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| 1. Work(s): Unnamed arr for saxophone | |||
| 2. Pavane et Menuet Vif | |||
| 3. La tyrolienne | |||
| 4. Petres | |||
| 5. Variations sur Marlborogh, for saxophone & piano | |||
| 6. Le Carnival de Venise, for saxophone & orchestra | |||
| 7. Concerto for saxophone & orchestra: Andante | |||
| 8. Valse Chromatique, for saxophone quartet | |||
| 9. Saxophone Quartet in B flat major, Op. 109: Theme & Scherzo | |||
| 10. Minuetto | |||
| 11. Serenade Comique, for saxophone quartet | |||
| 12. Concertino da camera, for alto saxophone & 11 instruments | |||
| 13. Concertino da camera, for alto saxophone & 11 instruments | |||
| 14. Concertino da camera, for alto saxophone & 11 instruments | |||
| 15. Canzonetta, for clarinet & piano, Op. 19 | |||
| 16. Vocalise-Étude en forme de Habanera, for voice & piano | |||
| 17. Arlekinada (Harlequin's Millions), ballet: Serenade | |||
| 18. Esquisse, for saxophone & piano | |||
| 19. Concertino for saxophone & orchestra | |||
| 20. Concertino for saxophone & orchestra | |||
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
5.0 out of 5 stars
THE essential saxophone recording.,
By Kevin Norton (Morehead, KY USA) - See all my reviews
This review is from: Marcel Mule: "Le patron" of the Saxophone (Audio CD)
I can now truly understand why Marcel Mule is considered "Le Patron" after hearing this album. On every single piece, he performs with impecible musicality: tight articulations, great breath control, nice understanding of volume, and tone and vibrato that a great violinist would kill for. Another interesting aspect is the excerpt from Francois Combelle, showing a history of how the instrument used to be played as if it were a clarinet.Every single saxophonist should own this album, for it is a perfect example of how the saxophone is supposed to be played.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
I Only Wish I Could Have Met Him,
By
This review is from: Marcel Mule: "Le patron" of the Saxophone (Audio CD)
Like the title suggest, I wish I had met hime before his death in 2001. Even though this disc is of original, "poorer quality" recordings, you can still hear Mule's mastery of timbre and vibrato. You can also tell that Mule was originally a violinist from his use of vibrato. I had fellow musician listen to these recordings without telling him who it was and the instrument, and he immediately thought srings. I recently had the opportunity to met and play with Eugene Rousseau, a former student of Marcel Mule and a saxophone genius. I also have the honor of studying under a star pupil of Rousseau, Anna Marie Wytko. Rousseau discussed Mule and through these recordings and my meeting him, I understand why Marcel Mule is called "Le Patron".
0 of 1 people found the following review helpful:
5.0 out of 5 stars
historical,
This review is from: Marcel Mule: "Le patron" of the Saxophone (Audio CD)
Wow! What a chance to hear one of the "fathers" of the saxophone in action.
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