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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Douglas Fairbanks decides to try swashbuckling in a film, December 29, 2001
Before the 1920 silent classic "The Mark of Zorro," Douglas Fairbanks had made a series of comedy-dramas like "Flirting With Fate" and "A Modern Musketeer" where he could show off his athletic abilities as a cheerful All-American hero. But in "The Mark of Zorro" he tried his hand at swashbuckling for the first time and quickly became the premier action hero of his day in films such as "The Three Musketeers," "Robin Hood" and "The Thief of Bagdad." The character of Zorro had only appeared the year before in "All-Story Weekly" with Johnston McCulley's five-part serial "The Curse of Capistrano." Fairbanks adapted the story himself for the screen (under the name Elton Thomas), telling the story of the foppish Don Diego Vega and his dashing masked alter-ego, Senor Zorro. The story is set in the California of the 1820's, where Don Diego has no success in courting the beautiful Lolita (Marguerite de la Motte), who only has eyes for that vigorous Zorro fellow. When Lolita and her family are imprisoned by the corrupt Governor Alvarado (George Periolat) and his evil henchman, Captain Ramon (Robert McKim), Zorro rallies the caballeros to join him in saving the day, the girl and the rest of California in the bargain. This is one of the finest adventure films of the silent era, with plenty of "swording" for those of us who like such things. Zorro owes something to the Scarlet Pimpernel in creating the superhero stereotype of the ineffectual secret identity who turns into a crusader for justice such as Clark Kent/Superman, Bruce Wayne/Batman, Peter Parker/Spider-Man, etc. If you are a fan of either the silent era or swashbuckling, then sooner or later you have to ride the path of justice with Fairbank's Zorro.
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15 of 17 people found the following review helpful:
5.0 out of 5 stars
Silent movie viewer's guide, May 1, 2002
I am afraid that silent movies are not for every taste. But complaining about a silent movie being bad because it is, well, silent is like complaining that a talking movie is bad because it, well, talks. As with any entertainment from a different era, silent films require patience and an open mind to get the proper feel of. Some people can do this, some people can't, that does not make either side an inferior species. After having just rewatched this film, I must say that I still find it quite enjoyable. (I have seen every readily available version of Zorro) This is still the best of the lot in my opinion for several reasons. First, no pretentions. Second, very good action. Third, wildly imaginative stunts for the time. I do hope you will give this movie a fair chance, silent films are a fascinating intellectual challenge to a modern filmgoer and will widen your film appreciation. Set your mind back to 1920 and savour the taste of the era.
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13 of 15 people found the following review helpful:
5.0 out of 5 stars
The Greatest Zorro of them all, November 11, 2001
This is the definitive Fairbanks vehicle and quite possibly the finest silent action movie ever made. Of course, Fairbanks is known for his imaginative stunts but the duels and chases in this movie are incredible even by Fairbanks standards. The plot is a familiar one, Don Diego is a seemingly foppish landowner who dons a black mask and fights evil as Zorro. Fairbanks's talent for comedy is well exploited here. His juevenile antics as Don Diego drive everyone, including his leading lady, nuts. (A running gag is for Don Diego to take out a hanky, ask his audience if they have seen this one, and will proceed to do a very silly trick with it.) Of course, once he's Zorro the fighting is furious. The duels easily rival the action sequences of modern movies. And the grand finale, a chase across the rooftops, in and out of windows, up walls, over fences, etc. etc. was so amazing that I had to see it again to believe it. Just one last note, if you have never seen a silent movie before keep in mind that the acting style is totally different from talkies. Movements are exagerated for affect. The soundtrack can be overwhelming at first. But once you get used to them, they are a very refreshing breather from modern movies. Let this movie be your introduction to the unrivalled swashbuckler, Douglas Fairbanks sr.
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