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Maria Callas: An Intimate Biography
 
 
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Maria Callas: An Intimate Biography [Paperback]

Anne Edwards (Author)
2.6 out of 5 stars  See all reviews (16 customer reviews)

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Book Description

February 27, 2003
Maria Callas continues to mesmerize us twenty years after her death, not only because she was indisputably the greatest opera diva of the 20th century, but also because both her life and death were shrouded in a Machiavellian web of scandal, mystery and deception. Now Anne Edwards, well known for her revealing and insightful biographies of some of the world’s most noted women, tells the intimate story of Maria Callas—her loves, her life, and her music, revealing the true woman behind the headlines, gossip and speculation.

The second daughter of Greek immigrant parents, Maria found herself in the grasp of an overwhelmingly ambitious mother who took her away from her native New York and the father she loved, to a Greece on the eve of the Second World War. From there, we learn of the hardships, loves and triumphs Maria experienced in her professional and personal life. We are introduced to the men who marked Callas forever—Luchino Visconti, the brilliant homosexual director who she loved hopelessly, Giovanni Battista Meneghini, the husband thirty years her senior who used her for his own ambitions, as had her mother, and Aristotle Onassis, who put an end to their historic love affair by discarding her for the widowed Jacqueline Kennedy. Throughout her life, Callas waged a constant battle with her weight, a battle she eventually won, transforming herself from an ugly duckling into the slim and glamorous diva who transformed opera forever, whose recordings are legend, and whose life is the stuff of which tabloids are made.

Anne Edwards goes deeper than previous biographies of Maria Callas have dared. She draws upon intensive research to refute the story of Callas’s “mystery child” by Onassis, and she reveals the true circumstances of the years preceding Callas’s death, including the deception perpetrated by her close and trusted friend. As in her portraits of other brilliant, star-crossed women, Edwards brings Maria Callas—the intimate Callas—alive.

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Editorial Reviews

Amazon.com Review

Anne Edwards has made a career out of writing intelligent biographies of prominent women, from the tortured (Vivien Leigh, Judy Garland) to the indomitable (Katharine Hepburn, Shirley Temple). Her gift for vivid characterization and lively narrative is once again in evidence in this readable portrait of opera's revolutionary diva, Maria Callas (1923-77).

Edwards doesn't add anything new to the well-known story of Callas' tumultuous life, and she disagrees with Nicholas Gage's controversial assertion (in the book Greek Fire) that Callas bore Aristotle Onassis a son who died shortly after his birth in 1960. But the author lays out the familiar facts deftly, nailing each of the forceful personalities who shaped Callas' destiny, from the obsessively ambitious mother who pushed her into performing and denied her a childhood to Onassis, the great love of her life, who broke her heart after a nine-year affair when he married Jacqueline Kennedy. Most forceful of all is Callas herself, who transformed opera with the revelation that great singing became even greater when buttressed by great acting.

Callas' fanatical devotion to the libretto, her deep understanding of character, and her incomparable musicianship get as much attention from Edwards as her famous feuds (most notably with Renata Tebaldi), the diet that transformed her into a sex symbol, and the notorious cancellations that occurred with increasing frequency to match the worsening of her vocal problems, which eventually forced her retirement from performing. The result is an exemplary popular biography that judiciously balances juicy anecdotes with critical commentary, giving the general reader a colorful, poignant portrait of Maria Callas the woman without ever losing sight of Callas the visionary artist. --Wendy Smith --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Edwards (Katharine Hepburn), author of several biographies of iconic women, including Princess Di and Judy Garland, delivers a fresh, highly engrossing take on one of history's most legendary divas. Even those with little interest in opera or celebrity will be swept into this tale of an "awkward, fat girl" who became the "slim, lionized diva who... changed the face of opera forever." While there are more than 30 biographies of Callas (1923-1977), Edwards's perhaps most handily pierces fable with fact. (Most notably, she produces evidence refuting Nicholas Gage's claim in his recent Greek Fire that Callas had and lost a son by Onassis.) Edwards chronicles Callas's life from her humble beginnings as a pharmacist's daughter in Astoria, Queens, New York, to formal music training in war-torn Greece to phenomenal triumph in the world's most renowned opera houses. She also provides descriptions of opera plots, costumes and sceneries, and admirably captures the economics, passions and egos that drove the major players in Callas's life, including her most famous paramour, Aristotle Onassis, and her publicity-seeking, self-martyring mother. "There was something of Norma Desmond and Sunset Boulevard about Maria's life after Onassis and her voice died," Edwards writes, describing Callas's lonely final years. Edwards recounts, too, the star's death at 53, her dispiriting funeral ("A high wind rose just as the ashes were being offered to the blustery sea, and some of them flew back and landed on the clothes of the mourners") and the grifters who swooped in to feed on Callas's financial remains. Edwards's riveting book is sure to prompt new interest in Callas's dramatic life. Two 8-page b&w photo inserts. Agent, Mitch Douglas. (Aug. 20) Forecast: Certain to lure Callas cultists, but its appeal is likely to be much wider; several of Edwards's biographies have been bestsellers, and this one, too, has strong commercial potential.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 368 pages
  • Publisher: St. Martin's Griffin (February 27, 2003)
  • Language: English
  • ISBN-10: 0312310021
  • ISBN-13: 978-0312310028
  • Product Dimensions: 9.1 x 6.1 x 0.9 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 2.6 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Best Sellers Rank: #1,374,220 in Books (See Top 100 in Books)

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Customer Reviews

16 Reviews
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Average Customer Review
2.6 out of 5 stars (16 customer reviews)
 
 
 
 
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14 of 16 people found the following review helpful:
3.0 out of 5 stars Flashes of interest, but mostly repackaged gossip, September 18, 2001
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With so much biographical literature already available on Maria Callas, any new volume at this point, almost a quarter century after her death, had better be prepared to offer something truly new in the way of either information or insight. Although Anne Edwards is a respected biographer of famous, unhappy women (i.e., Viven Leigh, Princess Diana of Wales), her latest effort does not, on the whole, meet this standard.

