Recently breaking the record price for post-war art at a Sotheby’s auction, Rothko’s White Centre (Yellow, Pink and Lavender on Rose) is indicative of this artist’s tremendous and enduring legacy as a master of color. This beautifully produced, oversized monograph presents roughly 100 works (70 paintings in full-color plates and 28 drawings) from private and public collections, tracking the evolution of his signature style. The monograph begins with Rothko’s early work, focusing specifically on the delicate hues and subtle textures of his relatively small paintings on gesso board. It continues with an exploration of the stratified and chalky color that appear in his surrealist works that signal his increasing pull toward abstractionism and ends with a survey of his mature works, where all of these techniques culminate into the gradated colors in rectangular forms that would become hallmarks of his style. The portion addressing his late works is divided into three sections: a group of paintings from the early 1950s; ten paintings that were shown at the 1958 Venice Biennale; and the nucleus of the former Panza Collection. The Blackform paintings from the 1960s and the ultimate Black on Greys conclude the monograph, providing glimpses of an even more austere art at its inception, and creative horizons the artist would die before realizing. A fine selection of works on paper is also included to outline specific aspects of each period of Rothko’s artistic career.The book also includes a tribute by Michelangelo Antonioni, an interview by Gillo Dorfles, a preface by Christopher Rothko, five essays by international specialists, a chronology, and a complete bibliography.
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Book Description
Editorial Reviews
About the Author
Oliver Wick, critic and art historian, is Guest Curator at the Fondation Beyeler, Riehen/Basel.
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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Not the same book as the search inside function,
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This review is from: Mark Rothko (Hardcover)
Amazon have been doing this alot lately, linking books and making it appear they are reprints of the same book when in fact these three linked Rothko titles are three different books. So the customer reviews here also relate to three distinctly different books and the search inside function only shows you the paperback book.
After a bit of research it appears that this Skira publication has 204 pages, 90 colour plates depicting 70 paintings and 28 drawings. It is a catalogue to accompany an exhibition in Rome and has different contributors than the other two books. THe paperback Rothko book by Yale has 376 pages and was published to accompany an exhibition in Washington in 1998. I own this and am happy with the reproduction quality. It has 116 colour plates. THe other hardback Rothko book has 204 pages, 102 colour plates. It is very misleading of Amazon to link the three and hard to make an informed decision whether to buy the title or not based on the info provided.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Beautiful reproductions,
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This review is from: Mark Rothko (Hardcover)
This is a very fine collection and reflects more than just Rothko's colorfield paintings. There's a bit of biographical information and some nice commentary, but that isn't really the focus here. The beautiful reproductions are the real reason to purchase this book over other Rothko volumes. There are quite a few Rothko books around these days. Some have better commentary and criticism, while others have more extensive biographical information. What this Skira edition has going for it is the amazing reproductions.
I've seen a few complaints concerning the color and image quality. I'm not sure if these reviewers received, but my edition is stunning. When looking at Rothko reproduced, it's important to remember that he intensionally thinned his colors. Often when we see a Rothko reproduction, the color is too saturated - sometimes to the point that we might as well be looking at a Barnett Newman! Anyone who has had a chance to see a Rothko colorfield in all its glory will doubtlessly find this collection to be faithfully reproduced, and without enhancement. My favorite feature of this book is the size. Naturally, it's woefully inadequate when compared to seeing one of his paintings in person, but since we don't all live near a major museum, this book will suffice. The size is large enough that the paintings begin to fill your field of vision, so long as you're holding it in front of you. With smaller reproductions, you don't get the same sense of space, and thus, you lose a great deal. This book (about one square foot) seems to strike a balance between size and affordability. Taschen will inevitably publish a massive four foot tall Rothko edition at some point, but even when they do, I sure won't be able to afford it! If you're looking for a great collection representing each of Rothko's periods with uniformly excellent quality, this book is for you.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Italian Rothko,
By Claude Reich (Florianopolis, Brazil and Paris, France) - See all my reviews (TOP 1000 REVIEWER) (REAL NAME)
Amazon Verified Purchase(What's this?)
This review is from: Mark Rothko (Hardcover)
This is the accompanying catalogue for a Rothko retrospective held at the Pallazzo delle Esposizioni in Rome, in late 2007 early 2008. It is very complete and full of high-quality illustrations that cover the entire career of the artist.
Now, the text is specifically centered on an unusual aspect: Rothko viewed through an Italian lens. This study angle allows the authors to tackle such themes as the dual quality of Rothko's oeuvre -modern and at the same time anchored in tradition, especially and surprisingly, in Italian tradition (here the argument is buttressed by the study of one of Rothko's transitional sketchbooks that recall Renaissance roots)- the philosophy of the artist, his journeys through Italy ("the memory of Italy is glorious" he once said), and some more particular points such as his relationship with the Italian director Michelangelo Antonioni, and the critical reception of his works in Italy. So many books are available on Mark Rothko that it is no small feat to have published one that brings new life to his oeuvre through a heretofore never studied aspect of it.
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