marble Faun won the recognition it deserves!