Amazon.com Review
Anne Edwards has made a career out of writing intelligent biographies of prominent women, from the tortured (Vivien Leigh, Judy Garland) to the indomitable (Katharine Hepburn, Shirley Temple). Her gift for vivid characterization and lively narrative is once again in evidence in this readable portrait of opera's revolutionary diva, Maria Callas (1923-77).
Edwards doesn't add anything new to the well-known story of Callas' tumultuous life, and she disagrees with Nicholas Gage's controversial assertion (in the book Greek Fire) that Callas bore Aristotle Onassis a son who died shortly after his birth in 1960. But the author lays out the familiar facts deftly, nailing each of the forceful personalities who shaped Callas' destiny, from the obsessively ambitious mother who pushed her into performing and denied her a childhood to Onassis, the great love of her life, who broke her heart after a nine-year affair when he married Jacqueline Kennedy. Most forceful of all is Callas herself, who transformed opera with the revelation that great singing became even greater when buttressed by great acting.
Callas' fanatical devotion to the libretto, her deep understanding of character, and her incomparable musicianship get as much attention from Edwards as her famous feuds (most notably with Renata Tebaldi), the diet that transformed her into a sex symbol, and the notorious cancellations that occurred with increasing frequency to match the worsening of her vocal problems, which eventually forced her retirement from performing. The result is an exemplary popular biography that judiciously balances juicy anecdotes with critical commentary, giving the general reader a colorful, poignant portrait of Maria Callas the woman without ever losing sight of Callas the visionary artist. --Wendy Smith
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Edwards (Katharine Hepburn), author of several biographies of iconic women, including Princess Di and Judy Garland, delivers a fresh, highly engrossing take on one of history's most legendary divas. Even those with little interest in opera or celebrity will be swept into this tale of an "awkward, fat girl" who became the "slim, lionized diva who... changed the face of opera forever." While there are more than 30 biographies of Callas (1923-1977), Edwards's perhaps most handily pierces fable with fact. (Most notably, she produces evidence refuting Nicholas Gage's claim in his recent Greek Fire that Callas had and lost a son by Onassis.) Edwards chronicles Callas's life from her humble beginnings as a pharmacist's daughter in Astoria, Queens, New York, to formal music training in war-torn Greece to phenomenal triumph in the world's most renowned opera houses. She also provides descriptions of opera plots, costumes and sceneries, and admirably captures the economics, passions and egos that drove the major players in Callas's life, including her most famous paramour, Aristotle Onassis, and her publicity-seeking, self-martyring mother. "There was something of Norma Desmond and Sunset Boulevard about Maria's life after Onassis and her voice died," Edwards writes, describing Callas's lonely final years. Edwards recounts, too, the star's death at 53, her dispiriting funeral ("A high wind rose just as the ashes were being offered to the blustery sea, and some of them flew back and landed on the clothes of the mourners") and the grifters who swooped in to feed on Callas's financial remains. Edwards's riveting book is sure to prompt new interest in Callas's dramatic life. Two 8-page b&w photo inserts. Agent, Mitch Douglas. (Aug. 20) Forecast: Certain to lure Callas cultists, but its appeal is likely to be much wider; several of Edwards's biographies have been bestsellers, and this one, too, has strong commercial potential.
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--This text refers to an out of print or unavailable edition of this title.