March 16-20 1992 [Extra tracks, Original recording reissued, Original recording remastered]

Uncle Tupelo, Uncle Tupelo | Format: Audio CD

Product Details

• Audio CD (April 15, 2003)
• Number of Discs: 1
• Format: Extra tracks, Original recording reissued, Original recording remastered
• Label: Sony
• ASIN: B00008J2R9
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.9 out of 5 stars  See all reviews (31 customer reviews)
• Amazon Best Sellers Rank: #6,138 in Music (See Top 100 in Music)
  • #4 in Music > Alternative Rock > New Wave & Post-Punk > Urban Folk
  • #21 in Music > Alternative Rock > American Alternative > General
  • #89 in Music > Country > Americana

Track Listings

1. Grindstone

2. Coalminers

3. Wait Up

4. Criminals

5. Shaky Ground

6. Satan, Your Kingdom Must Come Down

7. Black Eye

8. Moonshiner

9. I Wish My Baby Was Born

10. Atomic Power

11. Lilli Schull

12. Warfare

13. Fatal Wound

14. Sandusky

15. Wipe The Clock

16. Take My Word (Bonus Track)

17. Grindstone (1991 Longview Farm Acoustic Demo) (Bonus Track)

18. Atomic Power (1991 Longview Farm Acoustic Demo) (Bonus Track)

19. I Wanna Be Your Dog (1991 Longview Farm Acoustic Demo) (Bonus Track)

20. Moonshiner (Live 1/24/1993) (Bonus Track)

Editorial Reviews

Amazon.com essential recording

After ripping it up on No Depression and Still Feel Gone, their first two albums of twangy punk rock, Uncle Tupelo unplugged for this remarkable tribute--half originals, half political and religious covers--to the band's old-time influences. While the new songs of frontmen Jay Farrar and Jeff Tweedy are consistently strong here (especially Farrar's "Grindstone"), it's the album's haunted covers of old folksongs that are the true keepers. Tweedy's apocalyptic version of "Satan, Your Kingdom Must Come Down" and Farrar's earnest readings of the beat-down "Moonshiner" and the labor song "Coalminers" are as frightening, beautiful, and passionate as anything the band ever recorded. --David Cantwell

Amazon.com

After ripping it up on No Depression and Still Feel Gone, their first two albums of twangy punk rock, Uncle Tupelo unplugged for this remarkable tribute--half originals, half political and religious covers--to the band's old-time influences. While the new songs of frontmen Jay Farrar and Jeff Tweedy are consistently strong here (especially Farrar's "Grindstone"), the album's haunted covers of old folk songs are the true keepers. Tweedy's apocalyptic version of "Satan, Your Kingdom Must Come Down" and Farrar's earnest readings of the beat-down "Moonshiner" and the labor song "Coalminers" are as frightening, beautiful, and passionate as anything the band ever recorded. The 2003 expanded and remastered edition adds three unreleased demos, a live version of "Moonshiner," and an instrumental B-side. --David Cantwell

Customer Reviews

Most Helpful Customer Reviews

14 of 14 people found the following review helpful:

5.0 out of 5 stars American and Essential, January 4, 2006

By 

Justin Mclaughlin (Minturn, CO United States) - See all my reviews
(REAL NAME)   

This review is from: March 16-20 1992 (Audio CD)

This is a fine roots album if ever there was one. Before Wilco, before Son Volt, there was Uncle Tupelo. And of all the Uncle Tupelo discs, this, in my mind, stands supreme. The songs alternate vocals between Jeff Tweedy and Jar Farrar. Farrar, in his preacher's baritone, tends to sing more politically oriented songs, songs of the early twentieth century, socialist songs focusing on coal miners unionizing or the ills of capitalism on the small man. Farrar's version of Moonshiner is like a priceless relic suspended in amber. Tweedy (his voice sounds younger and more contemporary than Farrar) also tackles some good old Americana in "I wish my Baby was Born" and "Satan, Your Kingdom must Come Down." Overall Tweedy leans more toward the personal and emotional while Farrar seems more comfortable with traditional ballads. Most of the songs are traditional tunes - folk songs, blues songs, spirituals. The guitar work is strong, with both men playing acoustic to fill out the sound. On some songs there are mandolin and violin - but it's really an acoustic guitar driven record. The band does a superb job of capturing the timelessness of the older music, and does well to blend their tunes with such a venerable canon. This is folk music as it was meant to be - raw, intense, masculine, topical. There is nothing cheesy on this record - and "Atomic Power" is probably the standout cut on the disc. Buy this music - you won't be disappointed - I guarantee!

12 of 12 people found the following review helpful:

5.0 out of 5 stars One of the finest pieces of American music ever made., July 3, 1998

By 

Daniel Johnson ([e-mail]) (Seattle WA) - See all my reviews

This review is from: March 16-20 1992 (Audio CD)

That is a huge claim, but I believe, backed up by this remarkable album. It is at once timeless and immediate. It can be seen a story cycle, a classic look at America, as it starts with a man describing his working conditions as brutal and hopeless -"Grindstone"- and proceeds to depict scenes of madness, murder, undying love and biblical damnation. However, the album ends on a hopeful note with the song "Wipe the Clock" which suggests that there is redemption for all of us. This album is both a scathing critique of american gangster capitalism, the death penalty, nuclear power, but also believes in the healing power of love. The music is very spare, stripped down to bare bones acoustic, but is still some of the most haunting music ever put to wax. A very American album, you can hear all the musical echoes from the Carter Family, Woody Guthrie, to anybody whoever sat on his front porch and plucked out a blues; from a Kentucky back holler to the Mississippi Delta. If anybody ever asked me to name a list of albums that most represented and reflected our country, this album would rank high on that list.

Buy It.

8 of 8 people found the following review helpful:

5.0 out of 5 stars Necessary., May 13, 2003

By 

"spanishjohnny" (Sydney, Australia.) - See all my reviews

This review is from: March 16-20 1992 (Audio CD)

Watershed release from seminal rockers come crooners come whatever. Produced by R.E.M' s Peter Buck, March... sees Jay and Jeff respectively trading blows of genius. Highlights include Farrar's protest ditty "Grindstone" and Tweedys brooding "Black Eye" but perhaps most significantly the two combine on this record for unbelievable results. Most notably the breathtaking "Moonshiner" and the instrumental "Sandusky". A classic in every sense of the word. The re release features early demos of "Grindstone" and "Atomic Power" as well as a live version of "Moonshiner".