From Publishers Weekly
Pitcher and Morris (previously paired for The Time of the Lion) turn to Chilean folklore for this atmospheric story. After a storm, lonely, old Mariana discovers a baby enclosed in a crab shell that has washed up on the beach. The child is a merbaby, and her mother, a resplendent sea spirit ("...tall as a mast. Her hair flamed red and her skin shone as if polished by the sun with mother-of-pearl"). The mother asks Mariana to keep the child, just until the seas calm. Morris's style evokes both the solidity of indigenous art, with heavy, low-to-the-ground characters, and ethereal, fairy-tale illustration, as in the delicate colorations of the merbaby's red tail. Flowing watercolors picture an ocean both bountiful and violent, and lyrically import Pitcher's imagery of sea-wolves that crest upon turbulent waves. Closely framed compositions allow Mariana to dominate most spreads, subtly conveying her initial loneliness and later suggesting her joy in the red-haired merbaby--and her pain when she must surrender the child. Half-page and three-quarter-page illustrations face occasional textile-like borders, finely wrought spot art and narrow vignettes, creating a visual rhythm that mimics the ebb and flow of the sea. Matched with Pitcher's sparkling descriptions (e.g., Mariana's fire "spangles [the merchild's] tail with pink and vermilion"), the art conjures a folkloric world, where nature is no less mysterious than magic. All ages. (Mar..-- tail with pink and vermilion"), the art conjures a folkloric world, where nature is no less mysterious than magic. All ages. (Mar.)
Copyright 2000 Reed Business Information, Inc.
From School Library Journal
Grade 1-4-Old Mariana lives alone in her ramshackle hut on the beach. During the day, longing for companionship, she tries to befriend the village children who tease her behind her back. At night, she hides in her hut, afraid of the sea-wolves that come out to hunt when storms set in. One morning after a vicious storm, Mariana finds a large crab, which splits in two to reveal a Merbaby. Mariana wants to keep the child, and her wish is granted when the infant's mother, a Sea Spirit, asks the old woman to look after her "until the seas lie calm" and it is safe to take her home. As they watch Mariana and her charge laugh and play, the village children overcome their fears, and when the Merchild finally leaves, they comfort the grieving Mariana. At times the language sounds forced, making the rhythm choppy when read aloud. However, Morris's dramatic paintings, done in reds, blues, and greens, make the story come alive. The subtle details in the borders, the clothing designs, and the household interiors provide a sense of setting and time. The realistic portrayal of the people adds to the tale's magic. While not an essential purchase, libraries looking for Latino folktales or stories about merfolk would do well with this one.
Tali Balas, Ethical Culture Fieldston School, New York City Copyright 2000 Reed Business Information, Inc.