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21 of 21 people found the following review helpful:
5.0 out of 5 stars
The Beauty of Imperfection, December 12, 2003
Those who enjoyed Talk Talk's Spirit of Eden and Laughing Stock should find much to love in this solo outing. Do not expect virtuosity. Coming into Mark Hollis with such an attitude will cause you to miss the point of this album. This is about emotion, and the very frailties that make us human. If you seek machine-like precision and processed-to-death sounds, look elsewhere. Mark Hollis is a much more *intimate* album than that. Imagine sitting in a circle of musicians, tucked safely away in a back room somewhere, playing without an audience, without pressure. On occasion, a chair squeaks or someone misses a note, or someone joins in just ahead or behind where they "should"...but that's *not* what matters. Instead, it is the private communion with each other, and with the music created between them, that matters. Unconstrained, slowly flowing along from one song to the next, it's rather like a beautiful, spontaneous practice session committed to tape. In today's world of grandeur and overprocessed everything, this is a value we've forgotten. Perhaps that's why Mark Hollis so stirs the heart.Mr. Hollis' voice and lyrics are as vulnerable as ever, and these soft, melancholy wanderings offer an intriguing contrast to the open, sometimes even refreshing, uplifting arrangements. While never building into the crescendoes of Spirit of Eden's "Inheritance" or Laughing Stock's "Ascension Day", there is certainly enough of interest to keep the ear engaged. Soft and subtle are the key words here. Listen for the murmurring choir in "A life (1895-1915)" for such beauty...I could live in that gorgeous section forever. While, to be honest, I do not listen to most of the lyrics (they are rather depressing, but furthermore, Mr. Hollis has always focused on tone and expressiveness more than on clear enunciation anyway), I was very impressed by the lyrics of "A new Jerusalem", which seem to capture quite accurately the desolation left in the aftermath of war. This is the return of the shell-shocked soldier to a home that has been ravaged in his absence. I showed this song to a friend who has been personally affected by war, and he was quite moved. We both focused immediately, on our first listenings, on these lines: "Heaven burn me Should I swear to fight once more." This song is lyrically on the level of "New Grass" or "I Believe in You", and that alone is worth the price of the entire album, as well as the stunning music of "A life (1895-1915)". Of course, there is not a bad track to be found on this album. If you cannot tolerate minimalism, imperfection, or improvisation, I recommend looking elsewhere--but if you can keep an open mind, Mark Hollis is well worth obtaining. And, as with the solo works of Pink Floyd's keyboardist Rick Wright, this is an underappreciated work where too few copies were made--so be sure to get it before supplies run out.
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