There are new details about Callas' life that pique the interest: a closer recounting of her miserable years in wartime Greece, painting her mother Litza in even blacker colors than in previous material; gossip about Onassis' encounters with other famous women (I had never heard, for example, of his alleged youthful affair with another diva, Claudia Muzio); and more detail about the tangled web that was woven after her death, when the pianist Vasso Devetzi, who had befriended her in her last years, swindled her mother and sister out of literally millions of dollars from the singer's estate. These tidbits are recounted with enough authority to make the reader wonder where the information came from, since Edwards provides only scanty documentation about her sources. Her refutation of Nicholas Gage's claim of there having been a Callas-Onassis "love child" proves to be largely assertion and re-interpretation of existing fact. Set against this is the mostly familiar retelling of stories that have been told ad nauseam--the feud with Bing, the Rome walkout--perpetuating in some cases falsehoods that have been disproven. Edwards proves unable to shed new light on what created the excitement about Callas in the first place--her vocal and dramatic abilities that made her the most charismatic operatic performer of her time. A plethora of careless misspellings that could easily have been checked (Renata "Tibaldi", "Katrina" Paxinou for example), further undermines credibility when she attempts to address the diva's career.

The reader who wants true insight into Callas' unique artisty should investigate vastly superior writing by John Ardoin, Gerald Fitzgerald, George Jellinek and Michael Scott. As far as gossip about her life is concerned there are any number of books by people who actually knew Callas. For that matter, Arianna Stassinopoulos' effort from the early eighties is better written, and if she plagiarized her material, as some assert, she at least stole from authoritative sources.

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5 of 5 people found the following review helpful:
4.0 out of 5 stars Another fine effort from Anne Edwards, January 20, 2002
Not having read any biographies on Maria Callas before, I can't judge against other authors' works on the subjects. ...I really enjoyed this version of Callas' work and art. I will second the ... opinion ... of Anne Edwards omitting dates/years when recounting major events--it did make it difficult to place these events in their proper context/chronology.

However, overall I found the book's emphasis on Callas personal life as well as her artistic life to make for a very well-balanced view. I would recommend it to anyone interested not only in opera, but in the life of a great legend! One other shortcoming would be Edwards' lack of attention to the details of Callas' performances--this is not a technical look at her voice, but a general overview of her unique gifts of displaying real emotion through her voice and gestures, both on the stage and in the recording studio.

Viva La Divina...

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6 of 7 people found the following review helpful:
4.0 out of 5 stars A balanced account of Callas' life and art, August 4, 2001
By 
Raquelle Dommage (Brooklyn, New York United States) - See all my reviews
This is not yet another sensational biography of Maria Callas. It was difficult to come with a new outlook of Callas' life and career and Anne Edwards hasn't tried to do that. She has tried, and possibly succeeded in balancing Callas the Artist and Maria The Woman, a feat attempted by many previous biographers, but hardly ever successfully. For a purely musical history of Callas, Ardoin remains the ultimate reference. Also, Edwards omits certain anecdotes inextricably linked with Callas, such as her return at La Scala as Anna Bolena in 1958 (after the Rome walkout) when she hurled her lines at the public and won them over by doing just that, and takes liberties with other stories (for example, she only attacked Ghiringhelli at her last Scala performance of "Pirata", not at every performance ; there are other such examples). It would have been helpful for the serious reader to know where Ms. Edwards got some of her more sensational information (Callas' sexual relationship with Visconti, Meneghini's supposed homosexual proclivities, etc). Was she able to interview Callas' maid and butler, Bruna and Ferrucio, who apparently only agreed to open themselves to Nicholas Gage ? In spite of its imperfections, I would consider this one of the best Callas biographies to-date. Twenty-four years after her death, Maria Callas remains the most fascinating character ever to have graced the operatic stage. Whether she did have a child by Onassis or not won't alter the fact that she was an incredible performer, a magnificent singer, and probably a very decent although troubled and ultimately very unhappy human being.
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Inside This Book (learn more)
First Sentence:
UNLIKE THE OTHER Greek immigrants on the huge ship taking them from Athens to New York City, George and Evangelia Dimitriadis Kalogeropoulos and their six-year-old daughter, Yacinthy (Jackie) occupied a cabin in the first-class section. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
dramatic soprano, chiffon gown
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Maria Callas, United States, Covent Garden, Madame Trivella, Monte Carlo, Athens Opera, Sir Winston, Mexico City, Anna Bolena, National Conservatory, Buenos Aires, Elsa Maxwell, Prince Rainier, Renata Tebaldi, Athens Conservatory, Costa Gratsos, Michel Glotz, Madame Callas, Maggie van Zuylen, San Francisco, Tullio Serafin, Aristotle Onassis, Georges Mandel, Metropolitan Opera
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